“Yo. Blondie!”
Blaine’s voice pulls me from my thoughts. He’s motioning for me to move again. I do, and then finally—finally—settle into what Blaine deems the perfect pose.
Damien slides in to press a kiss to my forehead. “Tonight,” he says. “I have meetings all day, but I’ll text you with the details. Edward’s ready to take you home whenever you’re done.”
“I could keep her here all day,” Blaine says. “She’s a fabulous subject.”
“All day?” I squeak. I’ve been posing for no time at all, and my muscles are already stiff.
“I said I could,” Blaine clarifies. “I think Mr. Big Shot Businessman will fire me if I tire you out or keep you too long.”
“I certainly will,” Damien says. He lowers his voice. “I have plans for her.” His voice curls around me, running through me, sending blood pulsing to all sorts of interesting places.
“There you go,” Blaine says. “I like that color on your cheeks, Blondie.”
I can’t move, of course, but I’m seething as Damien leaves, chuckling softly as he descends the marble staircase.
After he’s gone, Blaine is a whirlwind of activity, in constant motion, looking, sketching, giving orders, adjusting lights. Despite the overtly erotic nature of his work, he’s actually a hoot to work with, and as far as I can tell there’s not a dark bone in his body.
“Evelyn’s dying to see you again,” he says when we’re finally wrapping up. “She wants the gossip on Damien.”
I slip the robe back on and tie the sash around my waist. “Really? I get the feeling she’s the one who has all the gossip. On Damien and on everybody else.”
“Sounds to me like you’ve got my lady nailed.”
“I really do need to give her a call,” I admit. “I’ve been wanting to see her, too. Maybe we can see each other tomorrow.”
He gives me an odd look and shakes his head. “Get out of here, Blondie. You’re messing with my concentration.”
“Oh.” I’m not sure how the conversation slipped away, but maybe Blaine is just showing off an artistic temperament. “You’re sure it’s okay if I go? I mean, how can you paint me if there’s no me to paint?”
“It’s amazing how much of painting from life doesn’t actually require the living to be present.” He makes a shooing gesture with his paintbrush. “Go. Edward’s probably bored out of his mind.”
“He’s just waiting out there?” I had assumed I’d need to call him or something.
I get dressed quickly, then grab my stuff and hurry down the stairs, but before I do I also grab the Leica and take a few quick shots of the room, of the painting in progress, and of Blaine. “This kind of thing doesn’t happen to me often. I’m keeping a record.”
“Blondie,” Blaine says, “I know the feeling.”
Edward isn’t at all put out by how long I’ve taken. Apparently he likes to sit in the Town Car and listen to audiobooks. “Last week it was Tom Clancy,” he says. “This week, Stephen King.”
On the ride from Malibu back to Studio City, Edward listens to his book and I listen to my thoughts. Or I try to. There’s so much going on in my head—Damien, my job search, Damien, the portrait, the million dollars, Damien, Jamie and Ollie. And, oh yeah, Damien.
I lean my head back, half-dozing and half-thinking, and before I know it, Edward has pulled up in front of the condo and is walking around to open the door for me.
“Thanks for the lift,” I say as I climb out.