Chicks Kick Butt

I’d begun my escape swinging on a silver cord instead of a bell rope, and now was clinging atop a rapidly rising elevator car. Looking up, I saw enough cables to string a harp and a big dark flat nothing—the elevator shaft top—waiting to brain me.

I wound the familiar’s shrinking silver cord around my palms. When I had just a garrote-length left, I looped it around the handle on the car’s rooftop emergency escape hatch and pulled … only I wanted in, not out.

Moments later, just as the elevator shaft top loomed above like an iron hat, I jerked open the hatch to drop down into the brightly lit car, taking my weight on my bent knees. I straightened as the hatch overhead banged shut, smiling at the startled tourists into whose midst I’d so abruptly appeared.

“ Whew . What a wild private party on the penthouse level,” I complained. “Do not accept any of those slot machine invitations. It was ballistic.” They eyed me with mixed suspicion and envy.

Meanwhile, I noticed the Muzak filling the now-plummeting car. More of that sweet and impossibly sugary soprano voice. What was she singing now? “Send in the Clowns”? No need to get personal!

“Oh, that voice is unearthly,” a woman said as the elevator doors finally opened on the main floor.

Yeah! Probably a ghost.

At least I was back where I’d begun, even though my newly laceless shoes were useless after my catapult atop the elevator car. At least I was now wearing a silver charm bracelet dangling place-appropriate wolf heads.

I decided to restart my investigation on the main floor. First, a limping detour down the shopping wing brought me to a store called Two Cool Tootsie’s. My dressy spike heels were buckling sideways, so I charged a pair of Steve Madden leopard-print flats with a rose on the toes to Cicereau’s account.

Unfortunately, the gushing saleswoman took me for Cicereau’s latest moll, not an employee whose wardrobe had suffered in his service.

“Shame about your mangled Jimmy Choos,” she consoled me.

I’d explained I’d caught one high heel in an elevator door and broken the second while wrenching the first loose.

“Are you sure the boss will like you as well in flats?” she asked. “I hear he runs hot and cold.”

“Oh, Cesar is quite a runner, but he dotes on anything that reminds him of dead Big Cats,” I said. “That old Starlight Lodge hunting urge, you know.”

She shuddered as she rang up the new shoes. “I’ve heard what gets chased down at that place. Just stay on his safe side, honey. Cringing is good.”

Shod again, I cruised the main entertainment area with a fresh eye. The building’s gigantic wooden tree architecture mimicked soaring Gothic cathedral columns. No wonder the Hunchback had replayed his best scene here with me as a standin.

Tourists strolled leaf-patterned parquet paths around forest scenes of ferns and flowering plants and thick clustered trees. The scale made you feel as small and helpless as a chipmunk skittering near the trickle of hidden streams, hearing the rustle of bird life in the leaves above. Sensing silently stalking wolves in the shadows. At least I did.

I was glad to break into the brightness of a skylight-illuminated mountain village square with a half-timbered inn called the Huntsman’s Haven that broadcast scents of fresh-baked bread, beer, and bratwurst.

A Gypsy wagon and camp drew children to the tricolored wagon, ponies, and the music and color of juggling, knife-throwing, and fortune-telling attractions. I am not an outdoorsy girl. One enforced summer at a mosquito-ridden Minnesota camp during my group home days had been enough for me.

I really needed to check out the hotel’s theater stage. The Gehenna’s big contracted show starred Madrigal, the strongman magician, and his creepy pair of female fey assistants. Picture two-foot-high Barbie dolls with glitzy wardrobes, webs, and venom.

My captor had been an escapee from an old silent movie. Had the Gehenna been adding new attractions?

Rachel Caine and Kerrie Hughes's books