at home, too. A lot of the writers do most of their work at home. Can you imagine trying to work with Jason Tompkin blaring away all day?”
This last was said loud enough for Tompkin to hear, but all he did was laugh again and say, “Stimulation, darling. I was stimulating him, but Marc was too uptight to enjoy it.”
I followed Aretha to her own desk. The research assistants and fact checkers were another peg down from the writers: her desk wasn’t in a cubicle but one of four put together to make a square. She slipped the disk into her own computer, skimmed through the contents, but said there wasn’t anything current on it.
I leaned over her shoulder to study what was on the screen. She brought up the file that showed Kylie Ballantine’s history. It was annotated with his sources, mostly private papers labeled “VH”-“The Vivian Harsh Collection at the Chicago Library,” Aretha explained. When she realized I was trying to scribble notes off the screen onto my own notepad, she printed out a copy.
“I can also give you the back issues of T-Square where he wrote about Bronzeville already. They’ll tell you some of the history. There’s nothing here about his new story. If his sister has his things, she’ll have his notebooks and stuff. Do you think-could you ask his sister-I’d love to have one of his notebooks …”
I promised her that as soon as I’d sorted through what he’d left in his house I’d see she got some of his personal papers. I was disappointed, though: I’d hoped for some kind of breakthrough here, or insight. But maybe there wasn’t anything to find. Maybe Marcus Whitby had gone to talk to Calvin Bayard-but about what? Blacklisted writers whom Bayard might have known? He hadn’t mentioned it because you weren’t supposed to go to Bayard about anything. And then he’d gotten lost on his way back to his car. He’d tripped on the loose bricks and fallen to his death. It could have happened.
“Why didn’t Simon Hendricks want to let me know what Marc was working on if there isn’t anything very secret about it?” I asked Aretha as she waited with me for the elevator.
She shifted uncomfortably. “Oh, corporate stuff, you know…”
“Oh.” I grinned, suddenly making sense of Jason Tompkin’s laughter. “He didn’t want a white woman poking around?”
She blushed. “It’s not personal. But Mr. Hendricks, well, he came up in the organization when Mr. Llewellyn was still fighting every inch o? the way, to get funding, to get distributors, everything. I think he would have expected the Whitby family to hire a different investigator.”
As I rode the elevator back down to the lobby, I hoped Hendricks was wrong.
CHAPTER 11
A Child’s Garden of Verses
BMWs and Mercedeses stood three abreast on Astor Street as parents and nannies waited to fetch their children from the Vina Fields Academy. Chicago taxpayers were helping out: city cops had blocked off the street and were directing outsiders like me away from the area. I found a sort of legal space on Burton Place and sprinted back, but the students hadn’t yet started to emerge.
I was cutting it close because I’d hung around the entrance to Llewellyn Publishing hoping Jason Tompkin would come out for lunch-he hadn’t seemed like the type to eat at his desk. After fortyfive minutes, when I was about to give it up, he’d emerged with a couple of coworkers. One of them was Delaney, Simon Hendricks’s assistant, who frowned when she saw me. The third was the woman Jason had been talking to when I was in Marc Whitby’s cubicle.
Jason Tompkin came over to me, tipping the beret he was wearing. “Ah, the special investigator, looking for the X-Files. What can I do for you?” His voice and smile were without malice; I had to smile in turn. “X-Files is right. I was hoping, since you worked right next to Marc Whitby, you might have heard something-anything-that would explain why he’d gone out to New Solway. Aretha said you all weren’t supposed to talk to anyone at Bayard about work in progress, so I did wonder if he’d had a surreptitious appointment with Calvin Bayard.”
Delaney said, “Marcus Whitby thought being a star reporter, he could write his own rules. It wouldn’t surprise me if he thought he could bypass Mr. Hendricks’s orders about this, too.”
“And did he?” I asked Tompkin.
“I like to feed the rumor mill as much or more as the next man, but I unfortunately did not hear the ace reporter talking to or about the Bayard empire. He was working on something he thought was pretty hot, that much I can tell you, but he made sure I never heard him actually say anything.”
“When did that start? His acting like he had something pretty hot?” Jason shrugged one slim shoulder. “A week before he died, maybe. He’d started making a lot of calls, started hanging by his phone so he could jump on it when it rang. Being a finalist for the Pulitzer gave him a taste for glory. He kept hoping he’d got that big prizewinning story in his sights.”