"I'll get to him, but for now, suffice it to say that he was the architect of Home's alcohol policy. At Home, they kept the booze in lockup, not the drunks. You could get a shot if you needed one, and if you promised to be quiet. Plus a sedative chaser. This isn't recommended medical procedure - I'm not even sure it was legal, since neither Lupe nor Rowan Magruder were doctors - but it seemed to work. I came in sober on a busy night, and Lupe put me to work. I worked free for the first couple of days, and then Rowan called me into his office, which was roughly the size of a broom closet. He asked me if I was an alcoholic. I said no. He asked me if I was wanted by the police. I said no. He asked if I was on the run from anything. I said yes, from myself. He asked me if I wanted to work, and I started to cry. He took that as a yes.
"I spent the next nine months - until June of 1976 - working at Home. I made the beds, I cooked in the kitchen, I went on fund-raising calls with Lupe or sometimes Rowan, I took drunks to AA meetings in the Home van, I gave shots of booze to guys that were shaking too badly to hold the glasses themselves. I took over the books because I was better at it than Magruder or Lupe or any of the other guys who worked there. Those weren't the happiest days of my life, I'd never go that far, and the taste of Barlow's blood never left my mouth, but they were days of grace. I didn't think a lot. I just kept my head down and did whatever I was asked to do. I started to heal.
"Sometime during that winter, I realized that I'd started to change. It was as if I'd developed a kind of sixth sense. Sometimes I heard chiming bells. Horrible, yet at the same time sweet. Sometimes, when I was on the street, things would start to look dark even if the sun was shining. I can remember looking down to see if my shadow was still there. I'd be positive it wouldn't be, but it always was."
Roland's ka-tet exchanged a glance.
"Sometimes there was an olfactory element to these fugues. It was a bitter smell, like strong onions all mixed with hot metal. I began to suspect that I had developed a form of epilepsy."
"Did you see a doctor?" Susannah asked.
"I did not. I was afraid of what else he might find. A brain tumor seemed most likely. What I did was keep my head down and keep working. And then one night I went to a movie in Times Square. It was a revival of two Clint Eastwood Westerns. What they used to call Spaghetti Westerns?"
"Yeah," Eddie said.
"I started hearing the bells. The chimes. And smelling that smell, stronger than ever. All this was coming from in front of me, and to the left. I looked there and saw two men, one rather elderly, the other younger. They were easy enough to pick out, because the place was three-quarters empty. The younger man leaned close to the older man. The older man never took his eyes off the screen, but he put his arm around the younger man's shoulders. If I'd seen that on any other night, I would have been pretty positive what was going on, but not that night. I watched. And I started to see a kind of dark blue light, first just around the younger man, then around both of them. It was like no other light I'd ever seen. It was like the darkness I felt sometimes on the street, when the chimes started to play in my head. Like the smell. You knew those things weren't there, and yet they were. And I understood. I didn't accept it - that came later - but I understood. The younger man was a vampire."
He stopped, thinking about how to tell his tale. How to lay it out.
"I believe there are at least three types of vampires at work in our world. I call them Types One, Two, and Three. Type Ones are rare. Barlow was a Type One. They live very long lives, and may spend extended periods - fifty years, a hundred, maybe two hundred - in deep hibernation. When they're active, they're capable of making new vampires, what we call the undead. These undead are Type Twos. They are also capable of making new vampires, but they aren't cunning." He looked at Eddie and Susannah. "Have you seen Night of the Living Dead ?"
Susannah shook her head. Eddie nodded.
"The undead in that movie were zombies, utterly brain-dead. Type Two vampires are more intelligent than that, but not much. They can't go out during the daylight hours. If they try, they are blinded, badly burned, or killed. Although I can't say for sure, I believe their life-spans are usually short. Not because the change from living and human to undead and vampire shortens life, but because the existences of Type Two vampires are extremely perilous.
"In most cases - this is what I believe, not what I know - Type Two vampires create other Type Two vampires, in a relatively small area. By this phase of the disease - and it is a disease - the Type One vampire, the king vampire, has usually moved on. In 'Salem's Lot, they actually killed the son of a bitch, one of what might have been only a dozen in the entire world.
"In other cases, Type Twos create Type Threes. Type Threes are like mosquitoes. They can't create more vampires, but they can feed. And feed. And feed."
"Do they catch AIDS?" Eddie asked. "I mean, you know what that is, right?"