But how? I sent her a message on Instagram, but I don’t know if she got it.
Even as I write this down, I know what Elizabeth will say. That I only wanted to look into the Bethany Waites case as a way of meeting Mike Waghorn, and now I only want to accuse Fiona Clemence as a way of meeting her. That there’s no way of knowing if she wrote those notes all those years ago. And, yes, that is true. But just because I’d like to meet Fiona Clemence doesn’t mean she isn’t a murderer. Lots of famous people are murderers. The Krays for example.
Joanna is coming down for lunch on Sunday, so I will ask her how someone might go about meeting Fiona Clemence. I know you can apply to get tickets to watch Stop the Clock being filmed, but I suspect you are not allowed to shout out questions about murders from the audience.
Perhaps I’ll pop to the shop? They have almond milk now. Last time Joanna came down she brought her own milk, because ‘No one drinks cow’s milk any more, Mum.’ I protested and said I think quite a few people do still drink cow’s milk, dear, but Joanna’s definition of ‘no one’ and my definition of ‘no one’ are probably different. I wanted to say, ‘Do you mean no one in London,’ but it wasn’t worth the fuss.
Either way, I can’t wait to see her face when she opens the fridge. Unless no one drinks almond milk any more either, which I’m prepared to admit might also be a possibility. It is very hard to keep up.
She’s useful when you have to choose the right magazine for a drug dealer though. I will give Joanna that.
I’ve arranged to meet Pauline tomorrow, and am very much looking forward to it. Pauline suggested afternoon tea at a hotel by the pier. I looked it up and they give you a glass of Prosecco. I will feel like Jackie Collins.
28
Jack Mason is looking at helicopters online. It would be nice to buy one. He can certainly afford it, but, really, how much use would he get out of one?
In the old days, sure, back and forth to Amsterdam, up to Liverpool, sitting in traffic, stuck in the Channel Tunnel. Helicopter would have been lovely. Would really have hit the spot.
But now? Where does he really go now? Down to the scrapyard? That’s fifteen minutes in the Bentley. Maybe twenty minutes if there’re temporary traffic lights. He pops up to London now and then, visits the few pals he has left. The few pals who aren’t in Spain, or dead.
The clock in the hall chimes six, so Jack pours himself a scotch.
Had he told Ron Ritchie too much? It was just nice to talk to someone his own age. Jack knows who killed Bethany Waites, but no one would hear the name from his lips. You had to maintain standards, and grassing was grassing, no matter who you’re speaking to.
But Jack had wanted to say something. Because, when you really thought about it, the whole thing was an absolute liberty. There’d been no need for Bethany Waites to die.
Jack’s scrapyard still ticks along nicely, a few bits and pieces come his way now and again, favours are asked, favours are granted. He’s sold most of his casino, and the bit that remains still makes him nice money. But the phone doesn’t ring the way it used to. People don’t need him. That’s OK. Who has the energy to run drugs any more? Leave all that to the kids. Jack has his house, his view over the English Channel, his snooker table. He even has stables, should he ever want a horse. And he doesn’t start drinking till six. No grassing, and no whisky till six. Rules to live by.
Jack has plenty of room for a helicopter, that’s for sure. He could land it on the croquet lawn. Buy a little golf buggy to drive him up to the house. And, really, there were some beauties. Someone in Estonia was selling a Bell 430 in gold and purple. That would impress a few people.
Though would it? Jack knocks back the rest of his scotch. Who would even see it these days? Who comes to visit? Jack wonders if he could invite Ron over to the house for a game of snooker? Would Ron like that? They got on.
Jack has made an awful lot of money in his life, but he hasn’t, he realizes, made very many friends. One thing he has come to understand, after a lifetime in crime, is that your henchmen are not real friends.
Does he really want to spend six hundred grand on a helicopter he’ll use twice a year? To watch it rusting on the lawn? Hmm.
He is typing ‘golf buggy how much uk’ into Google, when an email alert pops up on his screen.
He recognizes the address. The email is from Bethany Waites’s killer. They used to be in contact quite often. Less so now, which has been something of a relief. Though, with everything that has happened in the last few days, he has been expecting a message.
The email reads:
Long time no see. Just a friendly warning to keep your eyes open. Talk soon.
You’re telling me, thinks Jack. Jack Mason hasn’t left too many loose threads in his life, but this is definitely one of them.
Jack wonders if, perhaps, it might be time to tell the truth?
29
Juniper Court, the building they’d identified from their work with the CCTV cameras, is only fifteen minutes or so from Fairhaven police station, so Chris and Donna walk there.
‘Who’s the mystery man, then?’ Chris asks.
‘Haven’t heard back from forensics yet,’ says Donna. ‘Nothing on the body, no ID, photo circulated to the press. You know all this?’
‘Not the man in the minibus, Jesus,’ says Chris. ‘The guy you’re seeing?’
‘Some priorities you have there,’ says Donna. ‘Wow.’
They turn onto Foster Road. Juniper Court is a purpose-built 1980s block, which might begin to look retro-fashionable in twenty years. A hundred or so flats, lawns to the front and, crucially, a large car park underneath.
Juniper Court has not cropped up often in police records. A few stolen bikes, the odd noise complaint, a man selling fake Banksys by post, and some graffiti about the Mayor that they’d had to take seriously. They can’t even find the details of the management company online. It is the very definition of quiet and nondescript. But it could hold the key to who murdered Bethany Waites.
It’s nice and near the station, so home to plenty of commuters into London or Brighton. That means it’s deserted as they approach.
‘You nervous about your audition?’ Donna asks Chris. He’s doing his screen-test for South East Tonight, just around the corner from here, on Wednesday.
‘No, I chase villains for a living,’ says Chris. ‘You think a TV camera’s going to frighten me?’
‘I do, yes,’ says Donna.
‘You’re right,’ says Chris. ‘I’m terrified. You think they’ll let me pull out?’
‘I won’t let you pull out,’ says Donna. ‘You’ll be amazing.’
Through wide double doors, Chris and Donna see a desk in the entrance hall of Juniper Court, and a man in brown overalls sitting behind it, reading the Daily Star.
‘In London, they’d call him a concierge,’ says Chris, as he buzzes to be let in. He flashes his warrant card, but there is no need, as the man lets them in without looking up.
‘Morning,’ says Chris. The man still doesn’t look up. ‘Is there a building manager we can talk to?’
The man finally looks up. ‘That’s me. I don’t love talking though.’
Chris flashes his warrant card again. ‘Kent Police.’
The man puts down his paper. ‘This about my neighbour? You going to arrest him?’
‘I’m … no, I don’t think so,’ says Chris. ‘What’s he done?’
‘Built a conservatory,’ says the man. ‘No planning permission. I’m Len. I keep ringing you lot about it, and this is the first time I’ve seen you.’
‘That’s more for the council, Len,’ says Donna. ‘Not the police.’
‘That right?’ says Len. ‘I suppose if I killed him though, you’d be round soon enough?’
‘Well, yes, obviously,’ says Chris. ‘If you murdered him we’d come round. Murders, yes; conservatories, no. We’re looking for the details of the management company for this place, and we wondered if you could help?’