At last she came to a halt, standing on her truncated legs and holding to tough tangles of brush on either side in order to keep her balance. She looked out over the black surface of a pond, head up, body still. The gunslinger couldn't tell if the pond was big or small; its borders were lost in the mist. Yet there was light here, some sort of faint and unfocused radiance which seemed to lie just beneath the surface of the water itself, perhaps emanating from submerged and slowly rotting logs.
She stood there, surveying this muck-crusted woodland pond like a queen surveying a... a what? What did she see? A banquet hall? That was what he had come to believe. Almost to see. It was a whisper from her mind to his, and it dovetailed with what she said and did. The banqueting hall was her mind's ingenious way of keeping Susannah apart from Mia as it had kept Odetta apart from Detta all those years. Mia might have any number of reasons for wanting to keep her existence a secret, but surely the greatest of these had to do with the life she carried inside her.
The chap, she called it.
Then, with a suddenness that still startled him (although he had seen this before, as well), she began to hunt, slipping in eerie splashless silence first along the edge of the pond and then a little way out into it. Roland watched her with an expression that contained both horror and lust as she knitted and wove her way in and out of the reeds, between and over the tussocks. Now, instead of picking the leeches off her skin and throwing them away, she tossed them into her mouth like pieces of candy. The muscles in her thighs rippled. Her brown skin gleamed like wet silk. When she turned (Roland had by this time stepped behind a tree and become one of the shadows), he could clearly see the way her br**sts had ripened.
The problem, of course, extended beyond "the chap." There was Eddie to consider, as well. What the hell's wrong with you, Roland ? Roland could hear him saying. That might be our kid. I mean, you can't know for sure that it isn't. Yeah, yeah, I know something had her while we were yanking Jake through, but that doesn't necessarily mean ...
On and on and on, blah-blah-blah as Eddie himself might say, and why? Because he loved her and would want the child of their union. And because arguing came as naturally to Eddie Dean as breathing. Cuthbert had been the same.
In the reeds, the naked woman's hand pistoned forward and seized a good-sized frog. She squeezed and the frog popped, squirting guts and a shiny load of eggs between her fingers. Its head burst. She lifted it to her mouth and ate it greedily down while its greenish-white rear legs still twitched, licking the blood and shiny ropes of tissue from her knuckles. Then she mimed throwing something down and cried out "How you like that, you stinkin Blue Lady ?" in a low, guttural voice that made Roland shiver. It was Detta Walker's voice. Detta at her meanest and craziest.
With hardly a pause she moved on again, questing. Next it was a small fish... then another frog... and then a real prize: a water-rat that squeaked and writhed and tried to bite. She crushed the life out of it and stuffed it into her mouth, paws and all. A moment later she bent her head down and regurgitated the waste - a twisted mass of fur and splintered bones.
Show him this, then - always assuming that he and Jake get back from whatever adventure they're on, that is. And say, "I know that women are supposed to have strange cravings when they carry a child, Eddie, but doesn't this seem a little too strange?Look at her, questing through the reeds and ooze like some sort of human alligator. Look at her and tell me she's doing that in order to feed your child . Any human child ."
Still he would argue. Roland knew it. What he didn't know was what Susannah herself might do when Roland told her she was growing something that craved raw meat in the middle of the night. And as if this business wasn't worrisome enough, now there was todash. And strangers who had come looking for them. Yet the strangers were the least of his problems. In fact, he found their presence almost comforting. He didn't know what they wanted, and yet he did know. He had met them before, many times. At bottom, they always wanted the same thing.
EIGHT
Now the woman who called herself Mia began to talk as she hunted. Roland was familiar with this part of her ritual as well, but it chilled him nevertheless. He was looking right at her and it was still hard to believe all those different voices could be coming from the same throat. She asked herself how she was. She told herself she was doing fine, thank you so vereh much. She spoke of someone named Bill, or perhaps it was Bull. She asked after someone's mother. She asked someone about a place called Morehouse, and then in a deep, gravelly voice - a man's voice, beyond doubt - she told herself that she didn't go to Morehouse or no house. She laughed raucously at this, so it must have been some sort of joke. She introduced herself several times (as she had on other nights) as Mia, a name Roland knew well from his early life in Gilead. It was almost a holy name. Twice she curtsied, lifting invisible skirts in a way that tugged at the gunslinger's heart - he had first seen that sort of curtsy in Mejis, when he and his friends Alain and Cuthbert had been sent there by their fathers.
She worked her way back to the edge of the