Property of a Lady

And, as I thought, I find it easy enough to lift the trapdoor and go down the stone steps. I even fashioned a handle for the underside of the trapdoor so it can be easily lowered while I am down here. I am toying with the notion of fixing a bolt as well, in case I should ever have reason to hide. I cannot imagine why I would want to hide from anyone, but life is strange and unexpected.

I like it down here. The stone room is as snug and dry as any man could wish, and as I read or write, the oil lamps cast pools of light over the rows of books. I’m writing this entry here now. And every time I descend the stone steps, pulling the trapdoor closed over my head, I have the feeling I am entering a different time – a time when the world is still shrouded in myth and magic, and when it is still raw from the agonies of its own birth.

Fanciful words for a common clockmaker! But I’ve reread them and I will not scratch them out! They make a good note on which to end these chronicles!

August 1888

I had not intended to take up these diaries again, but today something has happened that I must record.

I see it’s two years since I wrote anything, so, for tidiness’s sake (and my own self-esteem), I shall set down that the two years have been filled, not unpleasantly, with work, with study, and with being part of the small community which makes up Marston Lacy and the surrounding villages. Recently, I was even asked to join a new Chamber of Commerce body, which is to come under the aegis of Shrewsbury and one or two of the other big nearby towns. I agreed, of course.

But this morning I received a letter that scrapes at the old inner agony afresh and sets it bleeding again. It is from that stoop-shouldered, droop-necked bookworm at Mallow House! Here it is, copied down in its entirety. As I write it, I feel as if venom drips from the nib of my pen on to the page.

Mallow House,



Marston Lacy.



Dear Mr Crutchley,



You are recommended to me as a clockmaker of some repute . . .



‘Some repute’, he calls it! I am quite simply the finest clockmaker he will ever find!

. . . and I should therefore like to commission a long-case clock from your workshop. It is to be a gift for my wife at Christmas.



Please call upon me on Friday of this week at midday to discuss your terms.



Yours very sincerely,



W.S. Lee Esq.



It’s gall and wormwood to me to be summoned to Mallow House with no regard for my own convenience. People come to me – they seek me out in my workshop.

Shall I go? Dare I? Will she be there? The thought of perhaps meeting her – speaking to her, taking her hand – is causing me to tremble violently. I cannot do it.

Later

But I will do it, of course. But oh God, if she is there, let me not stare at her like a moonstruck idiot.

Friday

She was not there. I veer between sick disappointment and relief. Only William Lee was there, and I am glad to report I did not like him. He is dry and dull, and I hope he withers and desiccates like the old parchment of his own books. (Yes, but he is in bed every night with her . . . He fathered a child on to her . . .) Our discussion took place in the library. It overlooks gardens – gardens where she must often walk, and where she must gather flowers for their rooms or their table. He said he likes to spend most of his time in that room – he sits in it every evening after dinner. Does she sit with him? Perhaps embroidering or reading?

We discussed the commission, and it was agreed that I should prepare sketches and designs for his consideration. The clock is to be a surprise gift, so I am asked not to talk of it to anyone.

I am very glad that I insisted on a price of 150gns for the clock!

August 1888, cont’d

Today Lee came to my workshop and approved my design, which is for a moon-phase clock, with the face of the moon in its own secondary arch-dial above the main dial. It’s an intricate task to fashion that part of the workings and ensure the moon’s silhouette really does move round to echo the moon’s phases, but I have done it before and I shall do it now. I will use blue enamel for the moon and brass for the figuring.

For the rest, there’s a bell strike on the hour and an eight-day mechanism. The case for the pendulum will be mahogany, inlaid with rosewood, with a gimp of ebony.