The Lonely Mile

“Good. These are professional-grade acoustical tiles, very expensive and very effective at accomplishing their purpose. And do you know what that purpose might be?”


Amanda shook her head again, confused and disoriented, but not so confused that she couldn’t tell he was playing with her, taunting her. Somehow this meaningless little humiliation hurt worse than all the indignities he had forced on her over the past week. It was the last straw.

She closed her eyes and sniffled as the tears came harder. She knew the man well enough by now to know this would only infuriate him, but she couldn’t help it. Of course, she was right.

“Answer me!” he shouted. “What is the purpose of these incredibly expensive tiles?”

“I don’t know.” Amanda sobbed, not wanting to die but wishing that, if his plan was to kill her, he would just hurry up and do it already.

“Thank you,” the man said with exaggerated politeness. “Now, was that so hard?” The swiftness of his mood changes was unpredictable and frightening. “Since you’re now showing an interest, I’ll tell you. Those professional-grade acoustical tiles are so expensive because they are extremely effective at muffling noise and preventing it from leaving this room. Radio stations and music studios use them to preserve the integrity of the recording and broadcasting process, and the people I deal with use them to preserve the integrity of their operation, which, in this case, means not allowing anyone outside of this room know that you are here inside it.

“Now, in case you’re wondering, and undoubtedly you are, this little “office,” as I like to call it, is located in an out-of-the-way area surprisingly free of traffic. Not many people come here at all, either by car or on foot. But in the event someone does pass by while you’re here, you can scream all you want at the loudest volume you can manage, and all you will achieve for your effort will be a set of strained vocal cords.

“My point, sweetheart, in case you are so addled by my drugs you need me to explain it, is that, even though I will be leaving soon, and I’m not sure how exactly long you’ll be here, it will do you no good to call for help. It would be a pointless waste of effort and would only serve to tire you out for no good reason. There is a bright side, however. I know you fear for your life, but you needn’t. My home was merely a waypoint for you, and your stay, as pleasant as it was for both of us, represented no more than a temporary interlude for you before continuing your journey to your new, permanent home.”

Amanda shook her head. “Permanent home?”

“That’s right. I’m not exactly sure where you’re going. It might be the frozen wastelands of Russia or the deserts of the Middle East. It all depends upon who my contacts are currently negotiating with, but I can tell you it won’t be here in the United States, or even on the North American continent. That would be too risky for all involved. Do you understand?”

Amanda nodded. She understood. She wished she didn’t, but she did. She tried again to raise her sagging body and sit upright in the chair. It wasn’t easy, with all four limbs duct-taped to a big, wooden monstrosity that looked like an electric chair—not to mention with the drugs coursing through her body. She strained and worked and eventually managed it, and she felt marginally more comfortable. But the tiny enclosure with no windows felt like an oven.

Her stomach lurched again. Sweat streamed down Amanda’s forehead and into her eyes, stinging them and mixing with her tears, and her vision jumped and blurred. She vaguely registered her scraggly captor turning and walking toward the door.

At least it looked as though there would be no gag stuffed into her mouth—why bother if nobody could hear her scream anyway? When he reached the door and swung it open, taking one last long look back at her, she threw up all over the floor.

Her captor shook his head in silent rebuke and walked out the door into the bright May sunshine. It slanted in through the open door for just a moment like an unfulfilled promise, and Amanda wondered if she would ever see the sun again. He closed and locked the door. She waited to hear the sound of his rattletrap truck starting up, of him driving away, but she didn’t hear a thing. Of course, the incredibly expensive acoustical soundproofing tiles.

She counted to one hundred in her head, nice and slow, and when she was sure he must be gone, she tested his theory about the tiles. Amanda Lawton screamed.

And screamed.

And screamed.

And he must have been right. Because nobody came.





CHAPTER 2


May 22

MARTIN KRALL WAS A ghost. He was a wraith. He was legendary. He haunted Interstate 90, its ribbons of pavement winding their way through the mostly rural towns and thickly forested hills of western Massachusetts and eastern New York. He was invisible, ethereal, terrifying. In the mental movie playing nonstop inside Martin Krall’s head, he saw himself as omnipotent, invincible, taking what he wanted when he wanted it. The mere mortals populating the surrounding areas were powerless to stop him and afraid to try.

Today, what Martin Krall wanted was a girl. A teenage girl, specifically, closer in age to twenty than ten. Someone developed, with curves. Martin was not into the nasty stuff that so many of his contemporaries were hung up on, the guys who took young children and did disgusting things with them. He never understood the urge to enjoy a child in that way and was thankful he was more advanced than that. More evolved.

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