Kill the Dead

“I should be. I’ve listened to enough of your damned boasting. Pull out the dead like rotten teeth. The deadalive must die. I’m not fighting you. Get on with it.”


“How convenient for me, professionally speaking,” said Dro, “that you happen to be one of those unusually strong-willed, witch-gifted ghosts who are able to manifest in broad daylight.”

“Look,” said Myal shivering, wondering bewilderedly how he was able to, “I’m a coward, right? And what I really can’t bear is waiting around for something awful to happen. So will you please do it now? Or is this what makes you feel good? Sadistically terrorising the dead.”

“You’re not dead.”

“Just,” said Myal. He paused. “What?”

“You are not dead.”

“Ha,” said Myal. He smashed his hand through a rock. “Look. See? I’m dead.”

“You’re out of your body, but your body’s alive. You can go back to it eventually. Not necessarily inspiring, but a fact.”

“Shut up,” said Myal. He put his face in his hands. “I always said you were a bastard.”

“So far as I know, I was conceived inside wedlock. Your own situation may be a little more complex.”

“Shut up.”

“Remember Cinnabar? The kind redhead who loaned you a horse?”

“The kind redhead who loaned you her—”

“She gave you a clay dog which you put in your shirt pocket. There was a drug in the dog which soaked out and into you. A drug to induce cataleptic trance.”

“To induce what?”

“The life activities of the body are slowed to the minimum, and the astral state can then be triggered. It seems Cinnabar thought you psychically capable enough to release your own astral persona voluntarily, under the right conditions. But not adept enough to produce the trance unaided.”

“You’ve got me all confused,” shouted Myal.

“Which is, of course, extremely difficult to do.”

Myal stood up. He looked at the ground.

“I’m alive—somewhere.”

“In an old woman’s decrepit hovel, about seven or eight miles from here.”

“That sounds cosy.”

“She’ll take care of you, till you’re able to get back.”

“When will that be?”

“When the drug wears off. And when you’re finished here.”

“If I go to a tree, I walk through it,” said Myal. “Why don’t I sink through the ground?”

“Basic common sense. Probably even your limited perspective can see it would be rather pointless.”

“In other words, you don’t know.”

“In other words,” said Parl Dro, “you can be incorporeal, but only as far as you want to be. You can walk through a stone wall and pick up a plate on the other side. A moment’s adjustment of willpower is all that’s necessary.” He drew the instrument off his shoulder and held it between his hands by its two peculiar necks. Then he raised the instrument and slung it at Myal. “Catch.”

Myal leapt forward, not thinking, guided by a vision of smashed wood and broken ivory. He caught the instrument just before it touched the earth. It was solid and heavy in his arms, the wires vibrating quietly like a cat purring. It did not slip through him. He held it and his legs buckled.

“A practical demonstration is often more effective than a lecture,” said Dro. He sat down on the hillside, straightening out the crippled left calf, and Myal saw the black eyes momentarily go blind with pain.

Myal sat on a jut of rock, the instrument on his knees. He rubbed the garishly painted wood, fascinated, his fingers caressing, as they had always bodily done, the ivory chips sunk in there.

“You’re sure,” he eventually said, “I’m alive?”

“I’m sure.”

“Cinnabar was crazy.”

“Not quite. The story goes that if you’d got into Tulotef physically, they’d have served you for dinner.”

“She thought she was helping, pushing me in this way? Because of my song I wanted to make—”

“I’m afraid she thought she was helping me,” Parl Dro said. He looked out toward the dry mud chasm of the dead lake.

“You called it Tulotef,” said Myal.

“Yes.”

“According to you, that’s supposed to be unwise, isn’t it?”