No, his aunt Chora said loudly enough to silence the roomful of men. She was the closest thing Ander had to a mother. He loved her, but he did not like her. It wouldn’t happen, she said. The wave Chora would produce would be strong enough. Ander would not have to drown the girl with his hands. The Seedbearers weren’t murderers. They were stewards of humanity, preventers of apocalypse. They were generating an act of God.
But it was murder. At this moment the girl was alive. She had friends and a family who loved her. She had a life before her, possibilities fanning out like oak branches into infinite sky. She had a way of making everything around her seem spectacular.
Whether she might someday do what the Seedbearers feared she would do was not something Ander liked thinking about. Doubt consumed him. As the wave rolled closer, he considered letting it take him, too.
If he wanted to die, he would have to get out of the boat. He would have to let go of the handles at the end of the chain welded to his anchor. No matter how strong the wave was, Ander’s chain would not break; his anchor would not be wrested from the sea floor. They were made of orichalcum, an ancient metal considered mythological by modern archaeologists. The anchor on its chain was one of five relics made of the substance that the Seedbearers preserved. The girl’s mother—a rare scientist who believed in things she could not prove existed—would have traded her entire career to uncover just one.
Anchor, spear and atlatl, lachrymatory vial, and the small carved chest that glowed unnatural green—these were what remained of his lineage, of the world no one spoke of, of the past the Seedbearers made it their sole mission to repress.
The girl knew nothing of the Seedbearers. But did she know where she had come from? Could she trace her line backward as swiftly as he could trace his, to the world lost in the flood, to the secret to which both he and she were inextricably linked?
It was time. The car approached the marker for mile four. Ander watched the wave emerge against the darkening sky until its white crest could no longer be mistaken for cloud. He watched it rise in slow motion, twenty feet, thirty feet, a wall of water moving toward them, black as night.
Its roar almost drowned out the scream that came from the car. The cry didn’t sound like hers, more like her mother’s. Ander shuddered. The sound signaled that they had seen the wave at last. Brake lights flashed. Then the engine gunned. Too late.
Aunt Chora was as good as her word; she’d built her wave perfectly. It carried the whiff of citronella—Chora’s touch to mask the burnt-metal odor that accompanied Zephyr sorcery. Compact in width, the wave was taller than a three-story building, with a concentrated vortex in its deep belly and a foaming lip that would dash the bridge in half but leave the land on either side intact. It would do its work cleanly and, more importantly, quickly. There would hardly be time for the tourists stopped at the mouth of the bridge to pull out their phones and hit record.
When the wave broke, its barrel stretched across the bridge, then doubled back to crash into the highway divider ten feet ahead of the car, precisely as planned. The bridge groaned. The road buckled. The car swirled into the whirlpool center. Its undercarriage flooded. It was picked up by the wave and rode the crest, then shot off the bridge on a slide made of roiling sea.
Ander watched the Chrysler somersault into the face of the wave. As it teetered down, he was appalled by a view through the windshield. There she was: dirty-blond hair splayed out and up. Soft profile, like a shadow cast by candlelight. Arms reaching for her mother, whose head knocked the steering wheel. Her scream cut Ander like glass.
If this hadn’t happened, everything might have been different. But it did:
For the first time in his life, she looked at him.