The year was winding down, and my own workload was heavy. Hard times meant a big upswing in fraud. Even though my clients were slower in paying their bills and negotiating reduced fees for big inquiries, I still had more business than I could comfortably handle.
The only times I saw Jake were when I could make it to one of his concerts; now and then, I’d go out for a late supper with him and some of his fellow musicians. We spent Christmas Day together, and then he left to visit his mother and sister in Seattle.
Lotty and Max flew to Morocco over Christmas; Petra went skiing in Utah with her mother and sisters. Even Mr. Contreras left, although it was only to drive to Hoffman Estates, near O’Hare, where he spent a few days with his unhappy daughter and her two sons. I didn’t like the feeling of isolation, home alone in Chicago. I put the dogs in a kennel and flew down to Mexico City for a week of art, music, and warmth.
The return to Chicago the day after New Year’s felt in some ways like the descent to the Underworld. No sun, bitter cold, sick friends, and a dozen messages from unhappy clients who wanted to know if I really cared about their business or if I was just living it up on their money. Within twenty-four hours, sun and dancing seemed as remote as the end of the galaxy.
The Thursday after I came home, I left a client meeting in the Loop that had run until almost nine. I was walking east, toward the Dearborn L, imagining dinner, a drink, and a bath, when Petra texted me: rgent biz cll @ 1s—urgent business, call at once. I felt young and hip when I realized I had translated it effortlessly.
“Vic, you have to come over right now!” she cried when I phoned.
“Over where?” I demanded.
“The club! Someone just tried to kill the Body Artist.”
I ducked into a building entrance so I could speak to her away from the street noise and the cold. “When? Have you called the cops?”
“She won’t let us. She says it’s nothing. Can you please come?”
“Let you? You don’t need her per—”
Petra cut me off with a hasty, “Gotta go, table 11 is screaming for their drinks,” and hung up. I thought wistfully of my bath, and my bottle of Johnnie Walker, but hopped around the slushy curbs on Dearborn and continued east to Wabash and the Lake Street L.
This time of night, the L is full, with students getting out of night school and weary late workers like me heading home. Most of my companions had little white wires snaking from pockets to ears, making them look as though their heads were being transfused. A number of them were texting at the same time or listening to their earclips. They looked like the descendants of Alien Nation getting commands from the mother ship.
I got off the train at Ashland and hurried to Club Gouge as fast as I could on the icy sidewalk. Even though it was a weeknight, the parking lot was almost full. The people coming and going through the club’s doors seemed to be chattering normally, not with the hushed excitement they’d show around a crime scene.
The bouncer was inspecting people’s bags and backpacks before letting them in. That was the only sign that something unusual had happened. No one protested—we’re all inured these days to being searched. Pretty soon, we’ll have to get undressed before we walk into our apartment buildings at night, and we’ll probably submit to that without a murmur.
When I reached the front of the line, I showed the bouncer my PI license and explained that Petra had summoned me. The bouncer, Mark, looked me up and down but nodded me into the club.
“I don’t know if the Artist’ll talk to you,” he said, “but she’s in the back. Her performance starts in about twenty minutes—I’ll get Petra to take you to her.”
“What happened?”
Mark shuffled his feet.
“She’ll tell you herself. I’m not a hundred percent sure.”
I looked at him narrowly, wondering what he didn’t want to reveal, but went into the club. Olympia was behind the bar, helping the two bartenders keep up with the orders. As the Body Artist’s performance time was drawing near, the club was filling, and drink orders were piling up.
Olympia was striking, with her dyed black hair and the thick streak of white over her left eye. She was dressed in black and white, too, as if she, like the Body Artist, were a canvas on display. Tonight she was wearing a pantsuit that shimmered like oilcloth under the lights. The jacket was open to her breastbone, where you could see the fringed top of a white camisole.
My cousin was easy to find. At five-eleven, with her halo of spiky hair adding another three inches, she towered over most of the room. When I tapped her arm, she finished delivering drinks to four tables without missing an order and then waltzed me behind the stage to the small changing room set aside for performers.