"Tell her probably," I said, after reading the question over to him. "Ask her if she can get Portland on the AM band."
"Okay, Daddy, can I come when you go to town?"
"Sure. You and Mommy both, if you want."
"Okay." He ran back to the house with the empty can.
I had worked my way up to the big tree. I made my first cut, sawed through, then turned the saw off for a few moments to let it cool down-the tree was really too big for it, but I thought it would be all right if I didn't rush it. I wondered if the dirt road leading up to Kansas Road was clear of falls, and just as I was wondering, an orange CMP truck lumbered past, probably on its way to the far end of our little road. So that was all right. The road was clear and the power guys would be here by noon to take care of the live lines.
I cut a big chunk off the tree, dragged it to the side of the driveway, and tumbled it over the - edge. It rolled down the slope and into the underbrush that had crept back since the long-ago day when my dad and his brothers-all of them artists, we have always been an artistic family, the Draytons-had cleared it away.
I wiped sweat off my face with my arm and wished for another beer; one really only sets your mouth. I picked up the chainsaw and thought about WOXO being off the air. That was the direction that funny fogbank had come from. And it was the direction Shaymore (pronounced Shammore by the locals) lay in. Shaymore was where the Arrowhead Project was.
That was old Bill Giosti's theory about the so-called Black Spring: the Arrowhead Project. In the western part of Shaymore, not far from where the town borders on Stoneham, there was a small government preserve surrounded with wire. There were sentries and closedcircuit television cameras and God knew what else. Or so I had heard; I'd never actually seen it, although the Old Shaymore Road runs along the eastern side of the government land for a mile or so.
No one knew for sure where the name Arrowhead Project came from and no one could tell you for one hundred percent sure that that really was the name of the project-if there was a project. Bill Giosti said there was, but when you asked him how and where he came by his information, he got vague. His niece, he said, worked for the Continental Phone Company, and she had heard things. It got like that.
"Atomic things," Bill said that day, leaning in the Scout's window and blowing a healthy draught of Pabst into my face. "That's what they're fooling around with up there. Shooting atoms into the air and all that."
"Mr. Giosti, the air's full of atoms," Billy had said. "That's what Mrs. Neary says. Mrs. Neary says everything's full of atoms."
Bill Giosti gave my son Bill a long, bloodshot glance that finally deflated him. "These are different atoms, Son."
"Oh, yeah," Billy muttered, giving in.
Dick Muehler, our insurance agent, said the Arrowhead Project was an agricultural station the government was running, no more or less. "Bigger tomatoes with a longer growing season," Dick said sagely, and then went back to showing me how I could help my family most efficiently by dying young. Janine Lawless, our postlady, said it was a geological survey having something to do with shale oil. She knew for a fact, because her husband's brother worked for a man who had Mrs. Carmody, now ... she probably leaned more to Bill Giosti's view of the matter. Not just atoms, but different atoms.
I cut two more chunks off the big tree and dropped them over the side before Billy came back with a fresh beer in one hand and a note from Steff in the other. If there's anything Big Bill likes to do more than run messages, I don't know what it could be.
"Thanks," I said, taking them both.
"Can I have a swallow?"
"Just one. You took two last time. Can't have you running around drunk at ten in the morning."
"Quarter past," he said, and smiled shyly over the top of the can. I smiled back-not that it was such a great joke, you know, but Billy makes them so rarely-and then read the note.
"Got JBQ on the radio," Steffy had written. "Don't get drunk before you go to town. You can have one more, but that's it before lunch. Do you think you can get up our road okay?"
I handed him the note back and took my beer. "Tell her the road's okay because a power truck just went by. They'll be working their way up here."
"Okay."
"Champ
"What, Dad?"
"Tell her everything's okay."
He smiled again, maybe telling himself first. "Okay."
He ran back and I watched him go, legs pumping, soles of his zori showing. I love him. It's his face and sometimes the way his eyes turn up to mine that make me feel as if things are really okay. It's a lie, of course-things are not okay and never have been-but my kid makes me believe the lie.
I drank some beer, set the can down carefully on a rock, and got the chainsaw going again. About twenty minutes later I felt a light tap on my shoulder and turned, expecting to see Billy again. Instead it was Brent Norton. I turned off the chainsaw.