As the terrified people ran for their lives, the same strange electronic voice from the first phone call started up like a documentary voice-over.
“During the 2004 tsunami in the Indian Ocean, two hundred thirty thousand people died within minutes as a thirty-foot-high wave struck coastal areas of Indonesia, Sri Lanka, India, Thailand, Somalia, and the Maldives. It was caused by a massive undersea megathrust earthquake. But that isn’t the only way tsunamis are created.
“Welcome to an undisclosed location,” said the voice as the image on the screen shifted.
Up-to-date digital film was showing what looked like some type of cave or mine corridor. A beam of light moved along a rough, brownish-grayish rock wall in a descending, low-ceilinged shaft. When the light and camera panned left, a thin braided-steel cable hanging from rock bolts embedded in the wall came into view. Running alongside it was a red plastic-coated cable of some kind—electrical, maybe.
The camera stopped as the red cable suddenly led into a large rectangle of strange white blocks. It looked like explosives—a charge the size of a kitchen cabinet stuck to the rock wall. The camera shifted to the center of the shaft, where the length of cables running down the seemingly endless corridor revealed charge after charge after charge stuck to the wall.
“This is Semtex,” the voice said as a hand clad in a black work glove patted the explosives. “The red cable is detcord, and the steel cable beside it is for spreading the force of the blast nice and even, to maximize shear. It’s not the most elaborate bomb I have ever made, but it is certainly the biggest. After all, there is an elegance in simplicity sometimes.
“As I have possibly convinced you with the subway bombing and the razing of 26 Federal Plaza, I am actually pretty good at blowing shit up, no? I like to think that no one has ever been as good at it as I am, but that is for history to decide, I guess.”
As the cameraman turned all the way back around, in the distance, up the shaft, we could see a bright opening in the tunnel, thin clouds in a pale-blue sky.
The camera guy started walking up toward the opening, and then as he reached it, everybody in the room gasped.
Through the cave mouth or mine shaft or whatever it was, the camera showed a bunch of dark, jagged volcanic peaks and a sheer drop-off down an immense cliff into a crashing ocean. The cave mouth was insanely high up—a hundred stories, maybe two hundred. Far below, down the dizzyingly immense slope of the mountain, there were dozens of little moving dots—seabirds flying above the spraying surf.
“Here’s what you need to know now,” said the voice. “If my calculations are right, and I believe they are, when I carefully detonate my network of explosives, I will peel off this entire peak and send a landmass roughly the size of Manhattan Island into the Atlantic Ocean at more than a hundred miles an hour.
“According to my computer models, this slide will create a tsunami a little more than twice as powerful as the 2004 Indian Ocean tsunami and send it directly into the Eastern Seaboard of the United States. Six hours from the time I detonate, Manhattan Island will be inundated with an unstoppable seventy-five-foot wave.”
“No,” said Arturo, beside me, in a whisper to the screen. “Just no.”
“New York City will be destroyed. As will Miami and Baltimore and Boston.”
There was a pause in the narration.
“I have one simple demand. Within twenty-four hours, I want three billion US dollars deposited into a list of numbered accounts that I have already sent to the mayor’s office by e-mail. That this amount is roughly the equivalent of the mayor’s personal fortune is not accidental. She can divert her money easily in the time allotted. The question is, will she? Your city’s fate lies solely in her hands.
“There will be no negotiation. The money will either appear in the accounts in the time allotted, and tomorrow will be just another day. Or it will not appear, and I will wipe New York City, along with the rest of the eastern United States, off the map.”
There was a second pause.
“Please know that, of course, any attempt to find and approach the place where the bombs are now located will result in immediate detonation. I will not contact you again. That is all.”
CHAPTER 77
HALF AN HOUR later, we were in the insanely crowded OEM’s seventh-floor war room. The packed, open room had monitors everywhere. Monitors on desks, monitors built into a long cherrywood conference table in the center of the room, and a movie screen–like monitor that took up an entire wall.