CHAPTER 21
Josh
My router is acting up for the second night in a row. I thought I had it back in working order last night, but now it’s pissing me off again. I wanted to finish this chair by the end of the week because I have three more projects waiting that all should have taken priority over this. But I wanted to build the chair and I couldn’t get it out of my head. So now I’m behind and I’ll be living out here for the next couple of weeks, trying to get back to even. I don’t mind. There are worse places to be.
The quiet out here is strange. It shouldn’t be. I’m used to the quiet, but it only took me two days without her, to feel it. It’s unsettling. Years of working out here by myself undone by less than two months of her company. And now she hasn’t been here for days. Maybe it’s a good thing, because I obviously need a reality check. I try to work with the garage door down as much as possible, just so I know that I can. I’m not going to let myself get used to anyone again. She can come here. She can sit in my garage, hand me tools, ask me questions. She can use me to get the talking out of her system. I can handle the company as long as I don’t come to expect it too much. And I won’t. I don’t know when she’s coming back but I wonder how long I can keep the garage closed before I start to suffocate.
***
Nastya
I’ve been clocking more miles this week than I have for the past several. A lot of my running time has been being spent in a certain garage and I’m trying to rein it in.
But I miss him. It’s not like going without seeing a friend for a few days. He’s the be all and end all of my friends right now. I have Drew, and I seem to have acquired Clay somewhere along the way, but Josh is my escape. He’s my hiding place.
It’s been days since I’ve been to Josh’s house. I’ve spent the whole week sitting in a chair at Clay’s, feeling antsy and ridiculous and just wanting to get up and move. I hate the sitting still. When you spend months in a bed, letting your body heal and then sitting in a chair, trying to make your hand work, you get sick of it fast and you want to run away. So every day when I get done at Clay’s, I have to run. It’s the only thing that keeps the frayed edges of my sanity intact. And since Margot caved a few weeks back and let me get a portable punching bag, I have something to hit now and I spend a good amount of time doing that, too.
By Friday night, I can’t help it. I don’t even know if he’ll be home, but my feet take me there anyway. I wonder if he missed me, too. I slow myself down before I reach the driveway. He’s in the back, adjusting one of his saws and he’s turned away from me. I look around for someplace to climb up on the counter, but there isn’t one. Every inch of space on the workbench is occupied. Piles of wood scraps, random tools and boxes covering the whole thing. It’s never this overrun in here. Josh is meticulous, which means this is on purpose and I wonder if it’s a message. Maybe he realized how much he enjoyed not having me all over his space.
He got reacquainted with his solitude and found that he’d missed it.
I’m not ready to walk out yet. If I’m going to be rejected, I’d like it to come complete with humiliation. I’m hoping he’ll come out from behind that stupid saw and say something to me, but he doesn’t look like he’s rushing to do so. Out of the corner of my eye, in front of the side door where the workbench ends, is the chair I’d seen him working on last week. I recognize the legs on it, the design he had painstakingly routed on all four of them.
He must have finished it this week and I wonder if he made it on order or if he did it for himself. It’s exquisite, and every time I see something he’s made, I hate him a little more for it. My jealousy is a living thing. Shifting, changing, growing. Like my rage and my mother’s regret.
I run my hands along the arc of the backrest and kneel down to examine the legs. The armrests are wide and curved to match the lines of the back. I wonder if he’s started another one yet, because it should be part of a matching set. My fingers are still tracing their way down the other side, and before I’ve thought better of it, I slide into the seat, and that’s when the perfection of it strikes me. Because this chair should not be comfortable, but I may never want to leave it. My arms are resting on the sides and I lean back and look up to find Josh watching me. It’s unnerving the way he’s staring, no matter how much I may have gotten used to him and I kind of wish he wasn’t so damn good-looking because it makes it hard to look away.
The expression on his face is almost anxious but there’s something like mischief in it as well. It’s the same look Clay had when he showed me the picture he’d drawn of me. He’s waiting for a reaction, for approval. I look down at the chair I’m sitting in and back up at him, but he’s not looking at me anymore. He’s gone back to adjusting the saw as if everything has returned to the way it should be and that’s when it hits me. That he had done all of this on purpose. He made sure there was no place for me to sit on the counter so I’d be forced to notice it. Because the chair was meant for me.
The realization is enough to propel my ass straight up and out of that chair. He looks up, jarred by the sudden movement and for a moment we just stare at one other. I must look like a crazed animal, ready to bolt like the first night I walked in here. I can say what I’m thinking but I don’t need to. He already knows.
“It’s only a chair.” He’s talking me down off a ledge.
“I can’t take it.” I try to make it sound like he’s the unreasonable one for giving it to me.
“Why not?”
“You should sell it.”
“I don’t need to.”
“I won’t take it. Give it to someone else.”
“You need someplace to sit. I’m tired of you moving everything around and getting in my way whenever I’m working.
Now you have a place to sit. So sit.” He motions me down into the chair with a tilt of his head and I sit and it feels more perfect than it did a few moments ago. He leans over me and places his hands on top of mine on the armrests and looks straight into my eyes, which flays me a little bit.
“It’s a chair. Stop overanalyzing it.
I’m not selling it and I’m not giving it to someone else. I made it for you. It’s yours.” He pulls away and stands up straight. When his hands are gone from mine, I realize that it’s the first time he’s ever really touched me, and I wish he’d put them back. “Besides, it already has your name on it.”
“Where?”
“Look underneath. I was going to put it on the back where you could actually see it but it didn’t work.”
I slide down out of the chair and get as low as I can to the ground so I can twist my head around and see what he’s talking about. And I do and it’s unmistakable.
There, on the underside of the seat, is an engraving of the sun.
I know at that moment what he’s given me and it’s not a chair. It’s an invitation, a welcome, the knowledge that I am accepted here. He hasn’t given me a place to sit. He’s given me a place to belong.