The Stand

So he'd sent the motorcycle crashing over the embankment and into a weed-choked gully and then he had peered at it with a kind of cautious terror, as if it could somehow rise up and smite him. Come on, he had thought, come on and stall out, ya sucker. But for a long time, the motorcycle wouldn't. For a long time it raved and bellowed down there in that gully, the rear wheel spinning fruitlessly, the hungry chain gobbling up last fall's leaves and spitting out clouds of brown, bitter-smelling dust. Blue smoke belched from the chromed exhaust pipe. And even then he had been far enough gone to think there was something supernatural about it, that the cycle would right itself, rise out of its grave, and chew him up... either that or he would look back one afternoon at the rising sound of an engine and see his cycle, this damned cycle which wouldn't just stall out and die decently, roaring straight down the highway at him, doing eighty, and bent over the handlebars would be that dark man, that hardcase, and riding pillion behind him, with her white silk deckpants rippling in the breeze, would be Rita Blakemoor, her face chalk white, her eyes slitted, her hair as dry and dead as a cornpatch in the wintertime. Then, at last, the cycle began to spit and chug and seizure and misfire, and when it finally stopped he had looked down at it and felt sad, as if it had been some part of himself he had killed. Without the cycle there was no way in which he could mount a serious assault on the silence, and the silence was, in a way, worse than his fears of dying or being seriously hurt in an accident. Since then he had been walking. He had gone through several small towns along Route 9 which had cycle shops, showroom models with the keys hanging right in them, but if he looked at them too long, the visions of himself lying beside the road in a pool of blood would rise up in vivid, unhealthy Technicolor, like something from one of those awful but somehow fascinating Charles Band horror movies, the ones where people kept dying under the wheels of large trucks or as a consequence of large, nameless bugs which had bred and grown in their warm vitals and finally burst free in a gut-busting display of flying flesh, and he would pass by, enduring the silence, pallid, shivering. He would pass by with exquisite little clusters of perspiration growing on his upper lip and in the hollows of his temples.

He had lost weight - why not? He walked all day long, every day, from sunrise to sunset. He wasn't sleeping. The nightmares would wake him up by four and he would light his Coleman lamp and crouch by it, waiting for the sun to come up enough so he dared to walk. And he would go on walking until it was almost too dark to see and then make camp with the sneaky, urgent speed of a chain-gang fugitive. With camp made he would lie awake late, feeling like a man with about two grams of cocaine chasing itself through his system. Oh baby, shake, rattle, and roll. Also like a heavy coke user, he wasn't eating much; he never felt hungry. Cocaine does not enhance the appetite, and neither does terror. Larry hadn't touched coke since the long-ago party in California, but he was terrified all the time. The squawk of a bird in the woods made him twitch. The deathcry of some small animal as a larger one took it made him almost jump out of his skin. He had passed through slimness and skinniness, had traveled through scrawniness. He was now poised on some metaphoric (or metabolic) fence between scrawniness and emaciation. He had grown a beard and it was actually rather striking, a tawny red-gold two shades lighter than his hair. His eyes were sunken deep in his face; they glittered out of their sockets like small, desperate animals that had been trapped in twin pit-snares.

"Cracking up," he moaned again. The broken desperation in this splintery whine horrified him. Had it gotten that bad? Once there had been a Larry Underwood who'd had a moderate hit record, who had visions of becoming the Elton John of his time... oh my dear, how Jerry Garcia would laugh at that ... and now that fellow had been transmuted into this broken thing crawling on the black hottop of Route 9 somewhere in southeastern New Hampshire, crawling, just a crawling kingsnake, that was him. That other Larry Underwood could surely bear no relation to this crawling cheapskate... this...

He tried to get up and couldn't.

"Oh this is so ridiculous," he said, half laughing and half weeping.

Across the road on a hill two hundred yards away, glimmering like a beautiful mirage, was a white and rambling New England farmhouse. It had green siding, green trim, and a green shingled roof. Rolling down from it was a green lawn just beginning to look shaggy. At the foot of the lawn, a small rill of brook ran; he could hear it gurgling and chuckling, an entrancing sound. A rock wall meandered along beside it, probably marking the edge of the property, and leaning over the wall at spaced intervals were big, shady elms. He would just do his World-Famous Crawling Cheapskate Wriggle over there and sit in the shade for a while, that's what he would do. And when he felt a little better about... about things in general... he would make it to his feet and go down to the brook and have a drink and a wash-up. Probably he smelled bad. Who cared, though? Who was there to smell him now that Rita was dead?

Was she still lying there in that tent? he wondered morbidly. Swelling up? Gathering flies? Looking more and more like the black sweet treat in the comfort station on Transverse Number One? Where the hell else would she be? Golfing at Palm Springs with Bob Hope?

"Christ, that's horrible," he whispered, and crawled across the road. Once he was in the shade he felt sure he could get to his feet, but it seemed like too much effort. He did spare enough energy, however, to glance slyly back the way he had come to make sure his cycle wasn't bearing down on him.

It was at least fifteen degrees cooler in the shade, and Larry let out his breath in a long sigh of pleasure and relief. He put a hand to the back of his neck where the sun had been beating most of the day and pulled it back with a little hiss of pain. Sunburn pain? Get Xylocaine. And all that good shit. Get these men out of the hot sun. Burn, baby, burn. Watts. Remember Watts? Another blast from the past. The whole human race, just one big heavy blast from the past, a great big golden gasser.

"Man, you're sick," he said, and leaned his head against the rough trunk of the elm tree and closed his eyes. Sun-dappled shade made moving patterns of red and black on the inside of his eyelids. The sound of water, chuckling and gurgling, was sweet and soothing. In a minute he would go down there and get a drink of water and wash up. In just a minute.

He dozed.