A Flicker in the Dark

Tara, Robin, Susan, Margaret, Carrie, Jill. That was a part of the thrill to him—choosing, fingers outstretched the same way you would choose an ice cream flavor, perusing your options behind a glass case before making your decision, pointing, taking. But Lena had always felt different, special. She had felt like something more, and that’s because she was. She wasn’t random; she was taken out of necessity. Lena knew, and for that, she had to be killed.

My father knew, too. But Cooper had solved that problem in a different way. He had solved it with his words. Eyes wet, pleading. Talking about the shadows in the corner, the way he had tried to fight them. Cooper had always managed to find the right words, using them to his advantage—controlling people, influencing people. And they had worked. They had always worked—on my father, using him to set himself free. On Lena, letting her believe that she was invincible, that he wouldn’t hurt her. And on me, especially on me, his fingers pulling the strings attached to my limbs, making me dance in just the right way. Feeding me just the right information at just the right time. He was the author of my life, always had been, making me believe the things he wanted me to believe, spinning a web of lies in my mind—a spider pulling in insects with his crafty tendrils, watching them fight for their lives before devouring them whole.

“When Dad found out, you convinced him not to turn you in.”

“What would you do”—Cooper sighs, looking at me, skin drooping—“if your son turned out to be a monster? Would you just stop loving him?”

I think of my mother—returning to my father after our trip to the station, the rationalizations she had formed in her mind. He won’t hurt us. He won’t. He won’t hurt his family. Me, looking at Daniel, the evidence I had seen stacking up, but still, didn’t want to believe. Thinking, hoping: There must be good in there somewhere. And surely, that’s what my father had thought, too. So I had turned him in—my father, for Cooper’s crimes—and when they came to take him, he didn’t resist. Instead, he looked at his son, at Cooper, and he had asked him to make a promise.

I glance at the clock. Seven thirty. Half an hour since Cooper arrived. I know that this is the moment. The moment I’ve been thinking about since I invited Cooper here, running through every possible scenario, thinking through every outcome. Turning them over and over in my mind like knuckles kneading dough.

“You know I have to call the police,” I say. “Cooper, I have to call them. You’ve killed people.”

My brother looks at me, his eyelids heavy.

“You don’t have to do that,” he says. “Tyler is dead. Daniel doesn’t have any proof. We can leave the past in the past, Chloe. It can stay there.”

I entertain the thought—the single scenario I haven’t yet considered. I think about standing up, opening the door. Letting Cooper step outside and walk out of my life for good. Letting him get away with it, the way he’s gotten away with it for the last twenty years. I wonder what a secret like this would do to me—knowing that he was out there, somewhere. A monster hidden in plain sight, walking among us. Somebody’s coworker, neighbor. Friend. And then, as if I had stretched out my finger and touched static, I feel a shock run down my spine. I see my mother, the way she had been pushed against the television screen, hanging on to every moment of my father’s trial, every word—until his lawyer, Theodore Gates, had come over, telling her about the deal.

Unless you have anything else I can work with. Anything at all you haven’t told me.

She knew, too. My mother knew. After we got home from the station, after turning in that box, my father must have told her, stopping her in her tracks as I ran up the stairs. But by then, it was too late. The wheels were in motion. The police were coming for him, and so she sat back, let it happen. Held out hope that maybe it wasn’t enough—no murder weapon, no bodies. That maybe he would go free. I remember Cooper and I on the stairs, listening. His fingers digging into my arm, leaving bruises like grapes at the mention of Tara King. Without even realizing it, I had witnessed the moment my mother had made her choice—the moment she had chosen to lie. To live with his secret.

No, I don’t. You know everything.

And that’s when she changed. That slow unravel, it was because of Cooper. She had been living under the same roof as her son, watching as he got away with it. The light had been extinguished from her eyes; she had retreated from the living room to her bedroom, locking herself inside. She hadn’t been able to live with the truth—what her son was, what he did. Her husband in jail, the rocks through the window, and Bert Rhodes in the yard, arms flailing, nails ripping at his own skin. I feel her fingers dancing across my wrist, tapping the blanket as I pointed to those tiles: D then A. I understand now, what she had been trying to say. She had wanted me to go to my dad. She had wanted me to visit him so he could tell me the truth. Because she had understood, listening to me talk about the missing girls, the similarities, the déjà vu—she knew, more than anyone, that the past never stays where we try to keep it, stuffing it deep into the back of a closet and hoping to forget.

I had never wanted to return to Breaux Bridge, never wanted to walk the halls of that house. Never wanted to revisit the memories I had tried to keep stranded in that tiny town. But the memories didn’t stay there, I know that now. My past has been haunting me for my entire life, like a phantom that was never laid to rest, just like those girls.

“I can’t do that,” I say now, looking at Cooper. Shaking my head. “You know I can’t.”

He stares back at me, his fingers curling into a slow fist.

“Don’t do this, Chloe. It doesn’t have to be this way.”

“It does,” I say, starting to push my barstool back. But as I begin to stand, Cooper reaches out, his hand gripping my wrist. I look down, his knuckles white as he pinches my skin, hard. And now I know. I know, at last, that Cooper would have done it. He would have killed me, too. Right here, sitting at my kitchen counter. He would have stretched out his hands, clasped them around my throat. He would have looked into my eyes as he squeezed. I don’t doubt that my brother loves me—to whatever extent someone like him can love—but at the end of the day, I am a liability, like Lena. A problem that needs solving.

“You can’t hurt me,” I spit, yanking my arm from his grip. I push my stool back, stand up, and watch as he tries to lunge at me—but instead, he stumbles forward, clumsy. His knees buckling under the sudden pressure of his weight. I watch as he trips on the leg of the barstool, his body crumbling to a heap on the floor. He looks at me, confused, before looking up at the countertop. At his empty glass of wine, that hollow orange bottle.

“Did you—?”

He starts to speak, but then stops again, the effort suddenly too much. I think back to the last time I felt that way, the way Cooper does now—it was that night in the motel room, Tyler pulling on his jeans, ducking into the bathroom. The glass of water he had pushed in my direction, forcing me to drink. The pills that were later found in those very pockets. The pills he had mixed into the water, the same way I had mixed mine into Cooper’s wine, watching as his eyes had gotten so heavy so quickly. The violent yellow bile I had coughed up the next morning.

I don’t bother with a response. Instead, I look up at the ceiling, at the camera in the corner, as small as a pinprick, blinking gently. Recording everything. I raise my hand and gesture for them to come inside now—Detective Thomas, sitting in his car outside with Daniel, phone in his lap. Watching everything, listening to it all.

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