Chapter 36
‘Where are you, Sachs?’
‘Almost there.’ Her voice was echoing through the speaker in Rhyme’s parlor. The criminalist was here with Pulaski and Cooper, while Amelia Sachs was presently streaking across Central Park, one of the traverses, headed east. ‘Hanging up. Gotta drive.’
It turned out there were forty-eight places in Manhattan in which ‘Belvedere’ figured in the name. This had been the conclusion of yet another team that Lon Sellitto had assembled at One Police Plaza. There’d been the Find-the-Out-of-Print-Book team, now disbanded. Then the current What-the-F*ck-Do-the-Words-the-Second-and-Forty-Mean team, still active.
Now the Which-Belvedere-Is-It team, assembled thanks to skin artist Anne Thomson’s fortuitous eavesdropping.
Four dozen instances of Belvedere in Manhattan (which seemed to be 11-5’s preferred hunting borough; besides, you can’t search everywhere).
Delis, apartment buildings, transport companies, boutiques, a cab company, a ferry.
An escort service.
A half hour ago, in Rhyme’s parlor, he and Sachs, along with Sellitto, Cooper and Pulaski, had debated which of the Belvederes were the most likely to be connected to the unsub. Of course, the name might have nothing to do with the next or a future target. It could be where he lived, or near where he lived, or his dry cleaner or where he boarded his cat. Or a business he was curious about. But, being cautious, they assumed it was a kill site and wanted to get tac teams to the most likely ones ASAP.
They’d decided three were good candidates for an attack. One was a deserted warehouse in the Chelsea area of Manhattan – north of Greenwich Village. It featured an extensive labyrinth of underground passages and storerooms. Perfect for their unsub’s purposes, though Cooper had made the point that it might be a little too deserted. ‘He needs to get a victim from somewhere.’
Rhyme considered this but tapped into some CCTV images there and noted that it had more pedestrian traffic than you’d think – including even some joggers out on this blustery day.
‘He only needs one,’ Rhyme pointed out.
Sellitto’d called ESU to have a team sent there.
The second Belvedere was an old movie theater on the Upper West Side, the sort of grande dame you used to see on Broadway, the ornate venues where Clark Gable or Marilyn Monroe would open films. It was closed at this hour and, according to one of Rhyme’s underground diagrams, had a number of basements, just the place for Unsub 11-5 to take his victims. Another ESU team was sent there.
The final possibility was an apartment building on Midtown’s East Side named the Belvedere. A grimy old structure, like the gothic Dakota. It featured both a large basement and an underground parking garage. The detective arranged for a third team to speed there.
Sachs had said, ‘Smells like that’s the one. I’ll go too.’
Rhyme had noted her eyes, that huntress look, the undeterred focus. Which he found so appealing, and so unnerving, at the same time. Sachs was one of the best crime scene cops Rhyme had ever known. But she was never more alive than when leading a dynamic entry in a tactical scenario.
She’d sprinted out the door, pulling her jacket on as she went. Sellitto had followed shortly after.
Now Rhyme got a message from Sellitto, also mobile, reporting that a tac team had hit the Belvedere warehouse in Chelsea and found nothing. ESU commander Bo Haumann had left a small surveillance team and divided up the others; one group was heading to the Belvedere Apartments and one to the theater, which was massive; the search would take some time.
Just after he disconnected, his phone line rang again. ‘Rhyme?’ Sachs’s voice came through the speakers.
‘Just heard from Lon,’ he told her. He explained that the warehouse was a bust. ‘But that means you’re getting some reinforcements. An ESU team’s headed to the apartment building where you are.’
‘Not are, Rhyme,’ she muttered. ‘Will be. Traffic’s lousy. And nobody knows how to drive in this weather. I’m on the sidewalk. Hold on.’ Rhyme heard a crash as presumably her Torino reseated itself on New York City asphalt. He wondered about debilitating damage to the drive train or the axles. ‘At this rate, ten minutes. And it’s just ’cross town. Jesus.’
Rhyme noted another incoming call on his phone.
‘I’ll call you back, Sachs. ESU’s on the other line.’
‘Lincoln, you there?’ It was Haumann.
‘Yes, Bo. What’s the status?’
‘Tac Team Two’s almost to the Belvedere Apartments. We’ll hit the basement in the building and the garage too. Any more evidence that he’s armed?’ Haumann would be remembering the earlier incident, at the hospital in Marble Hill, where Unsub 11-5 had threatened to shoot Harriet Stanton and Sachs.
‘Nothing further. But assume he is.’
‘I’ll pass it along.’ A pause as Haumann spoke to someone else in his car or ESU van. Rhyme couldn’t hear the exchange. ‘Okay, we’re rolling up silent.’
‘I’ll tell Amelia you’re there. She’ll want to be included in any tactical op. I wouldn’t take any chances. You can’t wait. Go in, dynamic, ASAP.’
‘Sure, Lincoln, we’ll do it.’
Rhyme said, ‘Tell your folks to look out for traps. That’s his new game. Gloves and respirators.’
‘Roger that. Hold on … Okay, Lincoln?’
‘I’m here.’
‘We’ve got a chopper in place. You want to log in and watch?’
‘Sure.’
The ESU commander gave him the code and a moment later Rhyme, Pulaski and Cooper were staring at the screen. It was a high-def image of two boxy ESU tactical trucks, designation numbers clearly visible on their roofs. Rhyme could see two dozen troops deploy through the front door of the apartment building and down the exit ramp of the garage. The parking attendant was being led away to safety by one of the officers.
The audio was up too. Rhyme could hear the ESU troops as they made their way through the facilities. ‘… Southwest corridor, level one, clear … Access door here … no, it’s sealed …’
Haumann disconnected and Rhyme called Sachs back. Told her about the conversation.
She sighed. ‘I’m ETA five minutes.’ He could hear the disappointment about missing the entry.
Rhyme’s attention swiveled to the radio feed from the tactical operation.
‘Tac Two A is going in, heading down the stairs to the lower level. Two B is heading down the garage ramp. Hold on … So far, no resistance, no innocents. We’re green. K.’
‘Rhyme, I’m almost there. I—’
But he missed what she said next. An officer’s voice blared out of the radio. ‘Tac Two B … we have a situation. Lower level, parking garage … Jesus … Call it in, call it in! … Fire department … Move, move, move! We need fire now! K.’
Fire? Rhyme wondered.
Another officer echoed his question. ‘What’s burning? I don’t see anything burning. K?’
‘Tac Two B. Negative on fire. The perp opened a standpipe to cover his getaway. We’ve got a flood. We can’t get through. Already six inches of water. And it’s rising. Need a fireman with a wrench to close the f*cker. K.’
Rhyme heard a chuckle from the ether – apparently relief that they had to contend only with water, not an arson blaze.
He, however, was not amused. He knew exactly what their nimble unsub had done: unleashed the flood not only to slow down his pursuers, but to destroy whatever evidence he’d left behind.
The Skin Collector(Lincoln Rhyme)
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