Calming at the thought, Julian began to take some notice of the art. On either side, the walls were lined with framed paintings. High clerestory windows lit the space, sending down trapezoids of watery light to frame the works at odd angles, making them look askew. There were a few of the expected boudoir portraits, naked women lolling about on unmade beds, their ni**les blazing unrealistic shades of cherry and plum. But the quality works outnumbered these.
The owner followed them down the row, rattling off information about each work. Artist, provenance, and such. The way he nattered on so industriously, Julian deduced the man had no idea of Lily’s deafness. Lily paid him no attention, of course, but shopkeepers were accustomed to being ignored.
She wandered thoughtfully from one picture to the next, then paused before a nude study of a man. Her foot slid back, as she retreated a pace to better take it in. Julian briefly considered teasing her, but decided against it. He loved the seriousness with which she approached the art. No missish giggles or blushing.
“The model was a laborer,” he said, when she turned to him.
“How do you know?”
“Look at the tan on his forearms and face, the roughness of his hands.”
“I suppose it must be difficult to find gentlemen of leisure willing to pose for such studies.” As though it were a connected thought, she added, “I was thinking of commissioning your portrait.”
He laughed, startled.
And now she blushed. “Not like that, of course. Fully clothed. But we should have a large one, for the house. And I would like a miniature for my dressing table.”
Ah. Sweet thought, that.
They moved on to a lovely painting of a mother bathing her young child. Julian wondered at its placement in this “gentleman’s” gallery, as there was nothing at all erotic or prurient about the composition. It was a domestic, maternal scene. The two stood before a roaring fire, the child with his feet in a basin and the woman crouched beside. The woman’s plaited hair dangled as she bent to sponge her naked cherub. She herself was dressed in a thin shift, the linen wet and clinging to her rounded br**sts and hips. The artist had done a remarkably fine job of rendering the damp, translucent fabric stretched over pink skin.
“Who is the artist?” Lily asked, turning to the gallery owner.
“A Mr. Conrad Marley,” the man answered.
Lily frowned as she turned back to the painting.
Julian touched her arm, raised his eyebrows in question.
She hesitated, throwing an apprehensive glance toward the owner. Then she signed, “Spell it for me.”
Julian smiled. He reached for his wife’s hand and brought it to his lips, ignoring the curious stare of the gallery owner. The man would never understand the small victory he’d just witnessed.
He and Lily had been practicing signing in private for weeks, but this was the first time she’d used signs with him in the company of someone else. Julian understood why she hadn’t until now, and he never would have pressed. To begin with, excluding anyone from a conversation offended her natural sense of etiquette. She would no sooner sign with him in friendly company than she would converse with him in Hindustani, for the sole reason that it alienated their companions from the discussion. But in front of servants and hackney drivers and shopkeepers, he knew she had an entirely different reason for hesitating. By signing, she openly declared herself to be deaf. She made herself vulnerable to the curiosity and even cruelty of strangers.
Julian knew better than most the courage that required. He’d grown up watching his mother make this calculation in so many interactions—at what point would she break down and sign to Julian, asking him to explain? When did her need to understand trump the perpetual cause of caution?
Thankfully, Lily would never know the sort of treatment his mother had endured. She was wealthy and highborn, and no shopkeeper with sense would slam a door in her face. No street urchins would throw bits of refuse at her back. Still, she faced subtler forms of prejudice and disdain. And always, that backhanded “concern” from the imbecilic, self-righteous Aunt Beatrices of the world, who to preserve the fragile peace of their feeble minds would insist the defect resided not only in Lily’s ears, but in her very soul. If you cannot be like the rest of us, their subtle shaming implied, at least do not call attention to your differences.
Just now, Lily might as well have signed, “Bollocks to that.” With her question, she’d asserted her right to receive information on her own, understandable terms. Even if it made those around her suspicious or uncomfortable.
Julian wanted to catch her in a tremendous hug. Instead, he carefully spelled the artist’s name and waited for her reply.
“Mister?” she spelled back.
He confirmed with a nod.
She looked at the painting again, then signed, “No. A woman painted this. I can tell.”
“How?”
She pointed to the babe’s plump arm. “Perfect. Men always paint babies too fat or too thin.”
Three Nights with a Scoundrel (Stud Club #3)
Tessa Dare's books
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- Romancing the Duke
- Say Yes to the Marquess (BOOK 2 OF CASTLES EVER AFTER)
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- Once Upon a Winter's Eve (Spindle Cove #1.5)
- A Week to Be Wicked (Spindle Cove #2)
- A Lady by Midnight (Spindle Cove #3)
- Beauty and the Blacksmith (Spindle Cove #3.5)
- Any Duchess Will Do (Spindle Cove #4)
- One Dance with a Duke (Stud Club #1)
- Twice Tempted by a Rogue (Stud Club #2)