She folded the tablecloth over him, got her mother's sewing kit, and closed the seam. Then she doubled the seam and sewed again. With a sobbing, whistling grunt, she managed to get his body to the floor without dropping it. Then she rested, half-swooning. When she felt she could go on, she lifted the top half of the corpse, got it to the head of the stairs, and then, as carefully as she could, down to the first floor. She stopped again, her breath coming in quick, whining gasps. Her headache was sharp now, needling into her with quick hard bursts of pain.
She dragged the body down the hall, through the kitchen, and out onto the porch. Down the porch steps. Then she had to rest again. The golden light of early evening was on the land now. She gave way again and sat beside him, her head on her knees, rocking back and forth, weeping. Birds twittered. Eventually she was able to drag him into the garden.
At last it was done. By the time the last sods were back in place (she had fitted them together down on her knees, as if doing a jigsaw puzzle) it was a quarter of nine. She was filthy. Only the flesh around her eyes was white; that area had been washed clean by her tears. She was reeling with exhaustion. Her hair hung against her cheeks in matted strings.
"Please be at peace, Daddy," she muttered. "Please."
She dragged the spade back to her father's workshop and slung it inside indifferently. She had to rest twice as she climbed the six steps to the back porch. She crossed the kitchen without turning on the lights and kicked off her low-topped sneakers as she entered the living room. She dropped to the couch and slept immediately.
In the dream she was climbing the stairs again, going to her father, to do her duty and see him decently under the ground. But when she entered the room the tablecloth was already over the body and her sense of grief and loss changed to something else... something like fear. She crossed the darkened room, not wanting to, suddenly wanting only to flee, but helpless to stop. The tablecloth glimmered in the shadows, ghostly, ghastly, and it came to her:
It wasn't her father under there. And what was under there was not dead.
Something - someone - filled with dark life and hideous good cheer was under there, and it would be more than her life was worth to pull that tablecloth back, but she... couldn't... stop her feet.
Her hand reached out, floated over the tablecloth - and snatched it back.
He was grinning, but she couldn't see his face. A wave of frigid cold blasting up at her from that awful grin. No, she couldn't see his face, but she could see the gift this terrible apparition had brought for her unborn baby: a twisted coathanger.
She fled, fled from the room, from the dream, coming up, surfacing briefly -
Surfacing briefly in the three o'clock darkness of the living room, her body floating on a foam of dread, the dream already tattering and unraveling, leaving behind it only a sense of doom like the rancid aftertaste of some rotten meal. She thought, in that moment of half-sleeping and half-waking: Him, it's him, the Walkin Dude, the man with no face.
Then she slept again, this time dreamlessly, and when she woke the next morning she didn't remember the dream at all. But when she thought of the baby in her belly, a feeling of fierce protectiveness swept over her all at once, a feeling that perplexed her and frightened her a little with its depth and strength.
BOOK I CAPTAIN TRIPS Chapter 29
That same evening, as Larry Underwood slept with Rita Blakemoor and as Frannie Goldsmith slept alone, dreaming her peculiarly ominous dream, Stuart Redman was waiting for Elder. He had been waiting for three days - and this evening Elder did not disappoint him.
At just past noon on the twenty-fourth, Elder and two male nurses had come and taken away the television. The nurses had removed it while Elder stood by, holding his revolver (neatly wrapped in a Baggie) on Stu. But by then Stu hadn't wanted or needed the TV - it was just putting out a lot of confused shit anyway. All he had to do was stand at his barred window and look out at the town on the river below. Like the man on the record said, "You don't need a weatherman to know which way the wind blows."
Smoke was no longer billowing from the stacks of the textile mill. The gaudy stripes and eddies of dye in the river had dissipated and the water ran clear and clean again. Most of the cars, glittering and toylike from this distance, had left the mill's parking lot and hadn't come back. By yesterday, the twenty-sixth, there had been only a few cars still moving on the turnpike, and those few had to weave between the stalls like skiers in a slalom race. No wreckers had come to remove the abandoned vehicles.