I blinked rapidly as the display shot images rapid-fire at me of buildings passing far too close and fast on either side. I nearly lurched forward in my chair as the view opened up dramatically, the Predator gliding over the head of the Columbus statue at 59th street. Beyond the barrier of Central Park South the view changed again, and dramatically, into a landscape of mud laced with junk. The park had become unrecognizable, even the green grass torn away by the changes of the Epidemic. I hadn’t even considered at that point that the dead might converge on theplants there and I felt my head shaking from side to side in doubt and distaste to see what had come of one my favorite places in the world.
In silence we watched as the plane sped uptown. Jack had kept it low so we could get a better view-maybe five hundred feet off the ground. At that height when we saw the first of the dead people in the park they looked like pieces of popcorn scattered on a dark tabletop. Kreutzer froze the frame and ran an image enhancement algorithm to zoom in on one and we saw its hair had fallen away in patches and its skin had turned a kind of soft and creamy white. Its clothes hung in tatters from its twisted limbs. We couldn’t tell if it was a man or a woman.
Kreutzer, who had seen only a handful of the dead, had to turn away for a moment. The rest of us just ignored the corpse and studied the background-looking for places to entrench, fortifiable positions from which to stage an assault.
Then the Predator’s nose camera swung forward to show us the skyline and our eyes went wide.
The dead filled half the park. They were close enough to one another to have trouble swinging their arms as they pressed closer and closer to something round and grey in the middle of the Park. They filled what had been the Great Lawn, and the Ramble, and the Pinetum. They covered the ground like a writhing sea of whitecaps. No. That was far too pleasant an image. They looked more like a maggot mass. Disgusting as it might be that was the only analogy I could think of-their colorless, pulpy flesh and their constant mindless motion could only call up images of fly larvae seething across the stretched dry skin of a dead animal.
There was no way to estimate how many of them there were. Thousands, easily. Hundreds of thousands I guess. I went to a peace rally in Midtown just before the first Gulf War. My war-hating colleagues and I had numbered, according to the media, at least two hundred thousand and we only filled up a few dozen blocks of First and Second Avenues. To completely cover half of Central Park like that…
Gary had mentioned a million dead men. It looked like he wasn’t far off.
“What’s this feature?” Jack asked, scraping his chair across the floor of the trailer as he moved in for a closer look. He tapped his finger against the monitor with a soft, dull sound that shook me out of myself again. He was indicating the round grey shape at the very center of the crowd.
Kreutzer’s fingers flickered over his keyboard as he called up a three-dimensional rendering of the object, extrapolating details from hundreds of frames of two-dimensional video footage. The trailer’s hard drives chunked and rumbled for a minute and then he put his product up for display. What we saw was a sort of squat tower, a circular structure rising with tapering walls to a ragged top. It must have been unfinished. It rose a good thirty yards in the air and was wider than the Met that sat next to it. What Gary could possibly want with such a structure was a mystery.
Its outbuildings made a little more sense. The dead had erected a wall maybe four meters high that surrounded a space the size of the Great Lawn. The wall attached directly to the main structure, forming a kind of corral. Inside this enclosed area was what looked like a tiny village of stone buildings with red terra cotta roofs. It looked like something from Europe in the middle ages. The only way in or out of the village was through the main structure.
“Why did Gary want to rebuild Colonial Williamsburg here?” I asked, very confused. Ayaan stared at me curiously. “Those houses,” I said, pointing them out for her. “I guess that’s where he keeps the prisoners, but they hardly look like jail cells.”
“No, they don’t,” Jack said. “They look like barns.”