“Well, then. Wait here, Tina.”
Blake disappears. I glance at Adam, who shrugs as if to say that he has no idea what his son is up to. I don’t either. We had agreed that once Blake took over at Cyclone, this would end. Now he’s not going back, and I suddenly don’t know what we are. Where we are. I don’t even know what I want to happen. The future is an unknown, looming frighteningly over us.
When Blake returns, he has our coats. He hands me mine, takes my hand. “Come on.”
He leads me outside. Blake’s father’s house is near the top of a hill in a wealthy residential neighborhood. Palatial houses with wide windows line the streets, separated by fancy gates and stone walls. It’s dark out, but the night is lit by the golden glimmer of street lamps, of welcoming windows shedding warmth onto dark streets. Indirect lights catch the curve of a neighbor’s statuary, illuminating a dark silhouette corkscrewing up to the sky. Little LEDs embedded in walkways down the street scatter their own warm glow.
“Where are we going?”
“We’re going to look at constellations,” Blake says. He takes my hand and starts to walk down the road.
“That sounds…” Awful. I glance at him. But I already know what he’s going to say. I can almost imagine.
He doesn’t want this to end. He’s scoured Greek mythology and found me the one tale out of a thousand that doesn’t end in girls being turned into trees or chained to rocks. He’s going to show me that constellation, as if it will make everything better.
In other words, he wants to sell me a lottery ticket—and I’m so crazy about him at this point that I might be stupid enough to buy it at these long odds.
But instead of getting in his car, Blake starts walking down the street.
“We’re not driving?”
“Nope.”
I don’t know what we are. I don’t know what will happen. But I know one thing: for tonight, we’re still together. And so I take his hand and I follow him.
“Are you honestly expecting to see anything?” I look up. A thready overhang of clouds shifts dark blue against the heavens. That close cloud cover makes patches of dark against darker. Even in those spots where the night sky comes through, I can’t see any stars.
The swiftly-moving, blinking lights of an airplane. A bright glow that’s almost certainly a satellite. Maybe a few dim pinpricks that might be from another galaxy.
“I think there’s too much light pollution.”
“Oh ye of little faith.” He just keeps walking. The street twists and turns, undulating with the contours of the land. A patch of darkness opens to my right—a park, I see, as we come closer and the shapes of picnic tables resolve themselves.
He enters and pats a picnic table. “Come here.”
I sit, and he slides next to me, putting his arm around me.
“There. You see?” He gestures with his arm.
The view is magnificent, even at night. From this hill, the signs of civilization are spread out before us—streets, houses, laid out in a net of sparkling lights, interrupted by the dark emptiness that is the Bay.
“It’s beautiful,” I say, “but I think I can see exactly one star.”
“I never promised you stars. I promised you constellations.”
I don’t know what he means until he points down, to the right. “There. You see that, right there? That round thing and those things coming off it?”
I examine the twinkling lights. “Is that a stadium?”
“No,” he says with mock solemnity. “That’s Grood the zombie, the mightiest of all his kind. He ruled this place once, eating the brains of all who dared defy him. But one day, Pebble, the giant centipede dared defy him. Long did they battle. Epic was their fight.”
I tilt my head toward him. “Reversed was their word order.” But my heart has begun to thump.
“Reversed word order is a time-honored story telling device that makes everything sound more epic.” Blake’s fingers twine with mine.
“I see.” I squeeze his hand back. “Then apologetic I am for interrupting.”
“When Grood finally slew Pebble with a shard of bone, loud were the shrieks of the legged worm. But Pebble had managed to lash him with his tentacles—”
“I thought he was a centipede. Where did he get tentacles?”
“The tentacle store. Stop interrupting.”
“Sorry.” I subside and lean against him.
“As everyone knows, no venom is more fatal than the poison let off by the many-suckered tentacles of a mighty worm.”
“Wait. How can everyone know that if he got his tentacles from a store? Is this a tentacle store with only one kind of tentacle? What is the point of having a tentacle store without a diverse selection?”
Blake sighs. “You know what you are?” He hasn’t let go of me. “You’re a story interrupter. A no-good, dirty…” He pauses, and his voice deepens. “…Sexy, clever, amazing story interrupter.”
Trade Me (Cyclone #1)
Courtney Milan's books
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- The Duchess War (Brothers Sinister #1)
- A Kiss For Midwinter (Brothers Sinister #1.5)
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- The Countess Conspiracy (Brothers Sinister #3)
- The Suffragette Scandal (Brothers Sinister #4)
- Talk Sweetly to Me (Brothers Sinister #4.5)
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- Trial by Desire (Carhart #2)