The Waste Lands (The Dark Tower #3)

FOR EDDIE, IT WAS, as some wise man had once said, deja vu all over again: he was running with the wheelchair, racing time. The beach had been replaced by The Street of the Turtle, but somehow everything else was the same. Oh, there was one other relevant difference: now it was a railway station (or a cradle) he was looking for, not a free-standing door.

Susannah was sitting bolt upright with her hair blowing out behind her and Roland’s revolver in her right hand, its barrel pointed up at the cloudy, troubled sky. The drums thudded and pounded, bludgeoning them with sound. A gigantic, dish-shaped object lay in the street just ahead, and Eddie’s overstrained mind, perhaps cued by the classical buildings on either side of them, produced an image of Jove and Thor playing Frisbee. Jove throws one wide and Thor lets it fall through a cloud—what the hell, it’s Miller Time on Olympus, anyway.

Frisbees of the gods, he thought, swerving Susannah between two crumbling, rusty cars, what a concept.

He bumped the chair up on the sidewalk to get around the artifact, which looked like some sort of telecommunications dish now that he was really close to it. He was easing the wheelchair over the curb and back into the street again—the sidewalk was too littered with crap to make any real time—when the drums suddenly cut out. The echoes rolled away into a new silence, except it wasn’t really silent at all, Eddie realized. Up ahead, the arched entrance to a marble building stood at the intersection of The Street of the Turtle and another avenue. This building had been overgrown by vines and some straggly green stuff that looked like cypress beards, but it was still magnificent and somehow dignified. Beyond it, around the corner, a crowd was babbling excitedly. “Don’t stop!” Susannah snapped. “We haven’t got time to—” A hysterical shriek drilled through the babble. It was accompanied by yells of approval, and, incredibly, the sort of applause Eddie had heard in Atlantic City hotel-casinos after some lounge act had finished doing its thing. The shriek was choked into a long, dying gargle that sounded like the buzz of a cicada. Eddie felt the hair on the nape of his neck coming to attention. He glanced at the corpses hanging from the nearest speaker-pole and understood that the fun-loving Pubes of Lud were hold-ing another public execution. Marvellous, he thought. Now if they only had Tony Orlando and Dawn to sing

“Knock Three Times,” they could all die happy.

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