Carry On

“Sir?” I call out. I don’t know what else to call him—I’ve never heard anyone actually call the Mage “the Mage” to his face.

There’s a crash like wood hitting wood. I can’t tell where it’s coming from, and I can’t see anything. I start looking for a light switch. Some of the older Watford buildings don’t have switches—you have to turn on the lights with magic. But my wand is in the car, lying on the passenger seat; it didn’t fit in my coat pocket.

There’s another crash. I stand very still and listen:

A metallic clanging. Someone shouting. Footsteps coming towards me—running. Panting.

Someone slams into me, pushing me aside and running past me. Then someone else catches me and pins me, my back against the wall. “I told you not to run!” he growls.

“You didn’t,” I say. “You didn’t tell me.”

He’s holding my arms so tight, I think they might actually break. “Let there be light!” he says.

And there is.

I stare into the Mage’s eyes. When he sees that it’s me, he throws me aside.

“Where did she go?” he demands.

“Who, sir?”

He swings his wand around him. “Come out, come out, wherever you are!” His teeth are bared. “You know I don’t have time for this. The hour is near!” He slashes with his wand. “Please!” (Slash.) “Please!” (Slash.) “Please!” (Slash.) “Let me, let me, let me!”

I’m not sure what he’s casting for, but the spell tugs at me, and I fall forward.

“You…,” the Mage says, noticing me again. His tunic is open, and he’s sweating profusely. There’s something blue smeared all over his chest. “What are you doing here, girl?”

“I came to tell you about Simon, sir.”

“Simon!” he says wildly. “Where’s Simon?” He holds up his hand. “Wait—” The Mage looks like he wants to run away, like he’s listening. I take a step away from him, but he grabs my arm. “Where is Simon?”

“I don’t know, sir,” I say. “But I came to tell you—he was with Basilton Pitch. Last night. They told me they were going to find some numpties, but I think it’s a trap! You have to help him!”

The words rush out of me. Everything I rehearsed in the car.

The Mage groans and holds his head, pacing now across the dark room, coming in and out of my sight. The light from his spell still hangs in the air around me. I take a step towards the door.

“Numpties now. Vampires. Children. I don’t have time for this!” He growls, in frustration, and I hear something loud and heavy, like a bookcase, fall to the ground. Maybe he’s distracted. I turn to run from the room, but the Mage is right there, grabbing me. “You’ll have to do,” he says. “You’ll have to do for now.”

My legs give out, and he drags me.

“You don’t have much to give,” he says, “but I’ll take it.”





BAZ


Bunce is biting her nails. She keeps trying to cast spells on the car, but I’m already driving it as fast as it can manage, and all her spells come out nervous and tight.

She’s worried that the Mage will kill Simon once he finds out that Simon is causing the Humdrum.

I’m worried she’ll figure out that I want to kill the Mage first.





PENELOPE


I don’t trust Baz.

I only called him for help because he has a car.

I mean, I’d love to trust him—he’s a brilliant magician and excellent company—but I can’t.

I only trust four people: my parents, Micah, and Simon. I don’t have any spare trust lying around, and if I did, I wouldn’t give it to Tyrannus Basilton Grimm-Pitch. He’s cynical, manipulative, and utterly ruthless. All he cares about is getting what he wants and protecting his own people.

And there’s something in the way he looks at Simon.…

I don’t think Baz has set aside the last seven years of hostility. He’s got a mad glint in his eyes for Simon. If he gets a chance to stab him in the back, I think he might take it.

I need to get Simon away from the Mage.

And then I just need to get him away.





AGATHA


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