"Mister? Roland?"
She thought he had been dozing with his eyes open. Now he turned to her from where he sat in the passenger bucket seat with his hands in his lap, the good one folded over the mutilated one, hiding it. She thought she had never seen anyone who looked less like he belonged in a Mercedes-Benz. Or any automobile. She also thought she had never seen a man who looked so tired.
But he's not used up. I don't think he's anywhere near used up, although he may think otherwise.
"The animal... Oy?"
"Oy, yes." The bumbler looked up at the sound of his name, but didn't repeat it as he might have done only yesterday.
"Is it a dog? It isn't, exactly, is it?"
"He, not it. And no, he's not a dog."
Irene Tassenbaum opened her mouth, then closed it again.
This was difficult, because silence in company did not come naturally to her. And she was with a man she found attractive, even in his grief and exhaustion (perhaps to some degree because of those things). A dying boy had asked her to take this man to New York City, and get him to the places he needed to go once they were there. He'd said that his friend knew even less about New York than he did about money, and she believed that was true. But she also believed this man was dangerous.
She wanted to ask more questions, but what if he answered them? She understood that the less she knew, the better her chance, once he was gone, of merging into the life she'd been living at quarter to four this afternoon. To merge the way you merged onto the turnpike from a side road. That would be best.
She turned on the radio and found a station playing "Amazing Grace." The next time she looked at her strange companion, she saw that he was looking out at the darkening sky and weeping. Then she chanced to look down and saw something much odder, something that moved her heart as it had not been moved in fifteen years, when she had miscarried her one and only effort to have a child.
The animal, the not-dog, the Oy... he was crying, too.
FOURTEEN
She got off 95 just over the Massachusetts state line and checked them into a pair of side-by-side rooms in a dump called the Sea Breeze Inn. She hadn't thought to bring her driving glasses, the ones she called her bug's-asshole glasses (as in "when I'm wearing these things I can see up a bug's ass**le"), and she didn't like driving at night, anyway. Bug's-asshole glasses or not, driving at night fried her nerves, and that was apt to bring on a migraine. With a migraine she would be of no use to either of them, and her Imitrex was sitting uselessly in the medicine cabinet back in East Stoneham.
"Plus," she told Roland, "if this Tet Corporation you're looking for is in a business building, you won't be able to get inside until Monday, anyway." Probably not true; this was the sort of man who got into places when he wanted. You couldn't keep him out. She guessed that was part of his attraction to a certain kind of woman.
In any case, he did not object to the motel. No, he would not go out to dinner with her, and so she found the nearest bearable fast-food franchise and brought back a late dinner from RFC. They ate in Roland's room. Irene fixed Oy a plate without being asked. Oy ate a single piece of the chicken, holding it neatly between his paws, then went into the bathroom and appeared to fall asleep on the mat in front of the tub.
"Why do they call this the Sea Breeze?" Roland asked.
Unlike Oy, he was eating some of everything, but he did it with no sign of pleasure. He ate like a man doing work. "I get no smell of the ocean."
"Well, probably you can when the wind's in the right quarter and blowing a hurricane," she said. "It's what we call poetic license, Roland."
He nodded, showing unexpected (to her, at least) understanding.
"Pretty lies," he said.
"Yes, I suppose."