His final words were drowned in more screams. People from the audience (perhaps paid to do so) were trying to get onstage. The police were holding them back. Richards faced them, knowing how he must look.
"Thank you, Mr. Richards, for those words of wisdom." The contempt was palpable now, and the crowd, nearly silent again, was eating it up. "Would you like to tell our audience in the studio and at home how long you think you can hold out?"
"I want to tell everybody in the studio and at home that that wasn't my wife! That was a cheap fake-"
The crowd drowned him out. Their screams of hate had reached a near fever pitch. Thompson waited nearly a minute for them to quiet a little, and then repeated: "How long do you expect to hold out, Mister Richards?"
"I expect to go the whole thirty," Richards said coolly. "I don't think you've got anybody who can take me."
More screaming. Shaken fists. Someone threw a tomato.
Bobby Thompson faced the audience again and cried: "With those last cheap words of bravado, Mr. Richards will be led from our stage. Tomorrow at noon, the hunt begins. Remember his face! It may be next to you on a pneumo bus... in a jet plane... at a 3-D rack... in your local killball arena. Tonight he's in Harding. Tomorrow in New York? Boise? Albuquerque? Columbus? Skulking outside your home? Will you report him?"
"YESS!!!" They screamed.
Richards suddenly gave them the finger-both fingers. This time the rush for the stage was by no stretch of the imagination simulated. Richards was rushed out the stage-left exit before they could rip him apart on camera, thus depriving the Network of all the juicy upcoming coverage.
MINUS 080 AND COUNTING
Killian was in the wings, and convulsed with amusement. "Fine performance, Mr. Richards. Fine! God, I wish I could give you a bonus. Those fingers... superb!"
"We aim to please," Richards said. The monitors were dissolving to a promo. "Give me the goddam camera and go f**k yourself."
"That's generically impossible," Killian said, still grinning, "but here's the camera." He took it from the technico who had been cradling it. "Fully loaded and ready to go. And here are the clips." He handed Richards a small, surprisingly heavy oblong box wrapped in oilcloth.
Richards dropped the camera into one coat pocket, the clips into the other. "Okay. Where's the elevator?"
"Not so fast," Killian said. "You've got a minute... twelve of them, actually. Your twelve hours' leeway doesn't start officially until six-thirty."
The screams of rage had begun again. Looking over his shoulder, Richards saw that Laughlin was on. His heart went out to him.
"I like you, Richards, and I think you'll do well," Killian said. "You have a certain crude style that I enjoy immensely. I'm a collector, you know. Cave art and Egyptian artifacts are my areas of specialization. You are more analogous to the cave art than to my Egyptian urns, but no matter. I wish you could be preserved-collected, if you please just as my Asian cave paintings have been collected and preserved."
"Grab a recording of my brain waves, you bastard. They're on record."
"So I'd like to give you a piece of advice," Killian said, ignoring him. "You don't really have a chance; nobody does with a whole nation in on the manhunt and with the incredibly sophisticated equipment and training that the Hunters have. But if you stay low, you'll last longer. Use your legs instead of any weapons you happen to pick up. And stay close to your own people." He leveled a finger at Richards in emphasis. "Not these good middle-class folks out there; they hate your guts. You symbolize all the fears of this dark and broken time. It wasn't all show and audience-packing out there, Richards. They hate your guts. Could you feel it?"
"Yes," Richards said. "I felt it. I hate them, too."
Killian smiled. "That's why they're killing you." He took Richards's arm; his grip was surprisingly strong. "This way."
Behind them, Laughlin was being ragged by Bobby Thompson to the audience's satisfaction.
Down a white corridor, their footfalls echoing hollowly-alone. All alone. One elevator at the end.
"This is where you and I part company," Killian said. "Express to the street. Nine seconds."
CHAPTER SIX
He offered his hand for the fourth time, and Richards refused it again. Yet he lingered a moment.
"What if I could go up?" he asked, and gestured with his head toward the ceiling and the eighty stories above the ceiling. "Who could I kill up there? Who could I kill if I went right to the top?"
Killian laughed softly and punched the button beside the elevator; the doors popped open. "That's what I like about you, Richards. You think big."
Richards stepped into the elevator. The doors slid toward each other.
"Stay low," Killian repeated, and then Richards was alone.
The bottom dropped out of his stomach as the elevator sank toward the street.
MINUS 079 AND COUNTING