Those had been dark times indeed for Delain. The chaos Flagg so earnestly wished had almost come upon the land. Valera had been removed; mad King Alan had ascended the throne in his place. If he had lived another ten years, the Kingdom surely would have drowned in blood... but Alan was struck down by lightning while playing cubits on the back lawn in the pouring rain one day (as I told you, he was mad). It was lightning, some said, sent by the gods themselves. He was followed by his niece, Kyla, who became known as Kyla the Good... and from Kyla, the line of succession had run straight and true down through the generations to Roland, and the brothers to whose tale you have been listening. It was Kyla, the Good Queen, who brought the land out of its darkness and poverty. She had nearly bankrupted the Royal Treasury to do it, but she knew that currency, hard currency-is the life's blood of a kingdom. Much of Delain's hard currency had been drained away during the wild, weird reign of Alan II, a King who had sometimes drunk blood from the notched ears of his servants and who had insisted that he could fly; a King more interested in magic and necromancy than profit and loss and the welfare of his people. Kyla knew it would take a massive flow of both love and guilders to set the wrongs of Alan's reign right, and she began by trying to put every able-bodied person in Delain back to work, from eldest to youngest.
Many of the older citizens of the castle keep had been set to making napkins-not because napkins were needed (I think I have already told you how most of Delain's royalty and nobility felt about them), but because work was needed. These were hands that had been idle for twenty years or more in some cases, and they worked with a will, weaving on looms exactly like the one in Sasha's dollhouse... except in the matter of size, of course!
For ten years these old people, over a thousand of them, made napkins and drew hard coin from Kyla's Treasury for their work. For ten years people only slightly younger and a little more able to get about had taken them down to the cool, dry storeroom below the castle. Peter had noticed that some of the napkins brought to him were moth-eaten as well as musty-smelling. The wonder, although he didn't know it, was that so many of them were still in such fine condition.
Dennis could have told him that the napkins were brought, used once, removed (minus the few threads Peter plucked from each), and then simply thrown away. After all, why not? There were enough of them, all told, to last five hundred princes five hundred years... and longer. If Anders Peyna had not been a merciful man as well as a hard one, there really might have been a finite number of napkins. But he knew how badly that nameless woman in the rocking chair needed the work and the pittance it brought in (Kyla the Good had known the same, in her time), and so he kept her on, as he continued to see that Beson's guilders went on flowing after the Staads were forced to flee. She became a fixture outside the room of the napkins, that old woman with her needle for unmaking rather than making. There she sat in her rocker, year after year, removing tens of thousands of royal crests, and so it was really not surprising that no word of Peter's petty thievery ever reached Flagg's ears.
So you see that, except for that one mistaken assumption and that one unasked question, Peter could have gotten about his work much faster. It did sometimes seem to him that the napkins were not shrinking as rapidly as they ought to have done, but it never occurred to him to question his basic (if vague) idea that the napkins he used were being regularly returned to him. If he had asked himself that one simple question-!
But perhaps, in the end, all things worked for the best.
Or perhaps not. That is another thing you must decide for yourself.
76
Eventually Dennis got over his fright of being Thomas's butler. After all, Thomas ignored him almost completely, except to sometimes berate him for forgetting to put out his shoes (usually Thomas himself had left his shoes somewhere else, then forgotten where) or to insist Dennis have a glass of wine with him. The wine always made Dennis feel sick to his stomach, although he had come to enjoy a wee drop of bundle-gin in the evenings. He drank it nonetheless. He did not need his good old Da' around to tell him one did not refuse to drink with the King when asked. And sometimes, usually when he was drunk, Thomas would forbid Dennis to go home but insist that he spend the night in Thomas's apartments instead. Dennis supposed-and rightly-that these were nights on which Thomas simply felt too lonely to bear his own solitary company. He would give long, besotted, rambling sermons on how difficult it was to be King, how he was trying to do the best job he could and be fair, and how everyone hated him for some reason or other just the same. Thomas often wept during these sermons, or laughed wildly at nothing, but usually he just fell asleep half-way through some mangled defense of one tax or another. Some-times he staggered off to his bed, and Dennis could sleep on the couch. More often, Thomas fell asleep-or passed out-on the couch, and Dennis made his uncomfortable bed on the cooling hearth. It was perhaps the strangest existence any King's butler had ever known, but, of course, it seemed normal enough to Dennis because it was all he had ever known.
Thomas mostly ignoring him was one thing. Flagg ignoring him was another, even more important thing. Flagg had, in fact, entirely dismissed Dennis's part in his scheme to send Peter to the Needle. Dennis had been no more than a tool to him-a tool which had served its purpose and could be put aside. If he had thought of Dennis, it would have seemed to him that the tool had been well rewarded: Dennis was the King's butler, after all.
But on an early winter's night in the year when Peter was twenty-one and Thomas sixteen, a night when Peter's thin rope was finally nearing completion, Dennis saw something which changed everything-and it is with the thing Dennis saw that cold night that I must begin to narrate the final events in my tale.