CHAPTER 5
I always thought the temple robes were heavy, but they’re much lighter than the protective suits that machinists wear. One similarity between my old uniform and my new one is that the visor reminds me of the one I wore to fix the leaves and the gods in the temple trees. I resist the urge to pull it down and hide my face. The room is filled with workers; many of them sneak glances at me.
The supervisor, a middle-aged man named Josiah, shows me around the large room where the machinists work. It’s very easy to hear Atlantia breathe down here. Bay would love that. And to my surprise, the workroom is extremely beautiful. The workstations are well-lit and the smell of oil and salt water is strong and pleasant. The low ceilings have been hung with little chips and bits of metal, probably scraps left over from repairs, and they catch the light in a way that reminds me of Atlantia’s trees. “We call this the sky room because of the stars on the ceiling,” Josiah says, pointing to the scraps as they glint above us.
“It’s a beautiful workplace,” I say.
“We all take pride in what we do,” Josiah says. “Justus told me you have impressive skills, and he showed me a sample of your work. It was excellent. But everyone begins in here.”
I nod. Because I’m new, my job will be the easiest task of all—quick fixes and polishes for mining drones that have suffered less substantial damage. The drones are steel-strong and complicated, and they often need repair thanks to the difficult nature of their task of extracting ore. I can’t help but feel a little bit of interest in the drones.
“Word spreads quickly,” Josiah says in a low voice. “Everyone here knows that you’re Oceana the Minister’s daughter, but I’ve asked them not to talk to you about her.”
Of course. It’s as Nevio insinuated yesterday in his office. My mother is no longer a leader. He wants everyone to let her go.
Josiah pauses near another room full of well-lit workstations. I see a heavy, round portal door at the opposite end. “We call that the ocean room,” he says. “It’s where we do the more difficult repairs. That door is where the drones come inside.” That’s why everything smells like salt. This is one of the few places where Atlantia opens up, and we are very, very close to the ocean.
I have to hide a smile. Maybe this is a way to get to the Above.
I’ve never been so deep, or so close to the sea.
“I can tell you’re itching to work in the ocean room,” Josiah says, laughing, and I realize that I’ve forgotten myself and I’m staring at the portal. “Don’t worry. You’ll move in there quickly if you’re as talented as you seem to be.”
“Thank you,” I say.
Josiah’s expression grows serious. “The most important part of the tour happens right now,” he says. “I need to tell you about the mines.”
I wonder why. We don’t actually work in the mines or see any of the metals harvested there. That’s what the drones are for. They’re programmed to take their payloads somewhere else, some other part of Atlantia. They only report to this bay if they’re in need of repair.
My face must register my confusion, because Josiah begins to speak more slowly to me. Already he’s forgotten how good I supposedly am at metalwork. This always happens after people have heard me speak.
“There are two kinds of mines out there,” he says. “There are the mines where the drones get the ore, and then there are the other mines—the floating bombs—between the walls of Atlantia and the ocean floor where the drones work. That’s how the drones get so beat-up.”
“I assumed it was from working,” I say.
“That’s what most people think,” he says. “But if you’re down here, you need to know the truth. In fact, all of the water around Atlantia is mined, not just the water down here.”
“But why would we do that?” I ask. “Why would we put mines out there if it results in damage to our drones?”
“The drones can be fixed,” Josiah says. “People can’t. The mines are here to make sure that no one tries to leave.”
When Justus told Josiah what a good worker I am, did he also say something about Bay? Did he tell Josiah that I tried to follow my sister the day she left?
“I tell this to every new machinist,” Josiah says, watching me intently, “because now and then we get someone who thinks this is a way to get Above. They want to find someone who chose to leave, or sometimes they want to go themselves because they feel like they can’t live down here any longer. They buy some of that illegal canned air in the deepmarket and strap it on and go up. But we’re down so deep your lungs could explode the second you get out there. The mines exist to keep anyone from trying a route that would lead to death.”
“I would never have thought of trying to leave,” I say, and my voice is so plain and bland that I am quite sure Josiah will believe me. But, in spite of everything he’s said, I still see a way out. I’ll have to learn more to decide if it’s at all viable, but I’m not ready to give up yet.
