The Shining (The Shining #1)

Had that been Billie Holiday? Or someone more prosaic like Peggy Lee? Didn't matter. It was low and torchy, and in the silence of her head it played mellowly, as if issuing from one of those old-fashioned jukeboxes, a Wurlitzer, perhaps, half an hour before closing.

Now, moving away from her consciousness, she wondered how many beds she had slept in with this man beside her. They had met in college and had first made love in his apartment... that had been less than three months after her mother drove her from the house, told her never to come back, that if she wanted to go somewhere she could go to her father since she had been responsible for the divorce. That bad been in 1970. So long ago? A semester later they had moved in together, had found jobs for the summer, and had kept the apartment when their senior year began. She remembered that bed the most clearly, a big double that sagged in the middle. When they made love, the rusty box spring had counted the beats. That fall she had finally managed to break from her mother. Jack had helped her. She wants to keep beating you, Jack had said. The more times you phone her, the more times you crawl back begging forgiveness, the more she can beat you with your father. It's good for her, Wendy, because she can go on making believe it was your fault. But it's not good for you. They had talked it over again and again in that bed, that year.

(Jack sitting up with the covers pooled around his waist, a cigarette burning between his fingers, looking her in the eye-he had a half-humorous, halfscowling way of doing that-telling her: She told you never to come back, right? Never to darken her door again, right? Then why doesn't she hang up the phone when she knows it's you? Why does she only tell you that you can't come in if I'm with you? Because she thinks I might cramp her style a little bit. She wants to keep putting the thumbscrews right to you, baby. You're a fool if you keep letting her do it. She told you never to come back, so why don't you take her at her word? Give it a rest. And at last she'd seen it his way.)

It had been Jack's idea to separate for a while-to get perspective on the relationship, he said. She had been afraid he had become interested in someone else. Later she found it wasn't so. They were together again in the spring and he asked her if she had been to see her father. She had jumped as if he'd struck her with a quirt.

How did you know that?

The Shadow knows.

Have you been spying on me?

And his impatient laughter, which had always made her feel so awkward-as if she were eight and he was able to see her motivations more clearly than she.

You needed time, Wendy.

For what?

I guess... to see which one of us you wanted to marry.

Jack, what are you saying?

I think I'm proposing marriage.

The wedding. Her father had been there, her mother had not been. She discovered she could live with that, if she had Jack. Then Danny had come, her fine son.

That had been the best year, the best bed. After Danny was born, Jack had gotten her a job typing for half a dozen English Department profs-quizzes, exams, class syllabi, study notes, reading lists. She ended up tvping a novel for one of them, a novel that never got published... much to Jack's very irreverent and very private glee. The job was good for forty a week, and skyrocketed all the way up to sixty during the two months she spent typing the unsuccessful novel. They had their first car, a five-year-old Buick with a baby seat in the middle. Bright, upwardly mobile young marrieds. Danny forced a reconciliation between her and her mother, a reconciliation that was always tense and never happy, but a reconciliation all the same. When she took Danny to the house, she went without Jack. And she didn't tell Jack that her mother always remade Danny's diapers, frowned over his formula, could always spot the accusatory first signs of a rash on the baby's bottom or privates. Her mother never said anything overtly, but the message came through anyway: the price she had begun to pay (and maybe always would) for the reconciliation was the feeling that she was an inadequate mother. It was her mother's way of keeping the thumbscrews handy.

During the days Wendy would stay home and housewife, feeding Danny his bottles in the sunwashed kitchen of the four-room second-story apartment, playing her records on the battered portable stereo she had had since high school. Jack would come home at three (or at two if he felt he could cut his last class), and while Danny slept he would lead her into the bedroom and fears of inadequacy would be erased.

At night while she typed, he would do his writing and his assignments. In those days she sometimes came out of the bedroom where the typewriter was to find both of them asleep on the studio couch, Jack wearing nothing but his underpants, Danny sprawled comfortably on her husband's chest with his thumb in his mouth. She would put Danny in his crib, then read whatever Jack had written that night before waking him up enough to come to bed.

The best bed, the best year.