'I touched his face with these fingers. His skin like beaten copper. His eyes were terrible to look upon. The water that had frozen me and kept me from the worm, for two thousands of years'th-there never was a thing so cold as those eyes.' Even as he relived the memory Nilla could see the religious awe that gripped Mael Mag Och and twisted his spine rigid. His face was the blank mask of the trance state, his eyes wild under their beetling brows. 'He wore a mantle so fine, so soft to the touch that it lifted as the cold water stirred around me. Teuagh, he was, the Father of Clans. The judge of men. And he was angered. 'Gheibh gach n''' he told me. Everything must die. Lass, do you believe me, that I saw him, that we spoke?'
'Yes,' Nilla said. She stood on top of an arch of red rock overlooking a million square miles of desert canyons twisting like the surface of the world had been rumpled up, bedsheets kicked sideways by the stretching, yawning upheaval of the Rocky Mountains. Coursing out of tiny holes in the rock, smoke, greasy and thick with soot rolled down the canyons in a flash flood of dark energy, from east to west, following the sun. It picked and tore at the rock, kicked up great spuming sprays of darkness, pushed onward, ever onward, flooding the world. She blinked and it was gone, just rock again, stained the color of sunset.
She'd seen lots of things since she gave in to Mael Mag Och. She'd seen her own reflection. She'd seen a world that hated her, and she'd seen why, and why she was allowed to hate it back. Why she was supposed to.
She'd seen how things really worked. How anyone could just fuck with you, any time they wanted. There was no stopping them and they could make your life hellish. Make you do horrible things.
'Teuagh is moving us, like the pieces in a game, and I doubt you like it much, I know I don't care for it. Yet it's a hard thing to move backwards on this board. It's a painful thing to break the rules. You see, don't you, how we're made for this? How his hand molded the clay of us for this work? We can't paint pictures, lass, not with these clumsy fingers. We can't write poetry. But we can kill. Oh, we are made to kill.'
'Yes,' Nilla said. They were moving, moving eastward. The armless dead man moved behind them, easily keeping up. Against the flow of the dark energy'Nilla could feel it growing stronger the farther they went. Stronger and more angry. It raged against the world it destroyed, it bit and scratched and rent everything it touched asunder. It was inside of her, that darkness, and Mael Mag Och had become its emblem.
She was terrified of him. She needed him.
'There,' he said. He pointed to a place ahead of them. A place where the twisting canyons had been dragged into a semblance of order, into straight lines: a grid. Streets marking out square plots of land, tiny houses in the desert all pointing the same way. The city glittered on the dull desert plain.
It occurred to her that Mael was manipulating her. Maybe he was putting thoughts in her head. Maybe he was just using her the way people have used each other since the first dawn. But like a dream that feels so vivid when you hold it in your head, only to flee in every detail when you consciously try to recall it, she couldn't make the connections.
'There she lies, the fortress citadel of Las Vegas. She's stood longer than most, and I admire her for it. But all worlds must end some time. My world ended when I plunged into that dark water, a human sacrifice for the good of my folk. Yours ended with teeth in your neck. You know what you need to do, lass. For me and the Father of Clans.'
'Yes,' Nilla said, and headed down into the city of Las Vegas alone.
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