“Well,” Josiah says. “That’s everything. Let’s get you started.” He pulls down his visor and I follow his lead, glad for the layer of smoky-colored plastic that hides my face.
I work all day next to a girl named Bien, who is efficient and caustic, and a woman named Elinor, who is quiet and kind. We smooth out metal that has been scraped or bumped and put a protective sealant over the repairs. There is a brief moment of unpleasantness when one of the other workers begins humming to herself in an off-key tone and Bien makes a snide remark about the tune being as painful as a siren’s song.
“The sirens are miracles,” Elinor says, a gentle warning in her voice. “We should be careful how we speak of them.”
“They’re no more special than the bats,” Bien says.
But the bats are special, I think. Even though I had to clean up after them, it was worth it for those rare glimpses when they soared past the window in the temple, completely out of place and yet perfectly at home in our world.
When we finish our shift, Elinor falls into step with me as I leave the building. “You did well today,” she says.
“Thank you,” I say, and I slide up the visor because it would be strange not to, since we’ve finished and are walking to the gondola stop together. I pull my helmet all the way off and feel the breeze against my hair, sweaty and still-braided.
Elinor stares at me. “Oh my,” she says. “You look like her. Oceana the Minister.” Then she puts her hand over her mouth as if remembering that she’s not supposed to discuss this with me.
But I want to talk about my mother. “No,” I say. “She was small. I’m tall. Our coloring is completely different.”
“No, really,” Elinor says. “Something about your eyes. How you’re seeing everything. That’s how she looked at people.” Then she leans closer, glancing around to make sure no one can hear. “I know we’re not to bother you about it,” she says. “But I have to tell you how much she meant to me. I loved her sermons. I looked forward to them all week. And, once, I brought my sick child to the temple and your mother came past and touched my son’s hand and he was better the very next day.”
“She never claimed to perform miracles,” I say, but I’m thrilled at what Elinor thinks of my mother, how she remembers her. “It’s blasphemy to say that she could.”
Elinor reaches into her pocket and pulls out something. At first I can’t tell what it is—I think it might be a piece of stone—and then she brings it into the light and I see that it’s a metal figurine, one of the tiger gods, the kind of token they sell in the deepmarket stalls for cheap. This Efram has the same snarling mouth and curved tiny claws as on the totems I’ve seen before, but in one of his paws he holds a trident, which is a symbol of the sea.
Another thrill goes through me. The gods of Above and Below are not supposed to mix. We have tiger and lion gods with fur and claws, the Above has sharp-toothed sharks and bulbous-eyed fish. We have scepters and swords; they have tridents and nets. This little amalgam is another blasphemy.
“I want you to have this,” Elinor says.
“Why?” I ask. “I’m not my mother.” I didn’t preach the sermons that Elinor loved. I didn’t help her sick child.
“Because you’re what’s left of her,” she says.
After I ride the gondola back up into the city proper, I walk right through the door of the temple itself instead of going to my sleeping quarters. I want to light a candle again tonight and sit for a while under the stone gods and stained glass. I feel as though I need to show Nevio I’m not afraid to come back, that I am what is left of my mother and that she will always have a place here.
With one hand, I pick up the candle, a circle of ivory wax that looks like the round cakes of soap we use to clean the gods. That makes me smile for a moment, remembering a time when, dreaming of the Above, I picked up a candle from the storage room instead of soap. I smeared one of the gods’ faces with wax before I realized my mistake. Bay laughed so hard she cried.
The pain comes so soon after the memory that it hurts to breathe. It hurts even to be. But there is nothing else to do. Not if I want to see her again. I have to keep going.
I keep my other hand in my pocket, closed around the figure of Efram that Elinor gave me. The three prongs of the trident poke into my palm and I think, Three ways to get to the Above: The Council transports. Maire. Through the mining bay.
Right now the last one appeals to me the most, in spite of what Josiah said. Maybe it’s because I can picture how it might feel. The dark water. The floating mines. Me, swimming around them, fast and strong.
Someone comes up next to me at the altar.
