The Shining (The Shining #1)

"If we're keeping you-" Jack began.

"Not at all," Ullman said: "The shop is shut. Tout fins, for this season, at least. And I plan to overnight in Boulder-at the Boulderado, of course. Only decent hotel this side of Denver... except for the Overlook itself, of course. This way."

They stepped into the elevator together. It was ornately scrolled in copper and brass, but it settled appreciably before Ullman pulled the gate across. Danny stirred a little uneasily, and Ullman smiled down at him. Danny tried to smile back without notable success.

"Don't you worry, little man," Ullman said. "Safe as houses."

"So was the Titanic," Jack said, looking up at the cut-glass globe in the center of the elevator ceiling. Wendy bit the inside of her cheek to keep the smile away.

Ullman was not amused. He slid the inner gate across with a rattle and a bang. "The Titanic made only one voyage, Mr. Torrance. This elevator has made thousands of them since it was installed in 1926."

"That's reassuring," Jack said. He ruffed Danny's hair. "The plane ain't gonna crash, doc."

Ullman threw the lever over, and for a moment there was nothing but a shuddering beneath their feet and the tortured whine of the motor below them. Wendy had a vision of the four of them being trapped between floors like flies in a bottle and found in the spring... with little bits and pieces gone... like the Donner Party...

(Stop it!)

The elevator began to rise, with some vibration and clashing and banging from below at first. Then the ride smoothed out. At the third floor Ullman brought them to a bumpy stop, retracted the gate, and opened the door. The elevator car was still six inches below floor level. Danny gazed at the difference in height between the third-floor hall and the elevator floor as if he had just sensed the universe was not as sane as he had been told. Ullman cleared his throat and raised the car a little, brought it to a stop with a jerk (still two inches low), and they all climbed out. With their weight gone the car rebounded almost to floor level, something Wendy did not find reassuring at all. Safe as houses or not, she resolved to take the stairs when she had to go up or down in this place. And under no conditions would she allow the three of them to get into the rickety thing together.

"What are you looking at, doc?" Jack inquired humorously. "See any spots there?"

"Of course not," Ullman said, nettled. "All the rugs were shampooed just two days ago."

Wendy glanced down at the hall runner herself. Pretty, but definitely not anything she would choose for her own home, if the day ever came when she had one. Deep blue pile, it was entwined with what seemed to be a surrealistic jungle scene full of ropes and vines and trees filled with exotic birds. It was hard to tell just what sort of birds, because all the interweaving was done in unshaded black, giving only silhouettes.

"Do you like the rug?" Wendy asked Danny.

"Yes, Mom," he said colorlessly.

They walked down the hall, which was comfortably wide. The wallpaper was silk, a lighter blue to go against the rug. Electric flambeaux stood at ten-foot intervals at a height of about seven feet. Fashioned to look like London gas lamps, the bulbs were masked behind cloudy, cream-hued glass that was bound with crisscrossing iron strips.

"I like those very much," she said.

Ullman nodded, pleased. "Mr. Derwent bad those installed throughout the Hotel after the war-number Two, I mean. In fact most-although not all-of the thirdfloor decorating scheme was his idea. This is 300, the Presidential Suite."

He twisted his key in the lock of the mahogany double doors and swung them wide. The sitting room's wide western exposure made them all gasp, which had probably been Ullman's intention. He smiled. "Quite a view, isn't it?"

"It sure is," Jack said.

The window ran nearly the length of the sitting room, and beyond it the sun was poised directly between two sawtoothed peaks, casting golden light across the rock faces and the sugared snow on the high tips. The clouds around and behind this picture-postcard view were also tinted gold, and a sunbeam glinted duskily down into the darkly pooled firs below the timberline.

Jack and Wendy were so absorbed in the view that they didn't look down at Danny, who was staring not out the window but at the red-and-white-striped silk wallpaper to the left, where a door opened into an interior bedroom. And his gasp, which had been mingled with theirs, had nothing to do with beauty.

Great splashes of dried blood, flecked with tiny bits of grayish-white tissue, clotted the wallpaper. It made Danny feel sick. It was like a crazy picture drawn in blood, a surrealistic etching of a man's face drawn back in terror and pain, the mouth yawning and half the head pulverized-