All the Light We Cannot See

The Rounds


Although Etienne continues to offer objections, Madame Manec walks Marie-Laure to the beach every morning. The girl knots her shoes herself, feels her way down the stairwell, and waits in the foyer with her cane in her fist while Madame Manec finishes up in the kitchen.

“I can find my own way,” Marie-Laure says the fifth time they step out. “You don’t have to lead.”

Twenty-two paces to the intersection with the rue d’Estrées. Forty more to the little gate. Nine steps down and she’s on the sand and the twenty thousand sounds of the ocean engulf her.

She collects pinecones dropped by trees who knows how far away. Thick hanks of rope. Slick globules of stranded polyps. Once a drowned sparrow. Her greatest pleasure is to walk to the north end of the beach at low tide and squat below an island that Madame Manec calls Le Grand Bé and let her fingers whisk around in the tidepools. Only then, with her toes and fingers in the cold sea, does her mind seem to fully leave her father; only then does she stop wondering how much of his letter was true, when he’ll write again, why he has been imprisoned. She simply listens, hears, breathes.

Her bedroom fills with pebbles, seaglass, shells: forty scallops along the windowsill, sixty-one whelks along the top of the armoire. She arranges them by species whenever she can, then by size. Smallest on the left, largest on the right. She fills jars, pails, trays; the room assumes the smell of the sea.

Most mornings, after the beach, she makes the rounds with Madame Manec, going to the vegetable market, occasionally to the butcher’s, then delivering food to whichever neighbors Madame Manec decides are most in need. They climb an echoing stairwell, rap on a door; an old woman invites them in, asks for news, insists all three of them drink a thimbleful of sherry. Madame Manec’s energy, Marie-Laure is learning, is extraordinary; she burgeons, shoots off stalks, wakes early, works late, concocts bisques without a drop of cream, loaves with less than a cup of flour. They clomp together through the narrow streets, Marie-Laure’s hand on the back of Madame’s apron, following the odors of her stews and cakes; in such moments Madame seems like a great moving wall of rosebushes, thorny and fragrant and crackling with bees.

Still-warm bread to an ancient widow named Madame Blanchard. Soup to Monsieur Saget. Slowly Marie-Laure’s brain becomes a three-dimensional map in which exist glowing landmarks: a thick plane tree in the Place aux Herbes; nine potted topiaries outside the H?tel Continental; six stairs up a passageway called the rue du Connétable.

Several days a week, Madame brings food to Crazy Harold Bazin, a veteran of the Great War who sleeps in an alcove behind the library in sun or snow. Who lost his nose, left ear, and eye to shellfire. Who wears an enameled copper mask over half his face.

Harold Bazin loves to talk about the walls and warlocks and pirates of Saint-Malo. Over the centuries, he tells Marie-Laure, the city ramparts have kept out bloodthirsty marauders, Romans, Celts, Norsemen. Some say sea monsters. For thirteen hundred years, he says, the walls kept out bloodthirsty English sailors who would park their ships offshore and launch flaming projectiles at the houses, who would try to burn everything and starve everybody, who would stop at nothing to kill them all.

“The mothers of Saint-Malo,” he says, “used to tell their children: Sit up straight. Mind your manners. Or an Englishman will come in the night to cut your throat.”

“Harold, please,” says Madame Manec. “You’ll frighten her.”

In March, Etienne turns sixty and Madame Manec stews little clams—palourdes—with shallots and serves them alongside mushrooms and quarters of two hard-boiled eggs: the only two eggs, she reports, she could find in the city. Etienne talks in his soft voice about the eruption of Krakatoa, how, in all of his earliest memories, ash from the East Indies turned the sunsets over Saint-Malo bloodred, big veins of crimson glowing above the sea every evening; and to Marie-Laure, her pockets lined with sand, her face aglow from wind, the occupation seems, for a moment, a thousand miles away. She misses Papa, Paris, Dr. Geffard, the gardens, her books, her pinecones—all are holes in her life. But over these past few weeks, her existence has become tolerable. At least, out on the beaches, her privation and fear are rinsed away by wind and color and light.

