Mom and Dad were quiet with each other in the front seat as we drove. I sat in the back, holding the jar of ashes tight, mostly noticing how heavy it felt, and thinking of what it contained. What’s left of what your body was—once the girl with bare shoulder blades, giggling, once the girl galloping an imaginary horse, once the girl sleeping in her sequined red dress—was now ash in a jar. Grains of bone. But then, I knew it wasn’t you anymore. You were somewhere more.
After we parked at our spot, Mom and Dad followed me out onto the tracks. And as I walked across them, it became the place it had always been while you were alive. The place we first discovered when we came for walks with Mom and Dad, the two of us running ahead of them and chasing the sky. The place we spent hours sitting, talking, and playing Poohsticks. The river we’d loved in every season was moving quietly now for summer. I handed Mom the jar first, and she reached in and took the ashes in her hands. As she let them go, her eyes filled with tears. She reached out for me as she passed the jar to Dad. He scattered a handful and said, “May, this land is your land.”
Remember? That song he’d sing us? From California, to the New York Island, From the redwood forest, to the Gulf Stream waters … He was right. It is your land, all of it. You are everywhere in it. The whole big world we dreamed of.
When Dad handed the jar to me, I poured out the rest of the ashes and watched the wind carry them down to the water. Little bits still stuck to my fingers. I said, “She’s free now.”
And then Dad started sobbing like a little kid. I’ve never seen him that way before. I went to hug him. Mom stood off to the side, but eventually she came over, too, and all of our bodies were shaking together.
When it was over, Dad ruffled my hair and said, “I love you, Laurel.”
“I love you, too, Dad.”
“You’re strong, but you’re still our baby girl,” Mom said. Her eyes met Dad’s and held on to them for a moment. “We’re proud of you. Your sister is, too.”
I smiled at them and asked, “Do you want to play Poohsticks?”
They laughed. Dad said, “I haven’t thought about that game in years.”
“May and I still used to play together,” I said, “after you taught us here. We’ll do one for her, too.”
So we crossed the tracks onto the forest side to look for sticks. Mom picked one with a pretty knot on the wood. Dad’s was like a walking stick. I got myself one with the bark still on, and I got you a smooth one, straight and strong. We went back on the bridge and leaned over the edge, and “One, two, three, drop,” Dad counted. And as we ran to the other side to see, yours won! I told them it’s because you were hurrying toward the sea.
I imagined your stick, washing in the waves for hundreds of years, turning to driftwood, smooth and hard like stone. I imagined a little girl finding it on a beach so many years later. Saving it on her shelf, where she put the things that made her feel like the world was magical.
May, I decided that I might want to be a poet when I grow up. Which is pretty much now, because I guess this is what growing up is like. So, I wrote my first poem this week. I wrote it for you. Before we left the bridge, I read it out loud to you.
A Love Letter for My Sister
A ghost cannot open an envelope. Still I address this to you—I am saving this world for you, see.
River water runs. Fields fill with golden.
Apples bitten. A ghost cannot open
an envelope. A ghost cannot run.
The road travels its forever distance.
Two girls pause by a bridge, to notice.
The fall leaves don’t fall hard.
The spring lasts forever, after a storm.
I am opening this envelope for you, see.
An open blue flower. A paper bag holds a candle.
I am letting the world open me.
A leaf falls. A lead smudge
leads to a girl in a red dress.
I am reading the letters you meant for me to see.
I hope that you will open the envelopes,
so I am opening the world inside of me.
I am sending my letters to you.
The river goes to the ocean.
The ocean sounds infinite.
We are big enough to hear it.
Both of us.
Love always,
Your sister, Laurel
ACKNOWLEDGMENTS
When I think about the fact that Love Letters to the Dead is now a book that exists not only in my head or heart or on my computer screen, but in the world, gratitude feels like an understatement. I offer my most full-hearted thank you! to everyone who made it so.
To Stephen Chbosky, my dear friend and mentor, who told me I should write a novel to begin with, then gave it his boundless support: thank you for letting me be a part of telling your stories and for helping me learn to tell mine.
To Liz Maccie, who was the first person to read the very first draft of this book: thank you for seeing what it could become and for your unconditional love and encouragement that gave me faith to carry it through. Your friendship is a true guiding light.
Love Letters to the Dead
Ava Dellaira's books
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