“I spoke up and told them what I had told the other visitors over the months. We had food and would share and could provide them with water and even directions but they could not stay. They merely laughed.
“One of them spoke up. I supposed he was their leader. From his swagger and his large gun I suspect he was used to others kowtowing to him. He said, ‘Well, I’m sorry, Old-Timer, but that’s just not going to work for us. You see, we’re going to stay for as long as we want and take what we want.’
“Those words were emphasized with a glance towards my daughter-in-law. I saw Amos bristle and step forward. I raised my palm to him and he backed down…as he should have. The outsiders just laughed.
“One of the other men must have realized that Amos was her husband, he pushed him with the butt of his rifle and Amos…poor Amos…always with the temper. He swung a fist at the man. The blow connected and he knocked him to the floor. That was when the leader stepped forward…put his gun to the side of Amos’ head and pulled the trigger.”
Mr. Miller stops and lowers his head. He removes his glasses and wipes his eyes, all the while in silence. I know enough to realize it’s their way in prayer. I know better than to break the silence.
He sighs. “My son was gone. All those months among those undead, what some consider monsters and yet here these ‘uninfected’ had brought the worst plague upon my home. My wife was in tears, holding our son. His wife in tears beside her. My grandchildren simply looking on…frozen in the moment.”
“I’m sorry,” I offer, knowing my words mean nothing. “You have my sympathy.”
“I think it was then,” he continued, “that those men began to speculate on whether or not this would be as easy as they had thought. One of them said, ‘We don’t need this trouble, there’s too many of them. It’d be a waste of ammo. Let’s just take what we need and get out of here.’
“That must have sounded agreeable to their leader. He shook his head and looked back at me. ‘We’re going to need food. All we can carry.’
“‘The women will pack it for you,’ I told him, glancing over at Katie Schrock. She nodded and went to the kitchen to prepare the bags for them.
“The man tapped me on the chest with the barrel of his gun. ‘You’re Amish, so I don’t suppose you have a car, but you must have horses around here somewhere. We’re going to need transportation.’”
“I tried to tell him the horses were gone but he didn’t believe me. In earnest, I didn’t want to delay his leaving us so I didn’t offer much more of an explanation. Finally he raised his weapon at my daughter-in-law and tapped the barrel against her head with each word: ‘Where…are…the…animals?’
“I looked him in the eye—just as I’m looking at you now, English, and I told him quite simply, ‘They’re in the barn.’”
The words just hang there and we sit in silence as I let the full weight of them press down on me. I cannot help but think of the “scavengers” as they walked out to the barn and wonder what images of riding off into the sunset filled their minds.
Otto Miller stands and takes his hat in hand. He nods a “good-bye” my way and walks out of the room. I surmise that in his mind the interview is over. He has told his story. The rest is actually common knowledge in the area, told in hushed tones by the “outsiders.” Mr. Miller led his scavengers to the barn, held the door for them as they walked in, closed it behind them and braced it. Muffled screams were heard and one or two shots were fired. The next spring he added three new members to his plowing team.
Otto Miller is a simple Amish man. His plain homemade clothes identical to those worn by his father and grandfather. His life as it always has been, revolving around his family, his fields and his faith. Whatever else he has done is between him and his God and certainly not open to the speculation of an outsider.
The Summer Place
By Bob Fingerman
Bob Fingerman is the author of several works of zombie mayhem, including the recent novel Pariah and the graphic novels Zombie World: Winter’s Dregs and Recess Pieces (which has been described as “The Little Rascals meets Dawn of the Dead”). Other recent works include an illustrated novella called Connective Tissue and the post-apocalyptic “speculative memoir” From the Ashes. His first novel was Bottomfeeder and other graphic novel work—for which Fingerman also provided the art—includes Beg the Question, You Deserved It, and Minimum Wage. Fingerman has also provided art for periodicals such as Heavy Metal and The Village Voice and did covers for Dark Horse and Vertigo Comics.