Most afternoons, after making the morning rounds with Madame, Marie-Laure sits on her bed with the window open and travels her hands over her father’s model of the city. Her fingers pass the shipbuilder’s sheds on the rue de Chartres, pass Madame Ruelle’s bakery on the rue Robert Surcouf. In her imagination she hears the bakers sliding about on the flour-slick floor, moving in the way she imagines ice skaters must move, baking loaves in the same four-hundred-year-old oven that Monsieur Ruelle’s great-great-grandfather used. Her fingers pass the cathedral steps—here an old man clips roses in a garden; here, beside the library, Crazy Harold Bazin murmurs to himself as he peers with his one eye into an empty wine bottle; here is the convent; here’s the restaurant Chez Chuche beside the fish market; here’s Number 4 rue Vauborel, its door slightly recessed, where downstairs Madame Manec kneels beside her bed, shoes off, rosary beads slipping through fingers, a prayer for practically every soul in the city. Here, in a fifth-floor room, Etienne walks beside his empty shelves, trailing his fingers over the places where his radios once stood. And somewhere beyond the borders of the model, beyond the borders of France, in a place her fingers cannot reach, her father sits in a cell, a dozen of his whittled models on a windowsill, a guard coming toward him with what she wants very badly to believe is a feast—quail and duck and stewed rabbit. Chicken legs and potatoes fried with bacon and apricot tarts—a dozen trays, a dozen platters, as much as he can eat.





Nadel im Heuhaufen
     




Midnight. Dr. Hauptmann’s hounds bound through frozen fields beside the school, drops of quicksilver skittering through the white. Behind them comes Hauptmann in his fur cap, walking with short strides as though counting paces over some great distance. In the rear comes Werner, carrying the pair of transceivers he and Hauptmann have been testing for months.

Hauptmann turns, his face bright. “Nice spot here, good sight lines, set it down, Pfennig. I’ve sent our friend Volkheimer ahead. He’s somewhere on the hill.” Werner sees no tracks, only a humped swale of glitter in the moonlight, and the white forest beyond.

“He has the KX transmitter in an ammunition box,” Hauptmann says. “He is to conceal himself and broadcast steadily until we find him or his battery dies. Even I do not know where he is.” He smacks his gloved hands together, and the dogs swirl around him, their breath smoking. “Ten square kilometers. Locate the transmitter, locate our friend.”

Werner looks out at the ten thousand snow-mantled trees. “Out there, sir?”

“Out there.” Hauptmann draws a flask from his pocket and unscrews it without looking at it. “This is the fun part, Pfennig.”

Hauptmann stamps a clearing in the snow, and Werner sets up the first transceiver, uses measuring tape to pace off two hundred meters, and sets up the second. He uncoils the grounding wires, raises the aerials, and switches them on. Already his fingers are numb.

“Try eighty meters, Pfennig. Typically teams won’t know what band to search. But for tonight, our first field test, we’ll cheat a bit.”

Werner puts on the headset and fills his ears with static. He dials up the RF gain, adjusts the filter. Before long, he has tuned in both receivers to Volkheimer’s transmitter pinging along. “I have him, sir.”

Hauptmann starts smiling in earnest. The dogs caper and sneeze with excitement. From his coat he produces a grease pencil. “Just do it on the radio. Teams won’t always have paper, not in the field.”

Werner sketches out the equation on the metal casing of the transceiver and starts plugging in numbers. Hauptmann hands him a slide rule. In two minutes Werner has a vector and a distance: two and a half kilometers.

“And the map?” Hauptmann’s little aristocratic face gleams with pleasure.

Werner uses a protractor and compass to draw the lines.

“Lead on, Pfennig.”

Werner folds the map into his coat pocket, packs up the transceivers, and carries one in each hand like matching suitcases. Tiny snow crystals sift down through the moonlight. Soon the school and its outbuildings look like toys on the white plain below. The moon slips lower, a half-lidded eye, and the dogs stick close to their master, mouths steaming, and Werner sweats.

They drop into a ravine and climb out. One kilometer. Two.

“Sublimity,” Hauptmann says, panting, “you know what that is, Pfennig?” He is tipsy, animated, almost prattling. Never has Werner seen him like this. “It’s the instant when one thing is about to become something else. Day to night, caterpillar to butterfly. Fawn to doe. Experiment to result. Boy to man.”

Far up a third climb, Werner unfolds the map and double-checks his bearings with a compass. Everywhere the silent trees gleam. No tracks save their own. The school lost behind them. “Shall I set out the transceivers again, sir?”

Hauptmann puts his fingers to his lips.

