The Dark Tower (The Dark Tower #7)

The road and the tale have both been long, would you not say so? The trip has been long and the cost has been high... but no great thing was ever attained easily. A long tale, like a tall Tower, must be built a stone at a time. Now, however, as the end draws closer, you must mark yon two travelers walking toward us with great care. The older man-he with the tanned, lined face and the gun on his hip-is pulling the cart they call Ho Fat II.

The younger one-he with the oversized drawing pad tucked under his arm that makes him look like a student in days of old-is walking along beside it. They are climbing a long, gently upsloping hill not much different from hundreds of others they have climbed. The overgrown road they follow is lined on either side with the remains of rock walls; wild roses grow in amiable profusion amid die tumbles of fieldstone. In the open, brush-dotted land beyond these fallen walls are strange stone edifices. Some look like the ruins of castles; others have the appearance of Egyptian obelisks; a few are clearly Speaking Rings of the sort where demons may be summoned; one ancient ruin of stone pillars and plinths has the look of Stonehenge.

One almost expects to see hooded Druids gathered in the center of that great circle, perhaps casting die runes, but the keepers of these monuments, these precursors of the Great Monument, are all gone. Only small herds of bannock graze where once they worshipped.

Never mind. It's not old ruins we've come to observe near the end of our long journey, but the old gunslinger pulling the handles of the cart. We stand at the crest of the hill and wait as he comes toward us. He comes. And comes. Relendess as ever, a man who always learns to speak the language of the land (at least some of it) and die customs of the country; he is still a man who would straighten pictures in strange hotel rooms. Much about him has changed, but not that. He crests the hill, so close to us now that we can smell the sour tang of his sweat. He looks up, a quick and automatic glance he shoots first ahead and then to either side as he tops any hill-Always conyer vantagewas Cort's rule, and the last of his pupils has still not forgotten it. He looks up without interest, looks down... and stops. After a moment of staring at the broken, weed-infested paving of the road, he looks up again, more slowly this time. Much more slowly. As if in dread of what he thinks he has seen.

And it's here we mustjoin him-sink into him-although how we will ever con the vantage of Roland's heart at such a moment as this, when the single-minded goal of his lifetime at last comes in sight, is more than this poor excuse for a storyman can ever tell. Some moments are beyond imagination.

Roland glanced up quickly as he topped the hill, not because he expected trouble but because the habit was too deeply ingrained to break. Always con yer vantage, Cort had told them, drilling it into their heads from the time when they had been litde more than babbies. He looked back down at the road-it was becoming more and more difficult to swerve among the roses without crushing any, although he had managed the trick so far-and then, belatedly, realized what he had just seen.

What you thought you saw, Roland told himself, still looking down at the road. It's probably just another of the strange ruins we've been passing ever since we started moving again.

But even then Roland knew it wasn't so. What he'd seen was not to either side of the Tower Road, but dead ahead.

He looked up again, hearing his neck creak like hinges in an old door, and there, still miles ahead but now visible on the horizon, real as roses, was the top of the Dark Tower. That which he had seen in a thousand dreams he now saw with his living eyes.

Sixty or eighty yards ahead, the road rose to a higher hill with an ancient Speaking Ring moldering in the ivy and honeysuckle on one side and a grove of ironwood trees on the other. At the center of this near horizon, the black shape rose in the near distance, blotting out a tiny portion of the blue sky.

Patrick came to a stop beside Roland and made one of his hooting sounds.

"Do you see it?" Roland asked. His voice was dusty, cracked with amazement. Then, before Patrick could answer, the gunslinger pointed to what the boy wore around his neck. In the end, the binoculars had been the only item in Mordred's little bit of gunna worth taking.

"Give them over, Pat."

Patrick did, willingly enough. Roland raised them to his eyes, made a minute adjustment to the knurled focus knob, and then caught his breath as the top of the Tower sprang into view, seemingly close enough to touch. How much was visible over the horizon? How much was he looking at? Twenty feet? Perhaps as much as fifty? He didn't know, but he could see at least three of the narrow slit-windows which ascended the Tower's barrel in a spiral, and he could see the oriel window at the top, its many colors blazing in the spring sunshine, the black center seeming to peer back down the binoculars at him like the very Eye of Todash.

Patrick hooted and held out a hand for the binoculars. He wanted his own look, and Roland handed the glasses over without a murmur. He felt light-headed, not really there. It occurred to him that he had sometimes felt like that in the weeks before his battle with Cort, as though he were a dream or a moonbeam.

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