Mamma, did George put the horse in?
That was the delirium talking. An irrational thought, zooming boldly across the field of more rational cogitation like a meteor. All the same, it almost fooled him for a second. He wasn't going to be up for long. The thought filled him with panic. Looking at the scrawny sticks of his arms, he guessed he had lost as much as thirty pounds, and there hadn't been all that much of him to start with. This... this whatever-it-was... was going to kill him. The idea that he might die babbling insanities and inanities like a senile old man terrified him.
Georgie's gone courting Norma Willis. You get that horse your ownself, Vic, and put his nosebag on like a good boy.
Ain't my job.
Victor, you love your mamma, now.
I do. But it ain't -
You got to love your mamma, now. Mamma's got the flu. No you don't, Mamma. You got TB. It's the TB that's going to kill you. In nineteen and forty-seven. And George is going to die just about six days after he gets to Korea, time enough for just one letter and then bang bang bang. George is -
Vic, you help me now and put that horse in and that is my last word ON it.
"I'm the one with the flu, not her," he whispered, surfacing again. "It's me."
He was looking at the door, and thinking it was a damn funny door even for a hospital. It was round at the corners, outlined with pop-rivets, and the lower jamb was set six inches or more up from the tile floor. Even a jackleg carpenter like Vic Palfrey could
(gimme the funnies Vic you had em long enough)
(Mamma he took my funny-pages! Give em back! Give em baaaack!)
build better than that. It was
(steel)
Something in the thought drove a nail deep into his brain and Vic struggled to sit up so he could see the door better. Yes, it was. It definitely was. A steel door. Why was he in a hospital behind a steel door? What had happened? Was he really dying? Had he best be thinking of just how he was going to meet his God? God, what had happened? He tried desperately to pierce the hanging gray fog, but only voices came through, far away, voices he could put no names against.
Now what I say is this... they just got to say... "fuck this inflation shit... "
Better turn off your pumps, Hap.
(Hap? Bill Hapscomb? Who was he? I know that name)
Holy moly...
They're dead, okay...
Gimme your hand and I'll pull you up outta there...
Gimme the funnies Vic you had -
At that moment the sun sank far enough below the horizon to cause a light-activated circuit (or in this case, an absence-of-light-activated circuit) to kick in. The lights went on in Vic's room. As the room lit up, he saw the row of faces observing him solemnly from behind two layers of glass and he screamed, at first thinking these were the people who had been holding conversations in his mind. One of the figures, a man in doctor's whites, was gesturing urgently to someone outside Vic's field of vision, but Vic was already over his scare. He was too weak to stay scared long. But the sudden fright that had come with the silent bloom of light and this vision of staring faces (like a jury of ghosts in their hospital whites) had cleared away some of the blockage in his mind and he knew where he was. Atlanta. Atlanta, Georgia. They had come and taken him away - him and Hap and Norm and Norm's wife and Norm's kids. They had taken Hank Carmichael. Stu Redman. God alone knew how many others. Vic had been scared and indignant. Sure, he had the snuffles and sneezes, but he surely wasn't coming down with cholera or whatever it was that poor man Campion and his family had had. He'd been running a low-grade fever, too, and he remembered that Norm Bruett had stumbled and needed help getting up the steps to the plane. His wife had been scared, crying, and little Bobby Bruett had been crying too - crying and coughing. A raspy, croupy cough. The plane had been at the small landing strip outside of Braintree, but to get beyond the Arnette town limits they had had to pass a roadblock on US 93, and men had been stringing bobwire... stringing bobwire right out into the desert...
A red light flashed on over the strange door. There was a hissing sound, then a sound like a pump running. When it kicked off, the door opened. The man who came in was dressed in a huge white pressure suit with a transparent faceplate. Behind the faceplate, the man's head bobbed like a balloon enclosed in a capsule. There were pressure tanks on his back, and when he spoke, his voice was metallic and clipped, devoid of all human quality. It might have been a voice coming from one of those video games, like the one that said "Try again, Space Cadet" when you f**ked up your last go.