"Aye," Rhea said, grinning unpleasantly at him. "But it won't keep the ball from takin ye if it wants to. Ye needn't think it will." She surveyed the other two, and her eye fixed on Reynolds. "There's a cart in my shed, and a pair of good gray goats to pull it." She spoke to Reynolds, but her eyes kept turning back to the ball, Jonas noticed .. . and now his damned eyes wanted to go there, too.
"You don't give me orders," Reynolds said.
"No, but I do," Jonas said. His eyes dropped to the ball, both wanting and fearing to see that pink spark of life deep inside. Nothing. Cold and dark. He dragged his gaze back up to Reynolds again. "Get the cart."
12
Reynolds heard the buzzing of flies even before he slipped through the shed's sagging door, and knew at once that Rhea's goats had finished their days of pulling. They lay bloated and dead in their pen, legs sticking up and the sockets of their eyes squirming with maggots. It was impossible to know when Rhea had last fed and watered them, but Reynolds guessed at least a week, from the smell.
Too busy watching what goes on in that glass ball to bother, he thought. And what's she wearing that dead snake around her neck for?
"I don't want to know," he muttered from behind his pulled-up neckerchief. The only thing he did want right now was to get the hell out of here.
He spied the cart, which was painted black and overlaid with cabalistic designs in gold. It looked like a medicine-show wagon to Reynolds; it also looked a bit like a hearse. He seized it by the handles and dragged it out of the shed as fast as he could. Depape could do the rest, by gods. Hitch his horse to the cart and haul the old woman's stinking freight to ... where? Who knew? Eldred, maybe.
Rhea came tottering out of her hut with the drawstring bag they'd brought the ball in, but she stopped, head cocked, listening, when Reynolds asked his question.
Jonas thought it over, then said: "Seafront to begin, I guess. Yar, that'll do for her, and this glass bauble as well, I reckon, until the party's over tomorrow."
"Aye, Seafront, I've never been there," Rhea said, moving forward again. When she reached Jonas's horse (which tried to shy away from her), she opened the bag. After a moment's further consideration, Jonas dropped the ball in. It bulged round at the bottom, making a shape like a teardrop.
Rhea wore a sly smile. "Mayhap we'll meet Thorin. If so, I might have something to show him in the Good Man's toy that'd interest him ever so much."
"If you meet him," Jonas said, getting down to help hitch Depape's horse to the black cart, "it'll be in a place where no magic is needed to see far."
She looked at him, frowning, and then the sly smile slowly resurfaced. "Why, I b'lieve our Mayor's met wiv a accident!"
"Could be," Jonas agreed.
She giggled, and soon the giggle turned into a full-throated cackle. She was still cackling as they drew out of the yard, cackling and sitting in the little black cart with its cabalistic decorations like the Queen of Black Places on her throne.
CHAPTER VIII THE ASHES
1
Panic is highly contagious, especially in situations when nothing is known and everything is in flux. It was the sight of Miguel, the old mozo, that started Susan down its greased slope. He was in the middle of Seafront's courtyard, clutching his broom of twigs against his chest and looking at the riders who passed to and fro with an expression of perplexed misery. His sombrero was twisted around on his back, and Susan observed with something like horror that Miguel - usually brushed and clean and neat as a pin - was wearing his serape inside out. There were tears on his cheeks, and as he turned this way and that, following the passing riders, trying to hile those he recognized, she thought of a child she had once seen toddle out in front of an oncoming stage. The child had been pulled back in time by his father; who would pull Miguel back?
She started for him, and a vaquero aboard a wild-eyed spotted roan galloped so close by her that one stirrup ticked off her hip and the horse's tail flicked her forearm. She voiced a strange-sounding little chuckle. She had been worried about Miguel and had almost been run down herself! Funny!
She looked both ways this time, started forward, then drew back again as a loaded wagon came careering around the comer, tottering on two wheels at first. What it was loaded with she couldn't see - the goods in the wagonbed were covered with a tarp - but she saw Miguel move toward it, still clutching his broom. Susan thought of the child in front of the stage again and shrieked an inarticulate cry of alarm. Miguel cringed back at the last moment and the cart flew by him, bounded and swayed across the courtyard, and disappeared out through the arch.