Werner triangulates again and sees how close they are to his original reading—under half a kilometer. He repacks the transceivers and picks up his pace, hunting now, on the scent, all three dogs sensing it too, and Werner thinks: I have found a way in, I am solving it, the numbers are becoming real. And the trees unload siftings of snow and the dogs freeze and twitch their noses, locked on a scent, pointing as if at a pheasant, and Hauptmann holds up a palm, and finally Werner, coming up through a gap between trees, laboring as he carries the big cases, sees the form of a man lying faceup in the snow, transmitter at his feet, antenna rising into the low branches.

The Giant.

The dogs tremble in their stances. Hauptmann keeps his palm up. With his other hand, he unholsters his pistol. “This close, Pfennig, you cannot hesitate.”

Volkheimer’s left side faces them. Werner can see the vapor of his breath rise and disperse. Hauptmann aims his Walther right at Volkheimer, and for a long and startling moment, Werner is certain that his teacher is about to shoot the boy, that they are in grave danger, every single cadet, and he cannot help but hear Jutta as she stood beside the canal: Is it right to do something only because everyone else is doing it? Something in Werner’s soul shuts its scaly eyes, and the little professor raises his pistol and fires it into the sky.

Volkheimer leaps immediately into a squat, his head coming around as the hounds release toward him, and Werner’s heart feels as if it has been blown to pieces in his chest.

Volkheimer’s arms come up as the dogs charge him, but they know him; they are leaping on him in play, barking and scampering, and Werner watches the huge boy throw off the dogs as if they were housecats. Dr. Hauptmann laughs. His pistol smokes, and he takes a long drink from his flask and passes it to Werner, and Werner puts it to his lips. He has pleased his professor after all; the transceivers work; he is out in the luminous, starlit night feeling the stinging glow of brandy flow into his gut—

“This,” says Hauptmann, “is what we’re doing with the triangles.”

The dogs circle and duck and romp. Hauptmann relieves himself beneath the trees. Volkheimer trudges toward Werner lugging the big KX transmitter; he grows ever larger; he rests a huge mittened hand on Werner’s cap.

“It’s only numbers,” he says, quietly enough that Hauptmann cannot hear.

“Pure math, cadet,” adds Werner, mimicking Hauptmann’s clipped accent. He presses his gloved fingertips together, all five to five. “You have to accustom yourself to thinking that way.”

It is the first time Werner has heard Volkheimer laugh, and his countenance changes; he becomes less menacing and more like a benevolent, humongous child. More like the person he becomes when he listens to music.

All the next day the pleasure of his success lingers in Werner’s blood, the memory of how it seemed almost holy to him to walk beside big Volkheimer back to the castle, down through the frozen trees, past the rooms of sleeping boys ranked like gold bars in strongrooms—Werner felt an almost fatherly protectiveness for the others as he undressed beside his bunk, as lumbering Volkheimer continued on toward the dormitories of the upperclassmen, an ogre among angels, a keeper crossing a field of gravestones at night.
     







Proposal


Marie-Laure sits in her customary spot in the corner of the kitchen, closest to the fireplace, and listens to the friends of Madame Manec complain.

“The price of mackerel!” says Madame Fontineau.” You’d think they had to sail to Japan for it!”

“I cannot remember,” says Madame Hébrard, the postmistress, “what a proper plum tastes like.”

“And these ridiculous shoe ration coupons,” says Madame Ruelle, the baker’s wife. “Theo has number 3,501 and they haven’t even called 400!”

“It’s not just the brothels on the rue Thévenard anymore. They’re giving all the summer apartments to the freelancers.”

“Big Claude and his wife are getting extra fat.”

“Damned Boches have their lights on all day!”

“I cannot bear one more night stuck indoors with my husband.”

Nine of them sit around the square table, knees pressed to knees. Ration card restrictions, abysmal puddings, the deteriorating quality of fingernail varnish—these are crimes they feel in their souls. To hear so many of them in a room together confuses and excites Marie-Laure: they are giddy when they should be serious, somber after jokes; Madame Hébrard cries over the nonavailability of Demerara sugar; another woman’s complaint about tobacco disintegrates midsentence into hysterics about the phenomenal size of the perfumer’s backside. They smell of stale bread, of stuffy living rooms crammed with dark titanic Breton furnishings.

Madame Ruelle says, “So the Gautier girl wants to get married. The family has to melt all its jewelry to get the gold for the wedding ring. The gold gets taxed thirty percent by occupation authorities. Then the jeweler’s work is taxed another thirty percent. By the time they’ve paid him, there’s no ring left!”

The exchange rate is a farce, the price of carrots indefensible, duplicity lives everywhere. Eventually Madame Manec deadbolts the kitchen door and clears her throat. The women fall quiet.

