“That’s Olin,” Geraldine sat up in surprise, ignoring the car’s gyrations. “And Marc Whitby,” I agreed.
I pulled over as close to the edge of the road as I could without going into the ditch and rewound the tape to the beginning. Marc apparently had put his tape recorder in his pocket or a briefcase, but hadn’t turned it off, he’d recorded the whole conversation.
Olin laughed thinly. “The Negro dancer-what was her name? Ballantine, yes, that’s right. She was very exercised. But I told her she had made a gross error in judgment if she thought weeping and shouting would change my mind: emotional women have always disgusted me. And an emotional Negress is a terrible parody of feeling.”
“Is that why you sent the letter to the university demanding that they fire her?” Marc asked. “Because her emotions disgusted you?”
The muffled mike didn’t pick up everything Olin said, so the first part of his response was missing. “The University of Chicago deserved better than the Red faculty that infested the campus in those days. She was one I could prove to have an association with a Communist front. If I could have proved it about any of the others, I would have seen that they lost their jobs, too, young man. Don’t imagine this was about race or about sex. It was about the safety of America.”
“I’ve seen the photograph-it’s in the university archives. How did you know it was Ms. Ballantine? And how did you know where it was taken? I guessed it was her troupe because the masks were like those she’d brought back from French Equatorial Africa, but you couldn’t have known that.”
“I haven’t talked about this for forty-plus years, young man. Why should I tell you?”
“Because I’m going to write about it. If you don’t tell me your story, I’ll make assumptions about what you did and why you did it, and that will be the version that the whole world will know.”
The tape was muffled here, but then Olin called out to Domingo Rivas to help him get to his desk. I hadn’t seen Marc’s tape recorder anywhere, but he must have owned a good one, because it picked up the sound of Olin’s walker tapping across the floor. Marc apparently followed him, because I could hear Rivas’s soothing murmur, “Yessir, here we go, sir, a few more steps,” and then the noises of the lock in the drawer scraping open and Olin muttering what Rivas had reported when we spoke last week: “I am old and the time for holding on to secrets is past. Even the secrets that I’ve kept from myself.”
Papers rustled. It was maddening to sit in Marc’s car and not know what he’d been reading.
After a moment, Olin said, “I signed one copy, Calvin the other. Julius Arnoff witnessed the documents and put a third copy in Lebold, Arnoff’s vaults.”
Marc exclaimed, “But why did you sign it?” “Calvin signed one copy of what?” I screeched. “Mr. Bayard sent you the photograph?” Marc said. “He gave it to me. After Llewellyn sent me to him.” “Mr. Llewellyn?” Marc echoed. “Who owns T-Square?”
“Oh, you work in his organization, don’t you, young man? I had forgotten T-square was his precious magazine. Yes, he’d signed all those checks and we had him dead to rights. Bushnell wanted to lock him up: he hated Negro agitators even more than he hated Reds, and he figured Llewellyn as a Red-and-Black agitator. But I knew what kind of slippery bastard Calvin could be, so I believed Llewellyn. We called Calvin before the committee. He sat there smiling as though he owned the world. My God, I hated that smile more than anything else about him. I let him smirk his way through his testimony, and then I made a mistake.”
Marc was too experienced a reporter to push; he waited until Olin picked up the story himself. “I confronted him after the meeting and told him we had Llewellyn’s testimony. That I was going to put it into the record the next day, that he’d bullied Llewellyn into writing those checks. Unless Calvin began naming names. And if he didn’t, he could go to prison. He said he’d have to think about it, but I knew Calvin would never go to prison. He loved himself too much-he wouldn’t make the grand gestures of people like Pelletier or Dashiell Hammett. Calvin came back to me two days later with the dancer’s photograph. And Pelletier’s name. Of course, we already had Pelletier in our sights, and we didn’t care much about the dancer.”
“Only enough to destroy her career.” Marc spoke hotly, forgetting his reporter’s facade.
“She destroyed it herself, young man, by taking part in those Communist activities. But we couldn’t prove she’d ever given them money, or been a party member, so we let her go. I told Calvin he had another day to give me some real names, and he came back in the morning-with that letter.”