Chapter Seven
ONCE I AM OUTSIDE IN the hallway, I stop and lean against the wall, trying to keep panic and desolation from weighing down on me. I press my fingers against my eyes and force myself to take slow, deep breaths, but it does not help. My whole body aches, as if my very bones will burst from my skin.
I have always believed that if I did everything the convent demanded of me, I would be rewarded with my only desire in life—to go forth from the convent and serve as Mortain’s handmaiden. It is the guiding principle I have built my entire life on.
If, as the abbess has always claimed, she is my ally, then how can she foist this unwanted fate upon me?
Before anyone can see me, I make my way to the back of the convent, where the wine cellar is located. My footsteps slow as I draw near. Sybella used to laugh at me, thinking me too afraid to steal wine from the cellar. But the truth—the truth I worked so hard to conceal from both her and Ismae—was that it was not stealing, but the cellar itself that held so much terror for me. Terror born of long nights shut inside, with no scrap of blanket to warm myself or bite of food to eat. A confinement so solitary and harsh that it took me three days to find my tongue after my first night there.
Terror, I remind myself, that I used to make myself stronger, tougher. The idea that it might not have made me strong enough is unthinkable.
But in addition to all that terror, one of my moments of greatest joy occurred in that room, and I cannot help but wonder if that joy is in some way tied to the abbess’s decision to groom me as seeress.
The Dragonette quickly and harshly dismissed the event, and I came to believe what she claimed: that I had merely imagined it. I put it aside, buried it with all the other small shames and mortifications of my childhood. But now, now I wonder if perhaps it was real after all. While I always held out some small shred of hope that it was true—that the Dragonette was wrong, and it hadn’t been my fevered desire to please her that caused it—today for the first time, I want desperately to believe it was not true. Because if it was, then perhaps I am uniquely suited to act as seeress after all.
I stop in front of the rough wooden door and glance both ways to be certain no one is nearby. As my hand reaches out for the latch, my heart begins to beat too quickly and I must remind myself that there is nothing to fear. No one would dream of shutting me in there again.
But the mere idea that they think to shut me in the seeress’s chambers for the rest of my life is just as bad.
Squaring my shoulders, I step into the cellar, letting the cold of the room—and a rush of painful memories—settle over me like a mantle.
The first time I was locked in here, I was but two years old, punished for daring to cry when Sister Etienne had been sent out on assignment and I missed her.
The second time was when I’d seen the cook butcher the hen for our evening meal and so refused to eat it. I was locked in the cellar with my bowl of chicken stew and not allowed to come out until I had finished every last drop.
When I was five, I was locked in the cellar yet again, this time for balking at butchering the hen we were to have for our supper. While the other girls closest to me in age were simply scattering feed in front of the hen house or collecting eggs, the Dragonette had decided that I must begin practicing the art of killing. My hands were too small to get a decent hold on the large ax, and the lay sister who had to hold the hen still had no stomach for the task, wishing instead to do it quickly herself and be done with it. And so I faltered, whether through lack of strength or lack of will or simply because I did not understand what was required of me, I no longer remember. What I do remember was being locked in the wine cellar with the wounded chicken and forced to watch its slow painful march toward death, a much more painful death than would have been granted it had I been strong enough.
I spent the first hour sobbing in remorse-filled terror, afraid the chicken would drag itself over to me and peck out my eyes. When that did not come to pass I cried for the chicken itself, and for its obvious agony. At last my tears ran out and I simply sat with my back pressed against the cold stone wall, chilled and shivering as I watched the chicken die.
During that long, horrifying night, at some point I realized I was no longer alone. A tall, darkly cloaked man was there as well. That should have frightened me even more, seeing an unknown man in the heart of our womanly cloister, but I was so relieved at not being alone with the dead bird anymore that it never occurred to me to fear him.
He was long-limbed and graceful and dressed all in black. Even though he lowered himself to the floor next to me, there was something proud and stately in his manner. When I saw him, my hysterical dry sobbing hiccupped to a stop. He quietly took my hand in his, although my fingers were so cold I could not feel it, and sat next to me, saying nothing. But I was no longer alone, and that brought me great comfort.
I remember falling asleep eventually, leaning against his shoulder, and when the door opened in the morning, they found me sleeping soundly on the floor with my head gently pillowed by a rough hempen sack.
It wasn’t until we went to church that morning and I saw the marble statue in the sanctuary that I recognized the hooded, cloaked figure. It was Mortain Himself whose arm I’d drooled on while drifting off to sleep.
Excited by this, I could not wait until the Dragonette summoned me to her office later that day. I told her all about my nocturnal visitor. I thought she would be overjoyed by this sign of His pleasure with me, but instead, the corners of her lovely mouth turned down with disapproval. “You are lying,” she said.
“No!” I was distraught and more than a little terrified that she would think so.
“Ah, but you are, for you wish yourself to be special. I’d expected more from you than cheap lies.” Her eyes—always so shrewd and piercing and full of her confidence in me—filled with tears, and I was shamed beyond measure that I had caused her such pain. Feeling lower than the grubs that root in the convent midden heap, I fell to my knees and begged her forgiveness.
Now I cross to the wall where I once thought I’d dozed with Death. It is blocked by a stack of small barrels and kegs so that I cannot sit down and lean against it like I did those many years ago. Instead, I reach out to touch the wall, trying to resurrect that moment in my life.
But nothing comes. There is no strong visceral reaction, no sudden clearing of memory, no true answers flaring to life at the touch, and I am left hoping it was nothing more than a child’s overwrought imagination coupled with a desperate need to worm her way into a demanding abbess’s good graces.
If it was not, then I am well and truly suited to being the seeress. And as much as I love Death, I do not think that I love Him enough to entomb myself in the convent before I have even lived.