“We’re the ones who make their world run,” Madame Manec says. “You, Madame Guiboux, your son repairs their shoes. Madame Hébrard, you and your daughter sort their mail. And you, Madame Ruelle, your bakery makes much of their bread.”

The air stretches tight; Marie-Laure has the sense that they are watching someone slide onto thin ice or hold a palm over a flame.

“What are you saying?”

“That we do something.”

“Put bombs in their shoes?”

“Poop in the bread dough?”

Brittle laughter.

“Nothing so bold as all that. But we could do smaller things. Simpler things.”

“Like what?”

“First I need to know if you’re willing.”

A charged silence ensues. Marie-Laure can feel them all poised there. Nine minds swinging slowly around. She thinks of her father—imprisoned for what?—and aches.

Two women leave, claiming obligations involving grandchildren. Others tug at their blouses and rattle their chairs as though the temperature of the kitchen has gone up. Six remain. Marie-Laure sits among them, wondering who will cave, who will tattle, who will be the bravest. Who will lie on her back and let her last breath curl up to the ceiling as a curse upon the invaders.





You Have Other Friends


“Look out, Pusswood,” Martin Burkhard yells as Frederick crosses the quad. “I’m coming for you tonight!” He convulses his pelvis maniacally.

Someone defecates on Frederick’s bunk. Werner hears Volkheimer’s voice: Decency does not matter to them.

“Bed-shitter,” spits a boy, “bring me my boots.”

Frederick pretends not to hear.

Night after night Werner retreats into Hauptmann’s laboratory. Three times now they have gone out into the snow to track down Volkheimer’s transmitter, and each time they have found him more directly. During the most recent field test, Werner managed to set up the transceivers, find the transmission, and plot Volkheimer’s location on the map in under five minutes. Hauptmann promises trips to Berlin; he unrolls schematics from an electronics factory in Austria and says, “Several ministries have demonstrated enthusiasm for our project.”

Werner is succeeding. He is being loyal. He is being what everybody agrees is good. And yet every time he wakes and buttons his tunic, he feels he is betraying something.

One night he and Volkheimer trudge back through the slush, Volkheimer carrying the transmitter, both receivers, and the folded antenna under one arm. Werner walks behind, content to be in his shadow. The trees drip; their branches seem moments away from erupting into bloom. Spring. In two more months Volkheimer will be given his commission and go to war.

They stop a moment so Volkheimer can rest, and Werner bends to examine one of the transceivers, draws a little screwdriver from his pocket, and tightens a loose hinge plate. Volkheimer looks down at him with great tenderness. “What you could be,” he says.

That night Werner climbs into bed and stares up at the underside of Frederick’s mattress. A warm wind blows against the castle, and somewhere a shutter bangs and snowmelt trickles down the long downspouts. As quietly as he can manage, he whispers, “Are you awake?”

Frederick leans over the side of his bunk, and for a moment in the nearly complete darkness Werner believes they will finally say to each other what they have not been able to say.

“You could go home, you know, to Berlin. Leave this place.”

Frederick only blinks.

“Your mother wouldn’t mind. She’d probably like to have you around. Franny too. Just for a month. Even a week. As soon as you leave, the cadets will let up, and by the time you return, they’ll have moved on to someone else. Your father wouldn’t even have to know.”

But Frederick tips back into his bed and Werner can no longer see him. His voice comes reflecting down from the ceiling.

“Maybe it’d be better if we aren’t friends anymore, Werner.” Too loud, dangerously loud. “I know it’s a liability, walking with me, eating with me, always folding my clothes and shining my boots and tutoring me. You have your studies to think of.”

Werner clenches his eyes. A memory of his attic bedroom swamps him: clicking of mouse feet in the walls, sleet tapping the window. The ceiling so sloped he could stand only in the spot closest to the door. And the feeling that somewhere just behind his vision, ranged like spectators in a gallery, his mother and father and the Frenchman from the radio were all watching him through the rattling window to see what he would do.
     



He sees Jutta’s crestfallen face, bent over the pieces of their broken radio. He has the sensation that something huge and empty is about to devour them all.

“That’s not what I meant,” Werner says into his blanket. But Frederick says nothing more, and both boys lie motionless a long time, watching the blue spokes of moonlight rotate through the room.





