Love Letters to the Dead

I can imagine you on summer nights, when everyone would come to the theater to get out of the heat. Under the refrigerated air, you would be up onstage, making the audience forget for the moment that there was anything to be afraid of. Your mom and dad would smile up at you. They looked the happiest when you were singing.

Afterward, the movie would pass by in a blur of black and white, and you would get suddenly sleepy. Your daddy would carry you outside, and it was time to drive home in his big car, like a boat swimming over the dark asphalt surface of the earth.

You never wanted anyone to be sad, so you kept singing. You’d sing yourself to sleep when your parents were fighting. And when they weren’t fighting, you’d sing to make them laugh. You used your voice like glue to keep your family together. And then to keep yourself from coming undone.

My mom used to sing me and May to sleep with a lullaby. Her voice would croon, “all bound for morning town…” She would stroke my hair and stay until I slept. When I couldn’t sleep, she would tell me to imagine myself in a bubble over the sea. I would close my eyes and float there, listening to the waves. I would look down at the shimmering water. When the bubble broke, I would hear her voice, making a new bubble to catch me.

But now when I try to imagine myself over the sea, the bubble pops right away. I have to open my eyes with a start before I crash. Mom is too sad to take care of me. She and Dad split up right before May started high school, and after May died almost two years later, she went all the way to California.

With just Dad and me at our house, it’s full of echoes everywhere. I go back in my mind to when we were all together. I can smell the sizzle of the meat from Mom making dinner. It sparkles. I can almost look out the window and see May and me in the yard, collecting ingredients for our fairy spells.

Instead of staying with Mom every other week like May and I did after the divorce, now I stay with Aunt Amy. Her house is a different kind of empty. It’s not full of ghosts. It’s quiet, with shelves set up with rose china, and china dolls, and rose soaps meant to wash out sadness. But always saved for when they are really needed, I guess. We just use Ivory in the bathroom.

I am looking out the window now in her cold house, from under the rose quilt, to find the first star.

I wish you could tell me where you are now. I mean, I know you’re dead, but I think there must be something in a human being that can’t just disappear. It’s dark out. You’re out there. Somewhere, somewhere. I’d like to let you in.

Yours,

Laurel




Dear Elizabeth Bishop,

I want to tell you about two things that happened in English today. We read your poem, and I talked in class for the first time. I’ve been in high school for two weeks now, and so far I had been spending most of the period looking out the window, watching the birds flying between phone wires and twinkling aspens. I was thinking about this boy, Sky, and wondering what he sees when he closes his eyes, when I heard my name. I looked up. The birds’ wings started beating in my chest.

Mrs. Buster was staring at me. “Laurel. Will you read?”

I didn’t even know what page we were on. I could feel my mind going blank. But then Natalie leaned over and flipped my Xerox to the right poem. It started like this:

The art of losing isn’t hard to master;

so many things seem filled with the intent

to be lost that their loss is no disaster.

At first, I was so nervous. But while I was reading, I started listening, and I just understood it.

Lose something every day. Accept the fluster

of lost door keys, the hour badly spent.

The art of losing isn’t hard to master.



Then practice losing farther, losing faster:

places, and names, and where it was you meant

to travel. None of these will bring disaster.



I lost my mother’s watch. And look! my last, or

next-to-last, of three loved houses went.

The art of losing isn’t hard to master.



I lost two cities, lovely ones. And, vaster,

some realms I owned, two rivers, a continent.

I miss them, but it wasn’t a disaster.



—Even losing you (the joking voice, a gesture

I love) I shan’t have lied. It’s evident

the art of losing’s not too hard to master

though it may look like (Write it!) like disaster.

I think my voice might have been shaking too much, like the poem earthquaked me. The room was dead quiet when I stopped.

Mrs. Buster did what she does, which is to stare at the class with her big bug eyes and say, “What do you think?”

Natalie glanced in my direction. I think she felt bad because everyone was looking not at Mrs. Buster, but at me. So she raised her hand and said, “Well, of course she’s lying. It’s not easy to lose things.” Then everyone stopped looking at me and looked at Natalie.

Mrs. Buster said, “Why are some things harder to lose than others?”