Get Xor out! Quick! He’s getting weak!
Triceratops forced him in his jaws!
Good one, Hiki. The Master likes.
Don’t use that one, Dusty.
He lost his powers yesterday. He’s recuperating in the chamber.
Green Menace will stop the infest!
The cycle has begun and we must complete the universe.
Maxmillions. Take Maxmillions.
Yeah, you’re Seker. Hold the exam button down.
Then mouth explosions. Bchchchchch! Pfwoooozhzhz! And the quiet clashing of molded plastic.
Nola sank silently down against the wall beside the open door. Her face was peaceful, her eyes downcast; her lips moved slightly as if she was repeating a name or prayer.
She heard everything. An epic battle between light and darkness. Forms passing through the material of time. Character subverting space. The gathering and regathering. Shapes of beings unknown merging deeply with the known. Worlds fusing. Dimensions collapsing. Two boys playing.
The next day, Nola splashed gasoline on the rotted lumber and ten-year-old tax records and bank statements she had gathered in the burn pit. It was a sparkling, mild, windless day. She threw in a burning twist of paper. There was a dull whump. When the fire was burning hot, she pushed in the green chair.
That’s all over, she said out loud.
Whenever she was alone, tears had filled her eyes. No drug had helped, and even LaRose had not helped at first. But after listening to him play with Dusty yesterday, she woke this morning and got out of bed before she knew she’d done it. There had not been that agonized mudlike hold the bed usually had on her. Then later this morning her old self stirred. Something unknown, internal, righted itself. She felt unalone. Like the inner and the outer worlds were aligned, as with the actions of the action figures. Because the fabric between realities, living and dead, was porous not only to herself. This pass-between existed. LaRose went there too. She was not crazy after all. Just maybe more aware, like LaRose was, like everybody said he was. Special. Something good he was doing for her by playing with her son from the other kingdom.
Plans sprang up. She would get fancier chickens, not just her old reliables. She would get barred rocks, wyandottes, Orpingtons, some of those wild-looking featherhead Polish chickens. She would make the garden bigger, better. They already had that ugly dog who wouldn’t leave her alone. So an old sweet horse. Flowers, shrubs, bats now that bats are good, bees now that bees are good. Bird feeders. Trap the feral cats, but then what to do with them. No. Let them hunt rats, keep the barn safe. A cow, two maybe, for milk only. She hated sheep. No sheep, no goats. Rabbits, though, in a stack of rabbit hutches and from time to time she supposed Peter would remove one and kill it for supper. She’d make him skin it, too, cut it up in pieces. She would fry it, sure, but wait, their eyes! Big soft eyes! Too much. Too much, too soon. If you could eat a rabbit, you could eat a cat. If you could eat a cat, you could eat a dog. So it went, on up. No, she’d just have chickens, she thought, staring into the flames. That was all the death she would be able to bear. Slow down, she counseled herself. You have time to live now. She looked around, behind her, toward the woods.
See? She whispered. I burned the chair.
Wishing Well
WISHINGWELLWISHING WELLWISHING WELLWEHYAHHEYWHENYAHHEY. Ojibwes have a song for everything. This was Romeo’s lock-picking song. He sang beneath his breath as he unlocked a hospital file cabinet with an unbent paper clip.
It is truly wonderful, he thinks, that such precious information is considered secure when protected by a lock so jiggly, and cheap-john enough to break. Or merely find a key to this generic lock if he so wishes. Or saw it off. But he has the time and inclination to pick this lock, which will make his entry invisible.
For ten quiet minutes Romeo toys with the innards of the lock, humming and whispering his lock-picking song until the tumblers line up and the mechanism yields.