Old Ladies’ Resistance Club


Madame Ruelle, the baker’s wife—a pretty-voiced woman who smells mostly of yeast but also sometimes of face powder or the sweet perfume of sliced apples—straps a stepladder to the roof of her husband’s car and drives the Route de Carentan at dusk with Madame Guiboux and rearranges road signs with a ratchet set. They return drunk and laughing to the kitchen of Number 4 rue Vauborel.

“Dinan is now twenty kilometers to the north,” says Madame Ruelle.

“Right in the middle of the sea!”

Three days later, Madame Fontineau overhears that the German garrison commander is allergic to goldenrod. Madame Carré, the florist, tucks great fistfuls of it into an arrangement headed for the chateau.

The women funnel a shipment of rayon to the wrong destination. They intentionally misprint a train timetable. Madame Hébrard, the postmistress, slides an important-looking letter from Berlin into her underpants, takes it home, and starts her evening fire with it.

They come spilling into Etienne’s kitchen with gleeful reports that someone has heard the garrison commander sneezing, or that the dog shit placed on a brothel doorstep reached the target of a German’s shoe bottom perfectly. Madame Manec pours sherry or cider or Muscadet; someone sits stationed by the door to serve as sentry. Small and stooped Madame Fontineau boasts that she tied up the switchboard at the chateau for an hour; dowdy and strapping Madame Guiboux says she helped her grandsons paint a stray dog the colors of the French flag and sent it running through the Place Chateaubriand.

The women cackle, thrilled. “What can I do?” asks the ancient widow Madame Blanchard. “I want to do something.”

Madame Manec asks everyone to give Madame Blanchard their money. “You’ll get it back,” she says, “don’t worry. Now, Madame Blanchard, you’ve had beautiful handwriting all your life. Take this fountain pen of Master Etienne’s. On every five-franc note, I want you to write, Free France Now. No one can afford to destroy money, right? Once everyone has spent their bills, our little message will go out all over Brittany.”

The women clap. Madame Blanchard squeezes Madame Manec’s hand and wheezes and blinks her glossy eyes in pleasure.

Sometimes Etienne comes down grumbling, one shoe on, and the whole kitchen goes quiet while Madame Manec fixes his tea and sets it on a tray and Etienne carries it back upstairs. Then the women start up again, scheming, gabbling. Madame Manec brushes Marie-Laure’s hair in long absentminded strokes. “Seventy-six years old,” she whispers, “and I can still feel like this? Like a little girl with stars in my eyes?”





Diagnosis


The military doctor takes Sergeant Major von Rumpel’s temperature. Inflates the blood pressure cuff. Examines his throat with a penlight. This very morning von Rumpel inspected a fifteenth-century davenport and supervised its installment onto a railcar meant for Marshal G?ring’s hunting lodge. The private who brought it to him described plundering the villa they took it from; he called it “shopping.”

The davenport makes von Rumpel think of an eighteenth-century Dutch tobacco box made out of brass and copper and encrusted with tiny diamonds that he examined earlier this week, and the tobacco box sends his thoughts, as inexorably as gravity, back to the Sea of Flames. In his weaker moments, he imagines walking in some future hour between arcades of pillars in the great Führermuseum at Linz, his heels clacking smartly on the marble, twilight cascading through high windows. He sees a thousand crystalline display cases, so clear they seem to float above the floor; inside them wait the world’s mineral treasures, harvested from every hole on the globe: dioptase and topaz and amethyst and California rubellite.

What was the phrase? Like stars flung off the brows of archangels.

And in the very center of the gallery, a spotlight falls through the ceiling onto a pedestal; there, inside a glass cube, glows a small blue stone . . .

The doctor asks von Rumpel to lower his trousers. Though the business of war has not let up for even a day, von Rumpel has been happy for months. His responsibilities are doubling; there are not, it turns out, a lot of Aryan diamond experts in the Reich. Just three weeks ago, outside a tiny sun-streaked station west of Bratislava, he examined an envelope full of perfectly clear, well-faceted stones; behind him rumbled a truck full of paintings wrapped in paper and packed in straw. The guards whispered that a Rembrandt was in there, and pieces of a famous altarpiece from Cracow. All being sent to a salt mine somewhere deep beneath the Austrian village of Altaussee, where a mile-long tunnel drops into a glittering arcade filled with shelving three stories high, upon which the high command is stacking Europe’s finest art. They will assemble everything under one unassailable roof, a temple to the human endeavor. Visitors will marvel at it for a thousand years.

The doctor probes his groin. “No pain?”

“None.”

