For a moment, she thought the woman was Christa Peterson. But on sustained inspection, she realized that although there was a resemblance, Pacciani’s companion was older than Christa by about ten years.
Gabriel felt Julia stop, but he’d been speaking with Vitali, getting last-minute instructions on what was to take place. His eyes followed hers and something akin to a growl escaped his chest.
“Ah, you know Professor Pacciani, I assume.” Vitali spoke in Gabriel’s ear. “We invited the professors from the universities, on your instructions.”
“Right,” said Gabriel. He rued the fact that he hadn’t been more explicit about who should not receive an invitation.
“Shall we?” Dottore Vitali gestured, and the Emersons walked to the doorway.
They stood side by side, facing the crowd and blinking amid the cameras and commotion, while Vitali made his introductions. Julia tried not to fidget, but she felt very conspicuous.
The director spent a long time explaining the history of the sixteenth-century illustrations—how they were copies of Botticelli’s original images of Dante’s Divine Comedy, and how, although eight of the originals had been lost, the Emersons had possession of the full complement of one hundred.
As Julia scanned the crowd, one face stood out. A young-looking, fair-haired man with strange gray eyes stared unblinkingly in her direction, his expression one of intense curiosity. His reaction was so different from the other guests, Julia couldn’t help but return his stare, until Gabriel nudged her, drawing her attention back to their host.
Dottore Vitali painstakingly traced the provenance of the illustrations from the Emersons back to the nineteenth century, where they seem to have appeared out of nowhere.
The Uffizi was proud to display images that had not been viewed in public since, perhaps, their creation.
The audience murmured appreciatively and broke out into enthusiastic applause as Vitali thanked the Emersons for their generosity.
Gabriel moved his arm in order to take Julia’s hand, squeezing it. They nodded and smiled their acknowledgments. Then he walked to the podium and offered a few words of thanks in Italian to Vitali and the Uffizi.
He turned his body sideways, his eyes fixed on Julia’s.
“I would be remiss if I didn’t mention my wife, Julianne. The lovely lady you see before you is the reason why this evening came about. Without her, I would have kept the illustrations to myself. Through her words and her deeds, she has shown me what it is to be charitable and good.”
Julia blushed, but she could not look away. His magnetic gaze was focused entirely on her.
“This evening is only one small example of her philanthropic work. Yesterday, we spent the day at the Franciscan orphanage, spending time with the children. Earlier today, my wife was on a mission of mercy with the poor and homeless, in the city center. My challenge to you this evening is to enjoy the beauty of the illustrations of Dante’s Divine Comedy, and then to find it in your hearts to celebrate beauty, charity, and compassion in the city Dante loved, Firenze. Thank you.”
The crowd applauded, with one exception. No one seemed to notice the fair-haired man’s cynical reaction to Gabriel’s call to virtuous living, or the contempt he expressed when Dante was mentioned.
Gabriel returned to Julia and kissed her cheek chastely before facing the applauding crowd. They posed for photographs and cut the ribbon that was strung across the doors that led into the exhibition. The exhibit was declared open, to the sound of much applause.
“Please.” Vitali gestured to the room, indicating that the Emersons should be the first to view the collection.
Gabriel and Julianne entered the room and were immediately awestruck. The space had been renovated, its normally pale walls painted a bright blue to better display the pen-and-ink illustrations, only some of which were in color.
The illustrations were arranged in order, beginning with Botticelli’s famous Chart of Hell. In viewing the collection, one was able to witness the journey of a man’s soul from sin to redemption. And of course, there was the inevitable reunion of Dante with his beloved Beatrice.
“What do you think?” Gabriel held Julia’s hand as they stood in front of one of their favorite images, Dante and Beatrice in the sphere of Mercury. Beatrice was wearing flowing robes and pointing upward while Dante followed her gesture with his gaze.
“It’s beautiful.” She linked their pinky fingers together. “Do you remember the first time you showed it to me? When I came to dinner at your apartment?”
Gabriel lifted her hand to his lips, pressing a kiss to her palm. “How could I forget? You know, I showed them to you on impulse. I hadn’t even told Rachel about them. Somehow, I knew I could trust you.”
“You can trust me.” Her dark eyes grew serious.
“I know.” He appeared conflicted and for a moment Julia thought he was going to confess his secrets, but they were interrupted.