She wears a head covering and nondescript clothes, to keep the priests from recognizing her immediately. But I know who she is. I don’t even have to hear her speak.
“Sirens are not supposed to be in the temple,” I say.
That makes Maire laugh softly. Her hands are steady as she lights a candle, and they are smooth and fine, the hands of someone who doesn’t have to do hard work. “Oh,” she says, “the way you can say that, with a complete lack of irony in your voice. You’re something, Rio. You really are.”
“I’ll tell everyone you’re here,” I say. “I’ll make a scene.”
“Don’t do that,” Maire says. “I’m not going to stay long. But I need to give you something. Under the middle of the third pew back, on the side of the temple nearest the priests’ door, you’ll find what your sister left for you. And if you ever decide you want to speak with me after all, go and sit under Efram’s tree in the temple plaza. I will find you. I am always here if you need me.”
“I won’t need you,” I say.
She nods her head in either mock reverence or assent and slips away. I’m surprised at how easily I’m rid of her, and I wonder how many times sirens have stolen into the temple. I come here daily, of course, and the Council doesn’t seem to have as much control over Maire as they should.
I’m not sure whether the thought thrills or frightens me.
I tell myself that after the candle burns out, I’ll go right back up the nave and leave the temple, but of course I don’t. I make my way to the third pew and sit down. I bow my head as if in prayer and reach a hand underneath the seat. At first I feel nothing, and then there it is, a thick cloth bag taped to the bottom of the pew. It’s heavy. I think I know what’s inside by the feel of it. Lots of small, solid pieces.
Money.
Bay left me money?
Is there a note inside, too?
I stand up holding the bag—it’s a simple one, the kind that many of us in Atlantia have for shopping or carrying books—and walk out of the temple. I hope no one notices that I’m leaving with more than I had when I came in, but I don’t think anyone has really paid attention to me this entire time. I have the uncanny feeling that Maire may have told them all not to see me, that she whispered some incantation when I first came inside. That would, of course, be illegal, as is the little god of Efram that sits inside my pocket.
When I get to my room, I open up the bag and dump the contents on the table. I was right—Bay’s given me money. And something else wrapped in brown tissue paper.
I count the money first. Disk after disk of golden coin. There are five hundred and seven of them altogether, a small fortune.
If this is from Bay, where did she get all of it? She couldn’t have won so much money in the deepmarket—could she? If so, was she racing when I didn’t know?
Is this enough to buy an air tank that could get me to the surface? I didn’t know they sold such things until Josiah mentioned it earlier. I’ve known about the vials of flavored air, of course, but do those sellers have other, more secret wares?
I take care not to rip the brown tissue paper surrounding the second part of the gift, just in case Bay has sent me a message, but there isn’t any of her neat, careful writing on the paper. Instead the wrapping holds a smooth shell. A seashell, rare and hard to come by, even in the deepmarket, something that belongs to both the Above and the Below. The animals that make and wear these shells walk along our ocean floors and the Above’s sandy shores. The shell’s colors are beautiful—dappled greenish-blue and brown like the colors of the Divide.
“You’re the only person in the world whose favorite color is brown,” Bay used to tease me.
“That can’t be true,” I said. “It’s mathematically impossible.”
“Well, I don’t know a single other person whose favorite color is brown,” Bay said.
“Maybe not in Atlantia,” I said. She understood what I meant.
“Maybe Above,” she said.
There’s no note with any of it—not tucked among the coin, not hidden in the shell.
Is this really from my sister? Or is Maire trying to trick me?
I pack away most of the coin but put some of it into a small pouch to take with me to the deepmarket tomorrow. Whether or not Bay gave me the money, it’s going to come in handy.
Then I hold the shell up to my ear to listen for the sound of wind in the trees Above. They say that when people Above find shells on the shore, they try to hear the sounds of the sea.
And I swear I hear her breathing inside the shell. My sister. Breathing for me.
I match my breath to hers; I curl up tight on the bed. This was the sound I fell asleep to every night—her breathing, and mine. And I feel myself slipping, at last, back into dreams where it is safe for me to speak.