An Ember in the Ashes

And once Mazen realizes he’s been betrayed by his former lieutenant? What will that cost Keenan?

He only wants to help me. Yet I take no comfort in what he said: I’ll find you in Silas. I’ll find a way to Darin. I’ll take care of everything. I promise.
Once, I’d have wanted that. I’d have wanted someone to tell me what to do, to fix everything. Once, I’d have wanted to be saved.
But what has that gotten me? Betrayal. Failure. It’s not enough to expect Keenan to have all the answers. Not when I think of Izzi, who even now might be suffering at the Commandant’s hands because she chose friendship over self-preservation. Not when I think of Elias, who gave up his own life for mine.
The shed is stifling suddenly, hot and close, and I’m across the floor and out the door. A plan forms in my head, tentative, outlandish, and mad enough that it just might work. I wind my way through the city, across Execution Square, past the docks, and down to the Weapons Quarter. To the forges.
I need to find Spiro Teluman.
XLVI: Elias
Hours pass. Or maybe days. I have no way to know. Blackcliff’s bells don’t penetrate the dungeon. I can’t even hear the drums. The granite walls of my windowless cell are a foot thick, the iron bars two inches wide.
There are no guards. There’s no need for them.
Strange, to have survived the Great Wastes, to have fought supernatural creatures, to have sunk so low as to kill my own friends, only to die now—in chains, still masked, stripped of my name, branded a traitor. Disgraced—an unwanted bastard, a failure of a grandson, a murderer. A nobody. A man whose life means nothing.
Such foolish hope, to have thought that despite being raised to violence I might one day be free of it. After years of whippings and abuse and blood, I should have known better. I should never have listened to Cain. I should have deserted Blackcliff when I had the chance. Maybe I’d have been lost and hunted, but at least Laia would be alive. At least Demetrius and Leander and Tristas would be alive.
Now it’s too late. Laia’s dead. Marcus is Emperor. Helene’s his Blood Shrike. And soon I’ll be dead. Lost as a leaf on the wind.
The knowledge is a demon gnawing insatiably at my mind. How did this happen? How could Marcus—mad, depraved Marcus—be overlord of the Empire? I see Cain naming him Emperor, see Helene kneeling before him, swearing to honor him as her master, and I bang my head against the bars in a futile and painful attempt to get the images out of my mind.
He succeeded where you failed. He showed strength where you showed weakness.
Should I have killed Laia? I’d be Emperor if I had. She died anyway, in the end. I pace my prison cell. Five steps one way, six another. I wish I’d never carried Laia up the cliffs after my mother marked her. I wish I’d never danced with her or spoken with her or seen her. I wish I had never allowed my accursedly single-minded male brain to linger over every detail about her.
That is what brought her to the Augurs’ attention, what made them choose her as the prize for the Third Trial and the victim for the Fourth. She’s dead, and it’s because I singled her out.
So much for keeping my soul.
I laugh, and it echoes in the dungeon like shattered glass. What did I think was going to happen? Cain was clear enough: Whoever killed the girl won the Trial. I just didn’t want to believe that rulership of the Empire could come down to something so brutal. You’re na?ve, Elias. You’re a fool. Helene’s words from a few hours before come back to me.
I couldn’t agree more, Hel.
I try to rest but instead fall into the dream of the killing field. Leander, Ennis, Demetrius, Laia—bodies everywhere, death everywhere. My victims’ eyes are open and staring, and the dream is so real I can smell the blood. I think for a long time that I must be dead, that this is some ring of hell I’m walking.
Hours, or minutes later, I jerk awake. I know immediately that I’m not alone.
“Nightmare?”
My mother stands outside my cell, and I wonder how long she’s been watching me.
“I have them too.” Her hand strays to the tattoo at her neck.
“Your tattoo.” I’ve been wanting to ask about those blue whorls for years, and, as I’m going to die anyway, I figure I have nothing to lose. “What is it?”
I don’t expect her to answer, but to my surprise, she unbuttons her uniform jacket and pulls up the shirt beneath to reveal a stretch of pallid skin. The markings that I mistook as designs are actually letters that twine around her torso like a coil of nightshade: ALWAYS VICTO
I raise an eyebrow—I wouldn’t expect Keris Veturia to wear her house’s motto so proudly, especially considering her history with Grandfather. Some of the letters are newer than others. The first A is faded, as if it was inked years ago. The T, meanwhile, looks just days old.
“Run out of ink?” I ask her.
“Something like that.”
I don’t ask her anything else about it—she’s said all she’s going to. She states at me in silence. I wonder what she’s thinking. Masks are supposed to be able to read people, to understand them by observing them. I can tell if a stranger is nervous or fearful, honest or insincere, just by watching them for a few seconds. But my own mother is a mystery to me, her face as dead and remote as a star.
Questions spring free in my mind, questions I thought I no longer cared about. Who is my father? Why did you leave me to die? Why didn’t you love me? Too late to ask them now. Too late for the answers to mean anything.