“Unh-unh, honey,” she croaked. She squeezed her thighs inward, pinning it. “De fun jus’ startin’.” She began to flex her butt, humping at the invisible presence. She reached up with her free hand, interlaced all ten fingers, and allowed herself to fall backward with her hips cocked, her straining arms seeming to hold nothing. She tossed her sweat-damp hair out of her eyes; her lips split in a sharklike grin.
Let me go! a voice cried out in her mind. But at the same time she could feel the owner of the voice responding in spite of itself. “No way, sugar. You wanted it … now you goan get it.” She thrust upward, holding on, concentrating fiercely on the freezing cold inside her. “I’m goan melt that icicle, sugar, and when it’s gone, what you goan do then?” Her lips rose and fell, rose and fell. She squeezed her thighs mercilessly together, closed her eyes, clawed more deeply into the unseen neck, and prayed that Eddie would be quick.
She didn’t know how long she could do this.
THE PROBLEM, JAKE THOUGHT, was simple: somewhere in this dank, terrible place was a locked door. The right door. All he had to do was find it. But it was hard, because he could feel the presence in the house gathering. The sound of those dissonant, gabbling voices was beginning to merge into one sound—a low, grating whisper.
And it was approaching.
A door stood open to the right. Beside it, thumbtacked to the wall, was a faded daguerreotype which showed a hanged man dangling like a piece of rotten fruit from a dead tree. Beyond it was a room that had once been a kitchen. The stove was gone, but an ancient icebox—the land with the circular refrigeration drum on top—stood on the far side of the hilly, faded linoleum. Its door gaped open. Black, smelly stuff was caked inside and had trickled down to form a long-congealed puddle on the floor. The kitchen cabinets stood open. In one he saw what was probably the world’s oldest can of Snow’s Clam Fry-Ettes. Poking out of another was the head of a dead rat. Its eyes were white and seemingly in motion, and after a moment Jake realized that the empty sockets were filled with squirming maggots.
Something fell into his hair with a flabby thump. Jake screamed in surprise, reached for it, and grasped something that felt like a soft, bris-tle-covered rubber ball. He pulled it free and saw it was a spider, its bloated body the color of a fresh bruise. Its eyes regarded him with stupid malevolence. Jake threw it against the wall. It broke open and splattered there, legs twitching feebly.
Another one dropped onto his neck. Jake felt a sudden painful bite just below the place where his hair stopped. He ran backward into the hall, tripped over the fallen banister, fell heavily, and felt the spider pop. Its innards—wet, feverish, and slippery—slid between his shoulder-blades like warm egg-yoke. Now he could see other spiders in the kitchen doorway. Some hung on almost invisible silken threads like obscene plumb-bobs; others simply dropped on the floor in a series of muddy plops and scuttered eagerly over to greet him. Jake flailed to his feet, still screaming. He felt something in his mind, something that felt like a frayed rope, starting to give way. He supposed it was his sanity, and at that realization, Jake’s considerable courage finally broke. He could bear this no longer, no matter what the stake. He bolted, meaning to flee if he still could, and realized too late that he had turned the wrong way and was running deeper into The Mansion instead of back toward the porch. He lunged into a space too big to be a parlor or living room; it seemed to be a ballroom. Elves with strange, sly smiles on their faces capered on the wallpaper, peering at Jake from beneath peaked green caps. A mouldy couch was pushed against one wall. In the center of the warped wooden floor was a splintered chandelier, its rusty chain lying in snarls among the spilled glass beads and dusty teardrop pendants. Jake skirted the wreck, snatching one terrified glance back over his shoulder. He saw no spiders; if not for the nastiness still trickling down his back, he might have believed he had imagined them.
He looked forward again and came to a sudden, skidding halt. Ahead, a pair of French doors stood half-open on their recessed tracks. Another hallway stretched beyond. At the end of this second corridor stood a closed door with a golden knob. Written across the door—or perhaps carved into it—were two words: THE BOY