‘Be calm,’ Moira said.
The zombies flickered from view, only to be replaced by more, and Holly realised that she was looking at a projection. The room was large and dim, the atmosphere heavy with moisture, and there were things in there that she could not comprehend.
The projection point of view shifted, turning to follow the path that the zombies were taking. The image splashed with something wet, and when it cleared she saw a long straight street, lined on each side with tall buildings. One of the buildings was on fire – people at the higher windows were shouting and waving. Their voices must have been desperate, but she could hear nothing. This was a vision only, and for that she was glad.
The street was jammed with zombies, and they were being cut down by gunfire from further along the street. Many of them stood up again and carried on running, or hobbling, or crawling if their legs or hips or spines had been destroyed. Many more – those shot in the head – stayed down.
The view suddenly shifted as whatever was observing this chaos climbed on top of an overturned car. And from higher up the sight was even more astounding.
The street was barricaded with a line of tanks parked side by side next to a Dunkin’ Donuts. Their big turret guns pointed along the street, but it was their machine guns that were doing the damage, raking left and right and making the air in front of them shimmer with heat and smoke. The silhouette of a helicopter gunship came quickly into view above them as it passed over the barricade and opened fire.
They were zombies, yet the devastation wrought upon their bodies was shocking. Holly wanted to turn away but found that she could not. She was riveted. She had the sense that she would have to see this eventually so she might as well go through with it now, see it all now.
The helicopter hovered over the street and its guns swivelled on their mountings. Glass shattered, raining down from the tall buildings, bodies were ripped apart, and then the helicopter turned towards her point of view, and Holly whined a little, trying to edge back.
‘It’s not happening here,’ Moira whispered in her ear.
The image flashed yellow, and then white, and then it became a pattern of falling snow on the air. Beyond the faded image, panting slightly where she lay on a clear fluid bed, a woman grasped at the air as if to hold the last drifting flakes.
‘What the fuck was that?’ Holly said.
‘Take a breath, Holly,’ Drake said. ‘And look around. This is the heart of our Coldbrook.’
Holly looked closer. The woman wore a simple robe similar to a hospital gown and lay on a large flexible bed that was moulded perfectly to her body. Above her, where the image had seemed to be projected onto the air, hung a framework of clear loose pipes. They looked like unobstructed flows of water, but Holly guessed they were held in place and shape by whatever forces contained the clear bed. Leading up from the framework into the ceiling were thicker pipes, dark and solid. Small sparks flared and died along them, leaving the surfaces and performing tight orbits before fading away. She stretched up to get a better look, but Moira touched her on the shoulder.
‘Don’t get too close.’
‘Is she the one who . . .?’ the prone woman asked.
‘Her name’s Holly,’ Drake said.
‘That was my world,’ Holly said softly, pointing to where a vague haze still hung in the air. ‘So she was there, seeing it? My world?’
‘I’m so sorry, Holly,’ the woman said, and she averted her eyes as if ashamed.
‘What is all this?’ Holly asked.
‘Our version of what you called a breach,’ Drake said. ‘There’s more to see. Gayle?’ Drake asked.
‘About seventy miles north-west of here,’ the woman said softly.