Loving Again

chapter Three


The following month

The first time Sam had seen Amanda’s studio, he’d gone there on police business, to talk to her about Tom Webster’s possible illegal activities. Nothing about the day had been what he expected.

Starting with her studio. Outside, the building looked like a World War II Quonset hut. Inside it was more industrial than artsy. Boiler room-level heat radiated from three furnaces, the “glory holes” where the two glass blowers who shared the studio with Amanda melted the glass they used. Opposite the furnaces was a bank of kilns used both by the glass blowers and Amanda. She used them to fuse and shape her kiln-formed glass. Her studio mates used them for a controlled cool-down of their blown-glass pieces.

Across the back of the building, where Amanda worked, were deep slots constructed of plywood where she stored her glass: table-top size sheets in a multitude of colors: ruby red and royal purple, citrus shades of lemon and orange, the greens of spring and Oz, and all the blues of the sea, the sky and Paul Newman’s eyes. Above the sheet glass were clear jars full of various sizes of colored granules along with tubes of something looking like multi-hued spaghetti. Frit and stringer, Amanda called them.

And Amanda — the beautiful young artist he remembered from the gallery where he’d first met her had greeted him dressed like she was ready to do construction. Her curls had been pulled back from her face, held in place by some kind of clips. She’d worn no make-up and a heavy, long-sleeved T-shirt. Her jeans had been splattered with something pink and her shoes looked heavy enough to survive hiking the Himalayas.

Nothing had changed from a year ago. Amanda was even dressed the same today.

“How come you get stuck with all Amanda’s packing and unpacking, Sam?” Leo Wilson, one of the glass blowers — and one of the friends who’d helped Amanda pack before her move to Seattle — asked as Sam made his way to the back of the building. “We have to do it. She’s our landlord. You’re a volunteer.” The semi-smirk on his face was evidence that he knew exactly why Sam kept volunteering.

“Big fan of glass art. Glad to have another talented artist back in town.”

“That explains this time … ” Leo began.

Amanda cut him off. “Leo, unless you want a rent increase, you better leave the help alone.” She reached up and kissed Sam on the cheek. “Thanks for doing this. I really appreciate it. I apologize for my mouthy studio mate.”

Surprised — and pleased — that she’d been so possessive, Sam circled her waist with an arm. “No problem. I want to make sure you’re good and settled so you don’t run off again. I hear there are good glass schools in North Carolina and New York.”

“Don’t forget Rhode Island, Australia, England and Italy,” she said with a raised eyebrow and a half-smile.

“Christ, I better get you moved back in ASAP so you’re not tempted. What can I do?”

Two hours later, the boxes she’d had shipped back from Seattle were unpacked, the contents put into their correct places, as were the dozens of sheets of glass Amanda had purchased from Bullseye Glass the day before. She was just about to take Sam out for coffee when his pager went off.

“Sorry, baby,” he said when he got off the phone. “I was supposed to have the afternoon off but … ” He shrugged his shoulders. “Maybe dinner tonight? About seven? Your place?”

“You’re on.” She kissed him again, this time on the mouth. “And thank you again. I don’t know what I’d do without you.”

“I don’t intend to let you find out,” he said.

Ten minutes later, Amanda got a phone call that pulled her, too, out of the studio.

• • •

“Just because she’s gotten decent reviews for that show in Seattle and sold a few pieces of glass, she thinks she’s some kind of star,” Eubie Kane said. “She’s not; she’s a thief. And she’s avoiding me because she’s afraid I know.”

A tall, slender man in his mid-twenties, Kane paced in front of the checkout counter at the Bullseye Resource Center, the retail store for the glass manufacturer. As he walked back and forth, his voice grew louder with each sentence, powered by wind milling arms and a rising tide of indignation. Clad in worn overalls and a dingy T-shirt, he looked more like a panhandler at a freeway exit than the artist he was. “But now that I know what she’s been doing, she’s going to have to … ”

“Eubie,” manager Felicia Hamilton interrupted, “keep your voice down. I called her. She was unpacking her studio and forgot she promised to meet you. Why didn’t you just go over there in the first place?”

“I wanted to meet her here.” Kane shifted his backpack as if it contained a great weight and continued pacing, much to the amusement of the other artists there to purchase glass for their projects and the students who’d been drawn in from the classroom space adjacent to the retail area by his loud voice.

“If I let her, she’d always have some damned excuse about being busy.” Kane swung the backpack off his shoulder, sideswiping a pyramid of jars full of granulated glass, causing it to teeter, like a near miss in some carnival game. Ricocheting from that almost-disaster, he banged into the cart of a woman waiting to pay for her supplies, sending ten large sheets of glass tipping forward. A half-dozen people rushed to save the glass from crashing.

The manager motioned to Robin Jordan, the instructor whose class had become part of the audience, to get other customer carts piled with glass out of Kane’s orbit. “She has been busy. She just moved back to town; she’s got a show coming up in Tacoma, commissions from her Seattle show.”

“Right. The great Amanda St. Claire, busy doing work based on my ideas. And you’re covering for her, treating her with kid gloves because she’s a good customer.”

