The Skin Collector(Lincoln Rhyme)

Chapter 24





Rhyme was wheeling back and forth, back and forth, in front of the high-definition monitor. It was around forty minutes after the report had come in about the perp releasing the poison gas in the sixth-floor suite in the doctors’ office building.

On the screen was an image of the front of the building and, beyond that, the hospital itself.

Courtesy of an Emergency Service Unit video cam.

The buzzer sounded and Thom went to answer. The door clicked, the wind howled.

Then a familiar clomp of footsteps, which told Rhyme that Lon Sellitto had arrived.

Ah …

The detective turned the corner. Stopped. His face was a grimace.

‘Now,’ Rhyme said, his voice infused with sharp humor. ‘I’m just curious—’

‘All right, Linc,’ Sellitto said, stripping off the wet Burberry. ‘It was—’

‘Curious, I was saying. Did it occur to anyone? Any single one? Did it occur to any person on the face of the earth that it wasn’t an orderly reporting the poison gas? That it was the unsub himself who called in a fake report? So that everyone would start checking out patients with bandages on their faces?’

‘Linc—’

‘And no one would start checking out anyone in a dental face guard, like tattoo artists would wear, and coveralls, strolling casually out the front door like an emergency worker.’

‘I know that now, Linc.’

‘So I guess it didn’t occur to anyone at the time. It’s only—’

‘You made your f*cking point.’

‘—now that we can figure out—’

‘You can be a real prick sometimes, Linc. You know that.’

Rhyme did know that and he didn’t care. ‘And the manhunt around Marble Hill?’

‘Checkpoints at main streets, officers at every bus stop and subway station in the area.’

‘Looking for …?’ Rhyme asked.

‘Any white male around thirty with a pulse.’

Rhyme’s computer dinged, and he called up the email. It was Jean Eagleston again, the Crime Scene officer. She was the one who’d done an Identi-Kit composite rendering of the man, based on Harriet Stanton’s observation. It depicted an unsmiling young man with Slavic features, a prominent forehead and brows close together. The unsub’s pale eyes gave him a startling, eerie visage.

Rhyme didn’t believe that good or evil could be objectively reflected in appearance. But his gut told him this was the face of a truly dangerous person.

A second high-def monitor nearby fluttered to life and there was Amelia Sachs, peering his way.

‘You there, Rhyme?’

‘Yes, yes, Sachs. Go ahead.’ This was the computer they used for face-to-face videoconferencing with law enforcers in other cities, for occasional interrogation of suspects and for Skyping with the children of Rhyme’s closest relative – his cousin who lived in New Jersey – well, Sachs primarily, who read them stories and told jokes. Sachs and Pam would also Skype, sometimes spending hours, chatting away.

He wondered if now, after their fight, that wouldn’t be happening anymore.

She asked, ‘What’s the story? Is it true, the getaway?’

Rhyme grimaced and glanced at Sellitto, who rolled his eyes and said, ‘He’s gone, yeah. But we got a good description from the hostage.’

‘What’s the prognosis, Sachs? The guard?’

‘Eyes’re going to need some treatment is all. He got hit by formaldehyde and severed male genitals. That’s what was in the jar. Which he’s not happy about.’ She gave a faint laugh. ‘It was dark, I saw some flesh on the ground. I thought the unsub had used acid and it was melting the guard’s flesh off. But he’ll be okay. Now, Lon, how’s the manhunt going?’

The detective explained to her, ‘We’ve got undercover at all the bus and subway stations in Marble Hill and north and south – the Number One train. He could get a cab but I’m thinking he won’t want to be seen one on one – by the driver. According to our tat expert, he’s not from around here so he probably doesn’t know about gypsy cabs. We’re betting he’ll stick to public transportation.’

Rhyme could see Sachs nodding, then the image was breaking up, freezing. The unreliable Internet.

The picture came in clear again.

She said, ‘He might try for a train farther east.’

‘Yeah, I suppose he could.’

Rhyme said, ‘Good point.’ He told Sellitto, ‘Get some of your people to the Number Four train and the D and B lines. That’s central Bronx. He’s not going to get farther east than that.’

‘Hm. I’ll do it.’ The detective stepped away to make the call.

Sachs said, ‘One thing occurred to me, Rhyme?’

‘And?’

‘There were dozens of storerooms he could’ve hidden in. Why did he pick that one?’

‘Your thought?’

‘He’d spent time there before. I think that’s where he was going to take Harriet Stanton to tattoo her.’

‘Why?’

‘It was like a skin museum.’ She described the preserved tissue samples in jars.

‘Skin. Sure. His obsession.’

‘Exactly. Internal organs, brains. But easily half the jars contained external flesh.’

‘You working up some kind of dark psychology here, Sachs? I’m not sure that’s helpful. We know he’s interested in skin.’

‘I’m just figuring he’d spent more time there than just checking it out as a possible murder site. Like a tourist at MoMA, you know. It drew him. So I walked the grid three times there.’

‘Now, that’s a valid use for psychobabble,’ Rhyme said.