The Gunslinger (The Dark Tower #1)

"With this."

The gunslinger removed one of the shells from his gunbelt and twirled it in his fingers. The movement was dexterous, as flowing as oil. The shell cartwheeled effortlessly from thumb and index and index and second, to second and ring, to ring and pinky. It popped out of sight and reappeared; seemed to float briefly, and then reversed. The shell walked across the gunslinger's fingers. The fingers themselves moved like a beaded curtain in a breeze. The boy watched, his initial doubt replaced with plain delight, then by raptness, then by a dawning mute blankness. The eyes slipped shut The shell danced back and forth. Jake's eyes opened again, caught the steady, limpid dance between the gunslinger's fingers for a while longer, and then his eyes closed once more. The gunslinger continued, but Jake's eyes did not open again. The boy breathed with steady, bovine calmness. Was this part of it? Yes. There was a certain beauty, a logic, like the lacy frettings that fringe hard blue ice-packs. He seemed to hear the sound of wind-chimes. Not for the first time the gunslinger tasted the smooth, loden taste of soul-sickness. The shell in his fingers, manipulated with such unknown grace, was suddenly undead, horrific, the spoor of a monster. He dropped it into his palm and closed it into a fist with painful force. There were such things as rape in the world. Rape and murder and unspeakable practices, and all of them were for the good, the bloody good, for the myth, for the grail, for the Tower. Ah, the Tower stood somewhere, rearing its black bulk to the sky, and in his desert-scoured ears, the gunslinger heard the faint sweet sound of wind-chimes.

"Where are you?" he asked.

Jake Chambers is going downstairs with his book bag There is Earth Science, there is Economic Geography, there is a notepad, a pencil, a lunch his mother's cook, Mrs. Greta Shaw, has made for him in the chrome-and-formica kitchen where a fan whirrs eternally, sucking up alien odors. In his lunch sack he has a peanut butter and jelly sandwich, a bologna, lettuce, and onion sandwich, and four Oreo cookies. His parents do not hate him, but they seem to have overlooked him. They have abdicated and left him to Mrs. Greta Shaw, to nannies, to a tutor in the summer and The School (which is Private and Nice, and most of all, White) the rest of the time. None of these people have ever pretended to be more than what they are - professional people, the best in their fields. None have folded him to a particularly warm bosom as usually happens in the historical novels his mother reads and which fake has dipped into, looking for the "hot parts. "Hysterical novels, his fat her sometimes calls them, and sometimes, "bodice-rippers." You should talk, his mother says with infinite scorn from behind some closed door where Jake listens. His father works for The Network, and Jake could pick him out of a line-up. Probably.

Jake does not know that he hates all the professional people, but he does. People have always bewildered him. He likes stairs and will not use the self-service elevator in his building His mother, who is scrawny in a sexy way, often goes to bed with sick friends.

Now he is on the street, Jake Chambers is on the street, he has "Hit the bricks." He is clean and well-mannered, comely, sensitive. He has no friends; only acquaintances. He has never bothered to think about this, but it hurts him. He does not know or understand that a long association with professional people has caused him to take many of their traits. Mrs. Greta Shaw makes

hands folded in his lap, still breathing calmly. He had told his tale without much emotion, although his voice had trembled near the end, when he had come to the part about the "priest" and the "Act of Contrition." He had not, of course, told the gunslinger about his family and his own sense of bewildered dichotomy, but that had seeped through anyway - enough had seeped through to make out its shape. The fact that there had never been such a city as the boy described (or, if so, it had only existed in the myth of prehistory) was not the most upsetting part of the story, but it was disturbing. It was all disturbing. The gunslinger was afraid of the implications.

"Jake?"

"Uh-huh?"

"Do you want to remember this when you wake up, or forget it?"

"Forget it," the boy said promptly. "I bled."

"All right You're going to sleep, understand? Go ahead and lie over."

Jake laid over, looking small and peaceful and harm less. The gunslinger did not believe he was harmless. There was a deadly feeling about him, and the stink of pre destination. He didn't like the feeling, but he liked the boy. He liked him a great deal.

"Jake?"

"Shhh. I want to sleep."

"Yes. And when you wake up you won't remember any of this."