Once he had identified them for what they were, he let his gaze go where it had wanted to be from the moment the ele-vaydor doors opened. There was a large black-and-white picture on the wall to his left. This was a photograph (he had originally thought the word was fottergraf) about five feet long and three wide, mounted without a frame, curved so cunningly to the shape of the wall diat it looked like a hole into some unnaturally still reality. Three men in jeans and open-necked shirts sat on the top rail of a fence, their boots hooked under the lowest rail.
How many times, Roland wondered, had he seen cowboys or pastorillas sitting just that way while they watched branding, roping, gelding, or the breaking of wild horses? How many times had he sat so himself, sometimes with one or more of his old tet-Cuthbert, Alain, Jamie DeCurry-sitting to either side of him, as John Cullum and Aaron Deepneau sat flanking the black man with the gold-rimmed spectacles and the tiny white moustache? The remembering made him ache, and this was no mere ache of the mind; his stomach clenched and his heart sped up. The three in the picture had been caught laughing at something, and the result was a kind of timeless perfection, one of those rare moments when men are glad to be what they are and where they are.
"The Founding Fathers," Nancy said. She sounded both amused and sad. "That photo was taken on an executive retreat in 1986. Taos, New Mexico. Three city boys in cow country, how about that. And don't they look like they're having the time of their lives?"
"You say true," Roland said.
"Do you know all three?"
Roland nodded. He knew them, all right, although he had never met Moses Carver, the man in the middle. Dan Holmes's partner, Odetta Holmes's godfather. In the picture he looked to be a robust and healthy seventy, but surely by 1986 he had to be closer to eighty. Perhaps eighty-five. Of course, Roland reminded himself, there was a wild card here: the marvelous thing he'd just seen in the lobby of this building. The rose was no more a fountain of youth than the turtle in the little pocket park across the street was the real Maturin, but did he think it had certain beneficent qualities? Yes he did. Certain healing qualities? Yes he did. Did he believe that the nine years of life Aaron Deepneau had gotten between 1977 and the taking of this picture in 1986 had just been a matter of the /-torn-replacing pills and medical treatments of the old people? No he did not.
These three men-Carver, Cullum, and Deepneau-had come togetiier, almost magically, to fight for the rose in their old age.
Their tale, the gunslinger believed, would make a book in itself, very likely a fine and exciting one. What Roland believed was simplicity itself: the rose had shown its gratitude.
"When did they die?" he asked Nancy Deepneau.
"John Cullum went first, in 1989," she said. "Victim of a gunshot wound. He lasted twelve hours in the hospital, long enough for everyone to say goodbye. He was in New York for the annual board meeting. According to the NYPD, it was a streetside mugging gone bad. We believe he was killed by an agent of either Sombra or North Central Positronics. Probably one of the can-toi. There were other attempts that missed."
"Both Sombra and Positronics come to the same thing,"
said Roland. "They're the agencies of the Crimson King in this world."
"We know," she said, then pointed to the man on the left side of the picture, the one she so strongly resembled. "Uncle Aaron lived until 1992. When you met him... in 1977?"
"Yes," Roland said.
"In 1977, no one would have believed he could live so long."
"Did the fayen-folken kill him, too?"
"No, the cancer came back, that's all. He died in his bed. I was there. The last thing he said was, 'Tell Roland we did our best.' And so I do tell you."
"Thankee-sai." He heard the roughness in his voice and hoped she would mistake it for curtness. Many had done their best for him, was it not true? A great many, beginning with Susan Delgado, all those years ago.
"Are you all right?" she asked in a low, sympathetic voice.
"Yes," he said. "Fine. And Moses Carver? When did he pass?"
She raised her eyebrows, then laughed.
"What-?"
"Look for yourself!"
She pointed toward the glass doors. Now approaching them from the inside, passing the desk-minding woman who had apparently been talking to herself, was a wizened man with fluffy fly-away hair and white eyebrows to match. His skin was dark, but the woman upon whose arm he leaned was even darker. He was tall-perhaps six-and-three, if the bend had been taken out of his spine-but the woman was even taller, at least six-and-six.
Her face was not beautiful but almost savagely handsome. The face of a warrior.
The face of a gunslinger.
NINE
Had Moses Carver's spine been straight, he and Roland would have been eye-to-eye. As it was, Carver needed to look up slightly, which he did by cocking his head, birdlike. He seemed incapable of actually bending his neck; arthritis had locked it in place. His eyes were brown, the whites so muddy it was difficult to tell where the irises ended, and they were full of merry laughter behind their gold-rimmed spectacles. He still had the tiny white moustache.
"Roland of Gilead!" said he. "How I've longed to meet you, sir! I b'lieve it's what's kept me alive so long after John and Aaron passed. Let loose of me a minute, Marian, let loose!