“Nor here?”

“None.”

It would have been too much to hope for names from the lapidary in Paris. Dupont, after all, would not have known who had been given the replicas of the diamond; he had no insight into the last-second safeguards of the museum. But Dupont was of service nonetheless; von Rumpel needed a number, and he got it.

Three.

The doctor says, “You may dress,” and washes his hands at a sink.

In the two months leading up to the invasion of France, Dupont fashioned three replicas for the museum. Did he use the real diamond to make them? He used a casting. He never saw the real diamond. Von Rumpel believed him.

Three replicas. Plus the real stone. Somewhere on this planet among its sextillion grains of sand.

Four stones, one of them in the basement of the museum, locked in a safe. Three more to find. There are moments when von Rumpel feels impatience rising in him like bile, but he forces himself to swallow it back. It will come.

He buckles his belt. The doctor says, “We need to take a biopsy. You will want to telephone your wife.”





Weakest (#3)


The scales of cruelty tip. Maybe Bastian exacts some final vendetta; maybe Frederick goes looking for his only way out. All Werner knows for certain is that one April morning he wakes to find three inches of slush on the ground and Frederick not in his bunk.
     



He does not show at breakfast or poetics or morning field exercises. Each story Werner hears contains its own flaws and contradictions, as though the truth is a machine whose gears are not meshing. First he hears that a group of boys took Frederick out and set up torches in the snow and told him to shoot the torches with his rifle—to prove he had adequate eyesight. Then Werner hears that they brought him charts for eye exams, and when he could not read them, they force-fed the charts to him.

But what does the truth matter in this place? Werner imagines twenty boys closing over Frederick’s body like rats; he sees the fat, gleaming face of the commandant, throat spilling out of his collar, reclined like a king on some high-backed oak throne, while blood slowly fills the floor, rises past his ankles, past his knees . . .

Werner skips lunch and walks in a daze to the school’s infirmary. He’s risking detention or worse; it’s a sunny, bright noon, but his heart is being crushed slowly in a vise, and everything is slow and hypnotic, and he watches his arm work as it pulls open the door as if he’s peering through several feet of blue water.

A single bed with blood in it. Blood on the pillow and on the sheets and even on the enameled metal of the bed frame. Pink rags in a basin. Half-unrolled bandage on the floor. The nurse bustles over and grimaces at Werner. Outside of the kitchens, she is the only woman at the school.

“Why so much blood?” he asks.

She sets four fingers across her lips. Debating perhaps whether to tell him or pretend she does not know. Accusation or resignation or complicity.

“Where is he?”

“Leipzig. For surgery.” She touches a round white button on her uniform with what might be an inconveniently trembling finger. Otherwise her manner is entirely stern.

“What happened?”

“Shouldn’t you be at noontime meal?”

Each time he blinks, he sees the men of his childhood, laid-off miners drifting through back alleys, men with hooks for fingers and vacuums for eyes; he sees Bastian standing over a smoking river, snow falling all around him. Führer, folk, fatherland. Steel your body, steel your soul.

“When will he be back?”

“Oh,” she says, a soft enough word. She shakes her head.

A blue soapbox on the table. Above it a portrait of some foregone officer in a crumbling frame. Some previous boy sent through this place to die.

“Cadet?”

Werner has to sit on the bed. The nurse’s face seems to occupy multiple distances, a mask atop a mask atop a mask. What is Jutta doing at this exact moment? Wiping the nose of some wailing newborn or collecting newspapers or listening to presentations from army nurses or darning another sock? Praying for him? Believing in him?

He thinks: I will never be able to tell her about this.





Dearest Marie-Laure—

The others in my cell are mostly kind. Some tell jokes. Here’s one: Have you heard about the Wehrmacht exercise program? Yes, each morning you raise your hands above your head and leave them there!

Ha ha. My angel has promised to deliver this letter for me at great risk. It is very safe and nice to be out of the “Gasthaus” for a bit. We are building a road now and the work is good. My body is getting stronger. Today I saw an oak tree disguised as a chestnut tree. I think it is called a chestnut oak. I would like very much to ask some of the botanists in the gardens about it when we get home.

I hope you and Madame and Etienne will keep sending things. They say we will be allowed to receive one parcel each, so something has to get through eventually. I doubt they would let me keep any tools but it would be wonderful if they would. You absolutely would not believe how pretty it is here, ma chérie, and how far we are from danger. I am incredibly safe, as safe as safe can be.

Your Papa