“Oh, come on, Eubie, we treat all our artists with kid gloves,” Felicia said in a cajoling tone. “We treat you with kid gloves, don’t we?”

“Yeah, sure.” His scornful expression showed what he thought of that statement. “She gets special treatment, even uses your big kiln when no one else can.”

“I don’t think Amanda’s ever asked but the answer for her would be the same as for anyone else. We only rent out the small kilns.”

“That’s bullshit. A guy who knows one of your staff told me she does.”

“Give me your source and I’ll get this straightened out. Amanda has never … ”

“I’ve never what, Felicia?” Amanda asked, coming in the door.

“Used our big kilns,” Felicia said. “Eubie says we let you use them.”

“Nope, never. Except for class projects the time I was a guest teacher. When I need a kiln bigger than the ones in my studio, I rent Kent Simon’s Skutt. Is that what you wanted? You should have told me. I can ask Kent to contact you.”

“That’s not it and you know it.” Kane pulled a magazine out of his backpack, opened it to a dog-eared page and thrust it in her face. “Did you think I wouldn’t see this?”

Amanda immediately recognized the piece about her work. “I hoped a lot of people would see that article.”

His forefinger rat-a-tat-tapped a beat on the page. “That piece of glass on the top left is a direct rip-off of my work. You saw my layered blocks on weather moods in the Glass Art Society exhibit two years ago and you duplicated them with different names.”

“That’s from a series I did about five years ago, before the Glass Art Society exhibit.”

“You’re lying. That’s my idea you stole.” He spit the word at her. “People have been commenting on it. You’ve built your career on my back. So you’ll have to compensate me or I’m going to sue you. I came here to warn you.” Turning abruptly, he stomped out the front door.

The students who’d been watching the performance ebbed back toward the classroom, avoiding eye contact with Amanda. Customers carefully examined the coding labels on the sheets of glass as though they’d never seen them before.

Felicia finally broke the silence. “Well, that little meeting worked out nicely, don’t you think?” she said with a wry smile, her blue eyes sparkling behind her Ben Franklin glasses.

“What bug crawled inside him?” Amanda asked.

“Not sure what it is but I’m pretty sure I know where it is,” Felicia said. “Only thing I can’t figure out is why. He can be whiny but he’s usually not obnoxious. Have you heard about this before? I haven’t.”

“This is the first for me, too. I’ve met him once or twice. Saw his work at the Glass Art Society and at The Fairchild.” Amanda shook her head. “He’s on a tear for some reason. This is all I need.” The sound of customers moving around caught her attention. She saw that people were still avoiding her and shook her head again. “Sorry, not your problem. Apologies all around. If you hear any more about this, call me please?”

Returning to her studio, Amanda tried to get back to work but she couldn’t concentrate. She decided to run errands hoping retail therapy might help.

The shopping list for her studio wasn’t long but, preoccupied with Eubie Kane’s accusations, she couldn’t focus, passing by the items she wanted in the office supply store two or three times before picking them up. She did notice a young man with longish dark hair who seemed to be in every aisle she was, making her uneasy. He reminded her of Eubie Kane and she didn’t need to be reminded of him.

She blitzed New Seasons Market for studio snacks and something for dinner with Sam. Then she dropped in at the bank. In both places, she saw a man who looked a lot like the guy from the office supply store. Or else she was imagining Eubie Kane look-alikes behind every rock.

Back at the studio, she parked directly in front of the door. She was closing up the back of her SUV when a beat-up Toyota hatchback parked a few spaces behind her. She swore it was the same car she’d seen at the coffee shop where she’d stopped for a latte and it gave her the creeps.

Running through the big roll-up door that was, as usual, open to ventilate the heat from the glory holes, she called to her studio mates to go with her to check it out. But when they got there, the car was empty. They hung around waiting for the driver’s return but after about five minutes, when no one showed, they went back into the building.

*

It was hidden behind old rhododendron bushes somewhere along the back of the house. Not exactly a precise set of directions but he’d figured it couldn’t be too hard. However, what he found when he got in the backyard wasn’t so simple. A confusion of greenery had grown together in a living wall that blocked access to the foundation.

When he tried to force his way behind the shrubs, thorns snagged his shirt, scratched his hands and face. Overgrown rose bushes were intermingled with broad- leafed shrubs covered in green buds. The shrubs must have been ten feet tall. To squeeze behind them he had to break off branches and tear at the leaves.

But there it was. Finally. The hardware was old, easy to jimmy. He got the door open and went into the basement. A phone rang upstairs and a dog barked. The security system was still working, it seemed.

Not long after he went out the side yard gate to his car, the blond from her studio pulled into the driveway, went into her house and was back out in less than ten minutes.

As soon as the car disappeared around the corner, the observer started his engine. If he did this a few more times, she’d have the motion sensor taken off that door and he could get in at his leisure. He congratulated himself that this phase of his plan, recovering the reward he was due, was coming along.

And so was the part about settling the score for what she’d done. He was sure he’d scared her following her around. He smiled. That was only the beginning.