Her father’s land steward had tried to impress upon him the importance of an understanding of agricultural theory. To the best of her knowledge, her father had never read any of the texts the man had offered. That, the duke had snorted, was why he hired keen young fellows to manage his operation—so he wouldn’t have to do it himself and could spend his time cultivating port instead of potatoes.
Ash shook his head, as if arguing with the words. She padded closer behind him and glanced down at the page. The addition of lime to hard-used soil—she read, before his hand intervened, cutting off her view. He spread the page flat and picked up the penknife. His hands were large, broad, long-fingered.
A wisp of appreciation curled through her, as he eased the knife into the crease of the uncut pages. There was a gentleness to his movements. Despite his size, despite the fact that his hand covered the bottom half of the book, he moved carefully. Could any man truly be as perfect as he seemed? And why had this perfect man descended upon her family, destroying everything? Why couldn’t it have been someone else?
The knife slid. But instead of parting the pages in one smooth motion, his knife slipped, the page ripped unevenly, and—
“Damn it,” he swore, sticking his finger in his mouth before the blood could well up. “God damn it.”
Margaret felt herself smile, even though she knew she shouldn’t. Well. That answered the question of whether Ash Turner was perfect. Thank God he was not.
He pulled his finger from his mouth and searched his pocket for a handkerchief. “Damn books. Damn words. And libraries and cold dark rooms can go to hell.” He slammed the tome shut against the table—and just as he did, he turned enough to catch Margaret’s eye.
He froze, his face a mask of obvious, inexplicable guilt. His fingers splayed across the book’s cover. They lay there, still for just an instant too long, before he ran his hands down the leather that covered the front chapboards. He looked as embarrassed as a man caught beating a puppy, his fingers petting the pages in an insincere, unconvincing half caress.
Margaret’s smile broadened.
He must have realized how ridiculous he appeared, because he shook his head. “No, madam,” he said. “There’s no problem here. We were having ourselves a friendly fight, we were—between me and this book.” He drawled out those words, mirroring the accent of the local men, as if he were some common laborer caught by the tavern keeper in the act of raising a chair.
She converted the giggle that rose up into a ladylike clearing of the throat, and put her hand on her hip. “We won’t stand for any trouble here, sir. Must I fetch the constable?”
He glanced at the book and then back at her. Finally, he sighed. “I can tie fifteen different sorts of knots, you know.”
She wasn’t sure what that had to do with the price of tea in agricultural texts, but she raised a single eyebrow at him.
“I can whittle a linked chain out of a single stick of wood.”
“I’m sure you can.”
“I can purchase goats in twelve different dialects of native India.”
“Of course.” She glanced at him. “You must have a great many goats, then.”
He heaved himself to his feet and turned away from the book—and towards her. Her toes curled unconsciously in her slippers as he fixed that gaze on her. There was no trace of humor on his face.
“But you’ve just stabbed yourself while cutting pages in a book. Oh, dear, Mr. Turner. An imperfection. Whatever will you do?”
He didn’t smile in response. Instead, he rubbed his hands together. On another man, that gesture might have betrayed nervousness. But Margaret couldn’t imagine strong Ash—gentle Ash—confident Ash—having anything so crass as nerves.
He scrubbed his hand—his unstabbed hand, that was—through his hair. “I suppose it’s just as well you find out.”
“Mr. Turner,” Margaret started. She stopped as his eyes narrowed at her. “Ash,” she continued. “Perhaps you may not have realized this, but I have discovered that you are imperfect before. This hardly comes as a surprise.”
She had discovered it. Over the course of their acquaintance, she’d been made aware of the many, many ways in which he failed at perfection. It was just that he kept making her forget them all.
“All things between the two of us considered,” he said slowly, “there is something else you ought to know.” His eyes met hers. “It’s rather a secret, and so I’d prefer you not spread it about.”
He could not have been considering all things, since he didn’t know who she really was. Still, his smile made her wish that he did know everything. And that, having been apprised of the truth, he still thought she was worthy to hear his secrets.
She felt a sick lump form in her throat. He might be the only person in the world who believed she mattered. It would be the most extraordinary gift she could imagine, if she told him who she was, and if he still looked at her with that light in his eyes—
“After all,” he said with a wry shrug of his shoulders, “if the Dalrymples ever discovered this, they’d tear me to shreds and leave my corpse to be ravaged by buzzards.”
—but no. He wouldn’t.
Unveiled (Turner, #1)
Courtney Milan's books
- The Governess Affair (Brothers Sinister #0.5)
- The Duchess War (Brothers Sinister #1)
- A Kiss For Midwinter (Brothers Sinister #1.5)
- The Heiress Effect (Brothers Sinister #2)
- The Countess Conspiracy (Brothers Sinister #3)
- The Suffragette Scandal (Brothers Sinister #4)
- Talk Sweetly to Me (Brothers Sinister #4.5)
- This Wicked Gift (Carhart 0.5)
- Proof by Seduction (Carhart #1)
- Trial by Desire (Carhart #2)
- Trade Me (Cyclone #1)
- Seven Wicked Nights (Turner #1.5)