Go Set a Watchman (To Kill a Mockingbird #2)

Alexandra said, “Jean Louise, I don’t think you fully realize what’s been going on down here—”

 

Jean Louise turned on her heel, walked to the front door, out of it, across the broad front yard, down the street toward town as fast as she could go, Alexandra’s “you aren’t going to town Like That” echoing behind her. She had forgotten that there was a car in good running condition in the garage, that its keys were on the hall table. She walked swiftly, keeping time to the absurd jingle running through her head.

 

Here’s a how-de-do!

 

If I marry you,

 

When your time has come to perish

 

Then the maiden whom you cherish

 

Must be slaughtered, too!

 

Here’s a how-de-do!

 

 

 

What were Hank and Atticus up to? What was going on? She did not know, but before the sun went down she would find out.

 

It had something to do with that pamphlet she found in the house—sitting there before God and everybody—something to do with citizens’ councils. She knew about them, all right. New York papers full of it. She wished she had paid more attention to them, but only one glance down a column of print was enough to tell her a familiar story: same people who were the Invisible Empire, who hated Catholics; ignorant, fear-ridden, red-faced, boorish, law-abiding, one hundred per cent red-blooded Anglo-Saxons, her fellow Americans—trash.

 

Atticus and Hank were pulling something, they were there merely to keep an eye on things—Aunty said Atticus was on the board of directors. She was wrong. It was all a mistake; Aunty got mixed up on her facts sometimes….

 

She slowed up when she came to the town. It was deserted; only two cars were in front of the drugstore. The old courthouse stood white in the afternoon glare. A black hound loped down the street in the distance, the monkey puzzles bristled silently on the corners of the square.

 

When she went to the north side entrance she saw empty cars standing in a double row the length of the building.

 

When she went up the courthouse steps she missed the elderly men who loitered there, she missed the water cooler that stood inside the door, missed the cane-bottom chairs in the hallway; she did not miss the dank urine-sweet odor of sunless county cubbyholes. She walked past the offices of the tax collector, tax assessor, county clerk, registrar, judge of probate, up old unpainted stairs to the courtroom floor, up a small covered stairway to the Colored balcony, walked out into it, and took her old place in the corner of the front row, where she and her brother had sat when they went to court to watch their father.

 

Below her, on rough benches, sat not only most of the trash in Maycomb County, but the county’s most respectable men.

 

She looked toward the far end of the room, and behind the railing that separated court from spectators, at a long table, sat her father, Henry Clinton, several men she knew only too well, and a man she did not know.

 

At the end of the table, sitting like a great dropsical gray slug, was William Willoughby, the political symbol of everything her father and men like him despised. He’s the last of his kind, she thought. Atticus’d scarcely give him the time of day, and there he is at the same …

 

William Willoughby was indeed the last of his kind, for a while, at least. He was bleeding slowly to death in the midst of abundance, for his life’s blood was poverty. Every county in the Deep South had a Willoughby, each so like the other that they constituted a category called He, the Great Big Man, the Little Man, allowing for minor territorial differences. He, or whatever his subjects called him, occupied the leading administrative office in his county—usually he was sheriff or judge or probate—but there were mutations, like Maycomb’s Willoughby, who chose to grace no public office. Willoughby was rare—his preference to remain behind the scenes implied the absence of vast personal conceit, a trait essential for two-penny despots.

 

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